Search Results
Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter program committee reports
Date
2005-01
2005-03
2005-06
2005-07-19
2005-09
2005-11
2005-12
Archival Collection
Description
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Photograph of the interior of the Shubert Theatre, Cincinnati (Ohio), 1970
Date
1970
Archival Collection
Description
The Shubert Theatre stage as seen from the upper house left side of the balcony seats. Two sections of box seats are visible. The intricate wall designs are visible above the box seats and above the exit for the balcony rows. The 3,000 seat Shubert Theater was built inside what was originally the city’s original YMCA (which opened in 1848). The theater opened in 1921 as a venue for legitimate theatrical performances. The Shubert Theater switched to a combined use venue for movies and stage shows in 1935. The theater was closed in 1953 and reopened as Rev. Earl Ivies' Revival Temple. Just two years later, however, the Shubert Theater was renovated and once again returned to legitimate theater. In 1976, the Shubert Theater was demolished to make way for a parking lot. Today, there is an office building on the site. Site Name: Shubert Theater (Cincinnati, Ohio) Street Address: 90 East 7th Street
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Index map showing locations of geologic sections on plate 2 and wells on plates 2 and 3, Las Vegas Valley, Nevada, 1981 (Water-supply paper 2320-A)
Date
1981
Description
'Department of the Interior, U.S. Geological Survey. Water-supply paper 2320-a, plate 4.' 'Prepared in cooperation with the Clark County Department of Comprehensive Planning.' 'Base from U.S. Geological Survey 1:100,000 , Boulder City, Ariz.-Nev., Las Vegas, Nev.-Calif., Mesquite Lake, Nev.-Calif., 1978, Lake Mead, Nev.-Ariz., 1979.' 'Geology from Malmberg (1965); Longwell and others (1965); Bell and Smith (1980); and J. R. Harrill, 1976.' Shows township and range lines. Scale 1:100,000 (W 115°30´--W 115°00´/N 36°30´--N 36°00´). Series: U.S. Geological Survey water-supply paper
2320-A. Originally published as plate 4 of Ground-water conditions in Las Vegas Valley, Clark County, Nevada. Part I. Hydrogeologic framework / by Russell W. Plume, published by the U.S. Geological Survey in 1989 as Water-supply paper 2320-A.
2320-A. Originally published as plate 4 of Ground-water conditions in Las Vegas Valley, Clark County, Nevada. Part I. Hydrogeologic framework / by Russell W. Plume, published by the U.S. Geological Survey in 1989 as Water-supply paper 2320-A.
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Transcript of interview with Charlene Herst by Barbara Tabach, September 09, 2016
Date
2016-09-09
Archival Collection
Description
In 2014, Charlene, n?e Friedkin, Herst retired from her state government career, settled into volunteer work, being a mother and grandmother, and being a grant writer for others. After thirteen years in Carson City, she came back home to Las Vegas. Charlene was eight years old when her parents, Patricia and Richard Friedkin, moved their family to Las Vegas from northern California. She remembers vividly the hot day that they arrived and moved into a rental house in the desert across from Woodlawn Cemetery. Her father, formerly in the grocery business, found work at Vegas Village. Two years later they moved ?into Las Vegas at the very edge?which was Oakey.? She recalls people she has known since those first years who have been instrumental in the growth of Las Vegas; the challenges of being a divorced single mother of four; and the career path that began with an invitation from Gene Greenberg to apply for a part time position at Channel 3, where he was sales manager. At Channel 3 she quickly went from part time to full-time. She started the Community Projects Board, which brought together nonprofit organizations together at the studio in the 1980s to identify and develop marketing campaigns that addressed social issues in the community. Initiatives included Baby Your Baby and Smoking Stinks. While working for Channel 3, she also attended UNLV and received a communications degree in 1995. In 1997 she worked at Sierra Health Services in public relations. Then in October 2001, Charlene started her career in state government as the Nevada State Health Division?s Manager of the Tobacco Program. Over the course of her thirteen year career with the state, she was promoted to positions that continued her dedication to improving the quality of life of all Nevadans. She was instrumental in the implementation of the Nevada Clean Indoor Air Act (2006); improving prevention services to women; reducing the rate of substance use and abuse in the state. The date of her retirement, October 10, 2014, was officially proclaimed in honor of Charlene Herst by Governor Brian Sandoval.
