The Frank Gagliardi Music Manuscript Collection (approximately 1964-1974) contains musical arrangements of standard Frank Sinatra songs, printed or photocopied with annotations. Each part is in its own folder, and each song is numbered. Frank Gagliardi performed as percussionist in Antonio Morelli's orchestra for the Sands Hotel in Las Vegas, Nevada, where he played for Frank Sinatra and other notable entertainers during the 1960s and 1970s.

Oral history interview with Donna and Gail Andress conducted by Karen Schank on April 13, 2011 for the Boyer Early Las Vegas Oral History Project.

Donna and Gail Andress talk about their early lives and how they each came to live in North Las Vegas (Donna moved with her family from Los Angeles and Gail with his family from Arizona). They discuss city life in the 1930s, places they spent their time as children, their education, and how they met in high school. Donna and Gail recall their marriage and early years as a married couple living apart while Gail served in the Navy as a turret gunner. The couple discuss businesses that operated in the area and shared stories of raising their children in Las Vegas.

Oral history interview with Kaweeda Adams conducted by Kim Kershaw on March 05, 2004 for the Public School Principalship Oral History Project. In this interview, Adams reflects upon her career as a teacher in Louisiana from the 1980s to the 1990s, and as a teacher and administrator with Nevada’s Clark County School District (CCSD) from the 1990s to the early 2000s. She discusses her upbringing, and how her upbringing influenced her pursuit of education. She describes the process by which she became a teacher and eventually administrator, and compares her experiences working in Louisiana and Nevada. She discusses how these experiences shaped her philosophy of education, as well as changes that she has observed in the students over time. She describes her regular job duties, as well as challenges that she faced as a school administrator such as teacher dismissal and evaluations.

The UNLV University Libraries Photographs of the Development of the Las Vegas Valley, Nevada (2016-2020) are comprised of digital photographs captured as part of the Special Collections and Archives Building Las Vegas project. Digital photographs shot in the Las Vegas Valley, Nevada, include color images of street scenes, neighborhoods, developments, land use, housing, flood control, parks, traffic patterns, and parts of the tourism corridor including casinos and hotels.

Oral history interview with Anthony Kappenman conducted by Claytee D. White on May 16, 2019 for the Remembering 1 October Oral History Project. Kappenman begins the interview by talking about his early life, childhood, work, and his time in the military. Afterwards, he recalls what he did on October 1, 2017 prior to the Route 91 festival and during the shooting. He describes his journey trying to escape the area, arriving at the airport injured, and his stay in the hospital. Then, Kappenman talks about how he felt about the way the city and first responders had responded during the shooting, and how the community united afterwards. Lastly, he talks about his opinions on gun control, his recovery, and how he felt after the shooting.

The Russ Morgan Music Manuscripts (approximately 1950-1967) are comprised of manuscript arrangements used by the Russ Morgan Band for live concert, radio, and television performances. The collection includes handwritten scores and parts for popular music.

Oral history interview with Joan Olson Griffith conducted by Sharee Schrader on April 12, 2005 for the History of Blue Diamond Village in Nevada Oral History Project. Griffith begins by discussing why she moved to Blue Diamond, Nevada with her family due to job opportunities at the Blue Diamond Plant, where they manufactured wallboard, in 1956. She describes life in Blue Diamond and rural Nevada, the education available in the village, and Blue Diamond's proximity to Bonnie Springs Ranch and structures made for the filming of Western themed media. Griffith concludes by discussing how Blue Diamond has changed since the 1950s and being a Sunday school teacher for eighteen years.