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Jessica Hutchings oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Jessica Hutchings conducted by Barbara Tabach on March 21, 2018 for the Remembering 1 October Oral History Project. In this interview, Jessica Hutchings discusses her experience flying to Las Vegas, Nevada on the night of the October 1, 2017 mass shooting. She speaks of her flight's detour to Phoenix, Arizona, and her discovery of the shooting. Hutchings explains how Congregation Ner Tamid, where she is a cantor, contributed to the community healing after the tragedy, including their organization of vigils, a music fundraiser called "Vegas Strong in Song," and discussing the event with teenage Hebrew School students who had questions and concerns about the shooting.
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Transcript of interview with Darrin Bush by Claytee White, June 30, 2016
Date
Archival Collection
Description
In 1948 in Las Vegas, Nevada, a camera-girl-turned-cocktail-waitress and a casino credit manager welcomed the birth of their son, Darrin Bush. After attaining his education at St. Joseph’s Catholic School and Bishop Gorman High School, Bush earned his Bachelor’s degree in journalism at the University of Nevada, Reno. Bush credits his love for photography to his mother’s influence and his study of journalism. Bush’s first job after college as a room service waiter at the Sahara Hotel eventually grew into the coveted position of room service swing captain. His swing shift duties included the entertainers' dressing rooms, which meant taking care of the entertainers, getting them what they needed, and stocking their favorite foods and drinks nightly. Through his work, Bush eventually formed close friendships with several celebrities of the day. He enjoyed his work, but he never stopped honing his skills as an amateur photographer. In the mid-1980s, Bush left the Strip to become a professional photographer for the Las Vegas News Bureau. Throughout his News Bureau career, Bush photographed the casino buildings made famous by Las Vegas-the construction and the architecture of Southern Nevada’s gaming palaces-as well as iconic events in Las Vegas history. Darrin retired from the News Bureau in about 2014, but his work recording the building of and events of Las Vegas lives on in the News Bureau archives. He continues to be an avid photographer.
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Transcript of interview with Roger Thomas by Stefani Evans and Claytee D. White, August 31, 2016
Date
Archival Collection
Description
As he reveals in this oral history, Roger Thomas is, among many other things, a son, a father, a brother, a husband, a student, an artist, a visionary, and a philanthropist. As the second son of Peggy and E. Parry Thomas’s five children, Roger was raised a Mormon child of privilege and civic responsibility. The banking family summered in Newport Beach, wintered in Sun Valley, and taught their children by words and deeds that it is not up for debate if you will be involved in your community; the only question is how you will apply your talents and resources to benefit your community. Roger absorbed the lessons well. As a child who struggled in school but excelled in art, he attended his last two years of high school at Interlochen Arts Academy, graduating in 1969, finally finding himself “in an environment where what I did had currency.” From there he earned his BFA from the School of the Museum of Fine Arts Boston and Studio Degree from Tufts University before returning to Las Vegas and eventually joining Steve Wynn’s team in 1981. As Executive Vice President of Design for Wynn Design & Development, he is the man in whom Steve Wynn places his trust to make real at each Wynn property the Wynn design philosophy: aim for a constituency of highly sophisticated, well-traveled, very educated people and give them a reality, a now, that is so fetching, so alluring they wish to be no place else. As he was mentored by his father and Steve Wynn, he too is mentoring those who will follow him. At Wynn, the next generation will carry forward the Wynn idea of evoca-texture, of creating “moments of experiential emotion that result in a memory so captivating and so unique that if you want to repeat that you have to come back.” At home, he collaborates with his daughter on a children’s book that has the potential to become a series; she is the illustrator, while he provides the words. Roger Thomas sat for this interview five days after his father, E. Parry Thomas, passed away in Idaho. Instead of postponing the interview to a more convenient time, Roger kept the appointment and explained, “This is for UNLV. If I’d cancelled my father would have killed me.”
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University of Nevada, Las Vegas (UNLV) Spring 2021 commencement program
Date
Archival Collection
Description
Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).
