Information about the Blue Angel Motel that sits at 2110 Fremont St. Site address: 2110 Fremont St Sign owner: Bartsas Mary 22 LLC Sign details: Motel was originally constructed c. 1956. Sits on a 2.54 acre site. Property was later changed to Club 2110, but now is vacant. Sign condition: Unknown - Angel is being repaired by City Centennial Commision and YESCO, and will believed to be placed on medium of Fremont and Charleston once restored. 4 - Arches were repainted at unknown time from original blue to a deep forest green, "Blue Angel" was removed and "Night Club" was put up in blue angels place. "Motel" wording on flag portions of the sign was painted over and replaced with "Club 2110". doesn't have any form of lighting, appears to be in decent condition. Sign form: Angel - Sculpted Pole Sign/ Monument Sign, Arches: Pole sign with protruding arches on either side. Originally the left side arch would have rested on the Blue Angel motel building, but when it was torn down so was the connection, so it is free hanging off the pole support system. Sign-specific description: Angel: Pole sign with sculpture of Angel on top. Was internally illuminated, her skin, hair, halow, pole, wand, used to illuminate. Two flag signs hung off of angel pedestal, one read "Motel" other would read "Blue Angel" on opposite sides of the pole. Would of glowed with blue neon. Arches: Repainted by new owner: Arcs protruding on either side of the pole with the words "Night" and "Club" on each other arches. There are flag like components going down the pole support with stars on the opposite side of each component. Slight directional tool of the flags that point downwards to the ground. The stars do not have any lighting system of their own (no neon or bulbs). Each flag component is double sided with painted on graphics. Sign - type of display: Neon, and internally illuminated plastic Sign - media: Steel, fiberglass Sign animation: Possible rotation of the angel? Sign environment: The property is surrounded by other motels, shopping centers and gas stations Sign manufacturer: YESCO Sign designer: Betty Willis Sign architect of record: C. 1956 Sign - date of installation: C. 1956 Sign - date of redesign/move: Angel - 2014 repaint, 2017 refurbishment, c. 2014 repaint of arches Sign - thematic influences: Believed that angel was modeled after Marilyn Monroe Sign - artistic significance: 1950s pop culture themes - Marilyn Monroe and Disney-esque angel Survey - research locations: Motel site, www.roadarch.com, UNLV photo collections, assessor's website Surveyor: Danny Jacobs Survey - date completed: 2017-08-12 Sign keywords: Sculptural; Neon; Steel; Fiberglass; Pole sign; Internally illuminated; Incandescent
On March 5, 1980, collector Robbin McLaurin interviews three members of the Jones family, Willie, James, and Jamet Jones (born 1923, 1920, and 1961, respectively) in the Jones home. Mr. and Mrs. Jones were born in Forest, Mississippi, and relocated to Las Vegas, Nevada, for employment related purposes. This interview covers Las Vegas, past and present.
On March 7, 1980, John Everett interviewed his father, cab driver Dale Everett (born January 29, 1924 in Danville, Illinois) at their family home in Las Vegas, Nevada. This interview covers past local historical data. During the interview, Mr. Everett discusses the weather, wildlife, and hunting. He also shares his views on prostitution and gambling in Las Vegas.
Oral history interview with Benilda Long Somes conducted by Vincent Long on November 29, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Benilda discusses her life in Magalang, Philippines and her immigration to Saipan, part of the Northern Mariana Islands, as a young woman. She talks about meeting her partner, airman Robert Long, the birth of their son, and Robert's untimely death in an air crash less than a year later. Benilda shares how she and her child immigrated to the United States to be with family and their move to Las Vegas, Nevada in 2009.
From the Clark County Economic Opportunity Board Records -- Series I. Administrative. This folder contains financial memos and reports of the Clark County Economic Opportunity Board from 1964 through 1965.
Oral history interview with Stephen Round conducted by Claytee D. White on October 25, 2017 for the Remembering 1 October Oral History Project. In this interview, Stephen A. Round, a career military contractor, describes his experiences during the 2017 mass shooting in Las Vegas, Nevada. Round mentions moving to Las Vegas in 2013 and in later years staying at the Aria on the evening of October 1. He describes the chaos of the shooting and the 12-hour-plus lockdown at the Aria hotel and casino. The day after the shooting, Round built a memorial around the shooting site and protected it. Once the memorabilia of that first site was taken to the Clark County Museum, he moved to protect the second memorial at the "Welcome to Las Vegas" sign where crosses devoted to the victims had been placed. Along with his preservation of the memorials, Round describes his preparation of a book that was signed by many who visited the sites. Round explains that he was able to see some of the best and worst of humanity during those days of watching and caring for the memorial sites as well as helping any victims, families of the victims, and sympathizers of the Las Vegas 2017 shooting.
George was raised in Mattapan, a suburb of Boston, by his mother and father. George had four siblings and was the second youngest. George shares fond memories of growing up and playing softball and tennis in the neighborhood park with his numerous friends. George could listen to a song on the radio and play it on the piano by ear when he was as young as four years old. George had several jobs to earn money growing up, including working in a record store and as a busboy. Eventually George and his brother joined a trio with Steve Harrington and performed in clubs. In 1958, George joined his brother and Paulette Richards in Las Vegas where they had a contract to play at El Rancho Hotel & Casino where they played until it was destroyed by fire. Following the fire, George and his brother parted ways and each did their own thing. In the 1960s, George began playing with the band at Caesars Palace. George used his background in accounting to do some bookkeeping and payroll for some of the ban