Search Results
Gay and Lesbian Community Center of Southern Nevada Photograph Collection
Identifier
Abstract
The Gay and Lesbian Community Center of Southern Nevada Photograph Collection contains mainly candid photographs of events and individuals affiliated with the Las Vegas-based Gay and Lesbian Community Center of Southern Nevada (GLCCSN) dating from 1993 to 2000. Photographs depict events honoring prominent members of the gay, lesbian, bisexual, transgender, and queer community; meetings at GLCCSN; and candidate nights for members of the community running for public office. The collection also includes a number of photographs of the Freedom to Marry celebration at the GLCCSN and the Gay Pride Las Vegas festival from 1998 to 1999.
Archival Collection
Ray Cutright Collection of Winthrop A. Davis Photographs
Identifier
Abstract
The Ray Cutright Collection of Winthrop A. Davis Photographs (approximately 1929-1939) consists of black-and-white photographic prints with some corresponding negatives and slides of the construction of Hoover Dam and the geographic terrain of southern Nevada during the early 1930s. Included are photographs of the geographic area around the dam site, Black Canyon, and Boulder City, Nevada. Photographs depict the construction of facilities and roads needed for the project.
Archival Collection
William S. Park Photograph Collection
Identifier
Abstract
The William S. Park Photograph Collection (approximately 1870-1960) consists of black-and-white photographic prints and negatives of the families of William S. Park, John S. Park, and John William Park, as well as photographs of the Thomas children, half-siblings of John William Park's daughter Virginia. The majority of the images show locations in Las Vegas, Nevada with a smaller number taken in Kentucky, Oklahoma, Colorado, and California. Also included are three photograph albums of William S. and John William Park as children.
Archival Collection
Baneberry Nuclear Test Trial Records
Identifier
Abstract
The Baneberry Nuclear Test Trial Records (1969-1989) contain documents of a federal court case regarding a 1970 Nevada Test Site nuclear test and the resultant radioactive cloud which may have exposed and subsequently injured the test site workers. The consolidated suits, William Nunamaker vs. the United States and Harley Roberts vs. the United States, came to trial January 1979, in Federal District Court, Las Vegas, U.S. District Judge Roger Foley presiding. The materials in the collection consist of court documents, such as transcripts of the trial, briefs, findings and statements, an appeal, orders, defense and plaintiff exhibits, and indices to the exhibits and witnesses as well as a glossary of terms.
Archival Collection
Bob Weinstein Papers on Compulsive Gambling
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Abstract
The Bob Weinstein Papers on Compulsive Gambling (1945-2024) contain pamphlets, brochures, conference packets, promotional material, correspondence, and ephemera related to Weinstein's involvement in Gamblers Anonymous (G.A.). The collection contains G.A. recovery resources, workshop and training booklets, and meeting minutes and correspondence from Weinstein's time on the G.A. International Board of Trustees. Also contained in the collection are copies of correspondence from Jim W. (founder of Gamblers Anonymous) to Bill W. (a founder of Alcoholics Anonymous) and many books and other publications related to compulsive gambling.
Archival Collection
Harry Hayden Whiteley Architectural Records
Identifier
Abstract
The Harry Hayden Whiteley Architectural Records are comprised of architectural records (1931-1970) created and/or maintained by the American architect Harry Hayden Whiteley and/or his architectural firm, known as Harry Hayden Whiteley and Associates. This collection includes 30.21 linear feet of materials including 45 items from over 30 projects. The collection focuses on his work in the Las Vegas and Reno, Nevada areas. The materials feature both architectural drawings and project files. Architectural drawings include pencil and ink on tracing paper preliminary sketches and mounted artist’s renderings used for presentations and promotional materials. Project files include project correspondence, photographs, and structural calculations. The drawings also contain work from the architect Paul Revere Williams. The collection includes architectural drawings for hotels, shopping plazas, residential developments, and office buildings.
Archival Collection
Photographs of MGM Grand signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: MGM Grand Hotel and Casino
Site address: 3799 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The MGM Grand is host to several types and numbers of signs around the exterior of the property. These types include the MGM lion logo and text which adorn the tops of the towers, a multimedia pylon sign, a golden monument sculpture of a lion which serves as the main entrance, and several smaller textual signs that denote parking and entrances.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The MGM's signage is excellent repair, being a less than a decade old. The structure is intact, as well as all the lighting, and surface.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The property contains different types signs including Pylon, sculpted three-dimensional signs as well as building front logos. The pylon sits along the East side of Las Vegas Blvd, just north of Tropicana Blvd, and faces north /south. Constructed as if to appear as different sized towers from the emerald city, the double backed pylon contains the MGM Lion Logo in a backlit steel cabinet and the Letters "MGM" at the top in gold polished channel letters with horizontal bars of Neon. Directly beneath that sit two message centers one being an animated color LED screen on the left, and the one on the right being a backlit plastic advertisement screen. Located beneath the two screens the phrase The City of Entertainment in all capital polished gold aluminum channel letters with neon running horizontally across the diameter of the letters. The sculpted three dimensional lion structure sits on the North East corner of Las Vegas Blvd and Tropicana and faces to the Southwest. The statue appears to be made of polished gold and is surrounded by an impressive array of fountains, which are illuminated themselves. The statue is ambiently lit from underneath with spot lighting and the glow of the fountains. Serving as a backdrop for the structure, an impressive wall of multicolored incandescent bulbs form a concave geometric canvass that wraps the corner of the building. This wall is separated into different sized fields by square columns of similar height. Sitting atop each of the columns is a statue of a man holding a giant urn upon his back. The statuary is lit from underneath with ambient lighting similar to that of the lion sculpture. The bulbs animate in a subtle waving pattern that gently creates the illusion of a rippling of the surface.
