The UNLV Libraries Collection of Binion’s Horseshoe Hotel and Casino Promotional and Press Materials includes clippings, press kits, press releases, and promotional materials dating from 1963 to 2004 for Binion’s Horseshoe Hotel and Casino in Las Vegas, Nevada.
UNLV Libraries Collection of Peppermill Casinos Incorporated Promotional and Press Materials includes clippings and promotional materials for Peppermill Casinos Incorporated properties in Reno, Nevada, Las Vegas, Nevada, and Mesquite, Nevada, dating from 1984 to 2007.
The Alan Copeland Music Scores are original handwritten music scores arranged by American composer Alan Copeland from approximately 1936 to 2004. Copeland worked with various musicians and groups, such as Les Brown, the Modernaires, and Sarah Vaughn.
The Klai Juba Wald Architectural Records (2000-2020) are comprised primarily of digital architectural renderings for projects completed by Las Vegas, Nevada architecture and interior design firm Klai Juba Wald Architecture + Interiors. The collection is comprised of renderings for the firm's projects conducted mainly around Las Vegas, but also includes projects around the United States such as the Seminole Hard Rock Hotel and Casino in Florida and Rivers Casino in Illinois. Also included are master plans and presentation slides for projects like the Choctaw Casino in Oklahoma and Live! Casino & Hotel in Maryland. Master plans for projects in Las Vegas include the LINQ, Silverton Casino Hotel, and Hard Rock Las Vegas.
Oral history interview with Edwin "Tony" Wuehle conducted by David Schwartz on December 21, 2006 for the Boyer Early Las Vegas Oral History Project. In this interview, Wuehle discusses his early life in Hettinger, North Dakota and his career as an educator. He recalls his first experiences playing poker, participating in home poker games while living in Michigan’s Upper Peninsula, and using a pseudonym as a player. Wuehle then talks about writing a book, founding the Gamblers Book Club Press in Las Vegas, Nevada, and writing for religious publications. Later, Wuehle explains the tension between participating in religion and playing poker. He describes Las Vegas poker rooms during the 1960s and 1970s and shares his thoughts on online poker. Lastly, Wuehle discusses why casinos use prop players and his efforts to organize a poker tournament to raise funds for Bay de Noc Community College in Michigan.