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Transcript of interview with Ruth Poirier by Joanne Goodwin, February 5, 2003
Date
2003-02-05
Archival Collection
Description
In 1927, a sixteen-year-old girl from Rockford, Illinois moved to New York City to play trumpet with the all-girl bands common from the 1920s through the end of World War II. During this period, which spanned Prohibition, the Great Depression, and World War II, all-girl bands came into their own in America. They were especially popular during the war, when most men were off fighting but people still needed and appreciated music. This was also a time when jazz and swing became wildly popular in this country. All-girl bands were able fill a niche left empty by men at war. Doris Eloise Pressler was born in Jamesville, Illinois on January 17, 1911 to Bertha Hendrich Pressler and Louis Pressler. Almost immediately after her birth, the Pressler family moved to Rockford, Illinois. Bertha was a teacher, a homemaker and mother. Louis did auto body hand-painting and also managed a bar. In addition, he played baritone saxophone and taught his daughter Doris to play trumpet. They both performed with hometown bands, playing churches, dances, and other social events. In 1927 at age sixteen, Doris left school, moved out of the family home, and went to work for Walgreens in downtown Rockford. In her free time she played music. Doris began her professional music career in 1927 as a trumpeter with the Gypsy Sweethearts in Rockford. That same year, she moved to New York, where she played in the only women’s band that ever performed at New York’s historic Roseland Ballroom. During the early 1930s, Doris performed with the Red Dominos, an all-girl band that was part of a variety show produced by E. K. Nadel. However, it was tough for girl musicians during the Depression. Few managers wanted to hire female players when so many men were out of work. Doris persevered, and through the 1940s, she traveled and played with other all-girl bands such as Annette Demon and her French Dolls and the Hollywood Debs. While Doris pursued her music career, a little girl in Wisconsin was learning to play the piano and trombone. Born on April 13, 1917, Ruth Poirier came from a musical family: her father John played drums and French horn, her brother drums and bassoon. John performed with the local Elks Club group, while Ruth and her brother played for their high school band. Ruth’s mother Mary had been a nurse, so when she finished high school Ruth decided to attend nursing school in Chicago. After a year, she returned home to Wisconsin and trained as a beautician. In 1939, Ruth answered a local ad for girl musicians and signed on as a trombonist with an all-girl band. Her first gig lasted only a month, the band dissolved, and she left to tour with Annette Demon and her French Dolls out of Milwaukee. While playing down South, Ruth met a fellow musician who became her lifelong companion, Doris Pressler. In July 1939, Ruth and Doris took off for Southern California. While living in Long Beach, Doris performed with bands at the 660 Club on the Pike, a well-known waterfront amusement park, and at the Waldorf Cellar. She also played a gig at Murphy’s, across from the Showboat in Las Vegas. Girl musicians began getting more jobs because the men were being called into military service. Ruth, a “Rosie the Riveter” during the war years, helped to build Navy fighter planes for Douglas Aircraft in El Segundo, California. After the war ended in 1945 women, whether “Rosie the Riveters” or band members, lost their jobs to the hordes of returning servicemen. Realizing that all-girl bands were “gonna go nowhere at all,” Doris had decided in the early 1940s to return to school and pursue studies in her second love, mathematics. She took classes in math and engineering at the University of Southern California, and then joined the Los Angeles County surveyors’ department as a civil engineer. After two years there, Doris transferred to the road department, where she worked until her retirement in 1974. Ruth returned to work as a beautician, running a shop out of her home. The Greater Los Angeles area contained an active gay and lesbian community both during and after the war. Doris and Ruth enjoyed a social life that included girls’ clubs such as Tess’s and drag clubs like the Flamingo. According to Ruth, these were “sitting-down, drinking places…and visiting. We had one club where they had dancing…. But then they let everybody in.” After the war, everybody just wanted to have fun, and Doris and Ruth enjoyed getting together with all types of friends in clubs and in private homes. During these at-home evenings, Doris and others would play popular music for everyone’s enjoyment. After their retirement to Las Vegas in 1974, Doris and Ruth were active in their local senior center. Doris played with the Las Vegas Senior Band for ten years, and Ruth worked in support of the band and the center. According to Ruth, Doris loved playing with the band, and enjoyed it more because she was retired and could devote herself to her playing. Doris Pressler and Ruth Poirier lived together through six decades of radical social change in America. From the rise of women musicians and workers outside the home, through the return of women to more “traditional” roles after World War II, and finally the revolution in women’s roles from the 1960s to the present, Doris and Ruth experienced it all. And through it all, they maintained a relationship that lasted for 62 years, until Doris’s death. According to Ruth, “I enjoyed my life. I never found anything wrong with . ... I think Doris would say the same."
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