Sign - type of display: Neon; Incandescent; Matrix; Backlit
Sign - media: Steel; Plastic; Fiberglass; Masonry; Glass
Sign animation: Chasing, flashing, oscillating
Notes: The V-shaped red channels on the silver main pylon chase each other downward toward the ground. The main text on the pylon animates as well. The letters light up one at a time with red neon from left to right as the arrows continue to chase downward. The logo/text sign located above the giant replica of the Harley Davidson, animate as well. The incandescent bulbs which fill the text, spelling the name of the establishment, oscillate, steady burn, then shut off, and then restarting the sequence. The letters that spell cafe on the lower portion of the sign animate in concert and with the same sequence as the main text.
Sign environment: The MGM Grand dominates the corner on which it sits. Headed west on Tropicana toward the Strip the property casts a green glow but not too electrifying. Once you reach the corner you can't help but be overwhelmed by standing underneath the looming golden lion and the bustling fountains. Facing the structure from the corner, the facade becomes a canvass of dancing light and water. Look up toward the strip the giant pylon booms the golden letters "MGM" and busy LED screens.
Sign - date of installation: Property was opened in 1993 but signage was changed in 1998
Sign - date of redesign/move: The original sculpted lion entrance was replaced in 1998 with a new trophy style sculpture. With the original sphinx structure, patrons passed trough the mouth of the lion into the main lobby of the hotel. Guests and visitors now pass around the pedestal on which the lion sits upon.
Sign - thematic influences: The exterior of the MGM Grand Hotel incorporates the themes of the movie industry for which the name is so prominent. Most specifically the Wizard of Oz's Emerald city theme. The structure is designed to look as such with the base color of the building being emerald green as well as the pylon structures and attached buildings such as the parking garage. The font and MGM lion logo are represented with gold coloring referencing Oz's yellow brick road. The statue is reminiscent of an Academy award also referencing the industry which the name is so familiar with.
Sign - artistic significance: The establishment joins the era of themed modern Vegas resorts with its front spectacle, super pylon and aesthetic which is entirely encompassed by its theme.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Matrix; Backlit; Steel; Plastic; Fiberglass; Masonry; Glass
Mixed Content
Sook-ja Kim, February 12, 1996 and April 6, 1996: transcript
Date
Archival Collection
Description
The Kim Sisters, composed of three sisters, Sook-ja, Ai-ja, and Mia, came from Korea to Las Vegas in February 1959. Their first contract in America was to perform at the Thunderbird Hotel for four weeks as part of the China Doll Revue, the main showroom program. This engagement led to a successful career. Their popularity reached was at its height at the end of the 1960s when they performed throughout the United States and Europe. Sook-ja Kim is the oldest of the sisters. After his sister Ai-ja died in 1987, Sook-ja teamed up with her two brothers and continued to perform until 1989. Now semi-retired from show business, with occasional performances in Korea, she is working as a real estate agent. In this interview, she talked about her childhood, her career, and the family she has built since coming to America. Sook-ja was born in 1941 in Seoul, Korea as the third child of seven in a musical family. Her father was a conductor and her mother, a popular singer. After the Korean War, her mother arranged to send the Kim Sisters to America. When they came to Las Vegas, there were virtually no Koreans in the area. They depended on each other to take care of themselves. Some of the difficulties they had to adjust to in American were language, food, and cultural differences. Over the span of almost forty years in America, Sook-ja became acculturated without discarding her ethnic identity of family priorities. Her life-long guiding principle has been to adopt certain American values while continuing to keep her cherished Korean ethnic values. Through their performances, the Kim Sister informed the audience about Koreans and their culture. As the oldest of the group, Sook-ja was entrusted the care of her sisters, and later her brothers, the Kim brothers. Once she settled in Las Vegas, she brought more than forty members of her extended family to the city, contributing to the growth of the Las Vegas Korean community.
Text
University of Nevada, Las Vegas (UNLV) William F. Harrah College of Hotel Administration Diploma Ceremony program
Date
Archival Collection
Description
Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
Text
Taylour Tedder (Boulder City, City Manager) oral history interview conducted by Kelliann Beavers: transcript
Date
Archival Collection
Description
From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Government agency interviews file.
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