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Photographs of Girls of Glitter Gulch signs, Las Vegas (Nev.), June 24, 2016
Date
Archival Collection
Description
Site address: 20 Fremont St
Sign owner: Derek and Greg Stevens
Sign details: Glitter Gulch is next to the Golden Goose. This now closed property has a long history in Las Vegas. In 1959, the Fortune Club was where the Glitter Gulch would soon replace it. For the history of the Golden Goose: Herb Pastor bought the Mecca Club from Sylvia Sioratta in 1974 then opened up the Golden Goose soon after. Mr. Reed's was the property that sat next to the Golden Goose at this time; however, that then became Bob Stupak's Glitter in 1980. In 1981, Pastor ended up buying the Glitter Gulch. In 1991, Pastor merged both of these properties into a strip club. Both of these properties ultimate closed in the summer of 2016. The signage was taken down in 2017.
Sign condition: Vegas Vickie has been taken down and half the Glitter Gulch sign was also taken down.
Sign form: Blade and sculptural sign
Sign-specific description: Perched atop the signage for the Glitter Gulch is Las Vegas favorite girl, Vegas Vickie. She is dressed up in cowgirl attire and kicking her leg out onto Fremont Street. She is painted so you can see all her details in the day and she is a channeled sign lined with neon tubes that matches her paint so you can see her at night as well. She sits on top of a very geometric piece of gold (like a golden nugget) that shines brightly and dotted with incandescent light bulbs. The "Glitter Gulch" letters are open channeled, lined with neon tubes that glow red at night, and filled with neon tubes that glow blue at night and oscillate as well. During the day these letters are a bold white font and instead of a dot for the "I" it is a four point star. Underneath the golden nugget like structure of the sign is a bunch of silver coins lined with neon tubes.
Sign - type of display: Neon, incandescent, back lit
Sign - media: Steel, plastic, fiberglass
Sign - non-neon treatments: Fiberglass and back lit plastic
Sign animation: Neon in Glitter Gulch text oscillates
Sign environment: These signs sit in the midst of the excitement on Fremont Street Experience. Some of the other properties that sit near them are Binion's, Golden Gate Hotel & Casino, and the Plaza Hotel & Casino.
Sign manufacturer: Ad Art
Sign designer: Jack Dubois and Charles Barnard of Ad Art
Sign - date of installation: 1980
Sign - date of redesign/move: Vegas Vickie was taken down in 2017 for restoration and may return back to Fremont after.
Sign - thematic influences: Both of the Glitter Gulch and Golden Goose signs are extremely iconic signs in Las Vegas history and combine elements that are typically used in signage throughout the city, such as: sculptural signage and signs that have a dominant theme for the property. Vegas Vickie being a part of the signage for the Glitter Gulch also gives some indication that this property is a gentleman's club. They are elaborately designed to draw people's attention to these businesses, which many other signs throughout the city aim to do as well.
Sign - artistic significance: These signs are significant because the design of them is elaborate and they are excellent examples of signs that use sculpture/image to help convey the theme of the property. They are also crafted in such an excellent manner and filled with numerous details.
Survey - research locations: Fox news website http://www.fox5vegas.com/story/31783315/d-las-vegas-owner-buys-3-more-fremont-properties , Vintage Las Vegas website http://vintagelasvegas.com/search/glitter+gulch, Review Journal Article https://www.reviewjournal.com/business/casinos-gaming/mermaids-la-bayou-and-glitter-gulch-come-to-a-close-on-fremont-photos/
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-17
Sign keywords: Blade; Sculptural; Neon; Incandescent; Backlit; Plastic; Oscillating; Steel
Mixed Content
Photographs of Golden Goose sign, Las Vegas (Nev.), June 24, 2016
Date
Archival Collection
Description
Sign owner: Derek and Greg Stevens
Sign details: The Golden Goose is next to Glitter Gulch. This now closed property has a long history in Las Vegas. In 1959, the Fortune Club was where the Glitter Gulch would soon replace it. For the history of the Golden Goose: Herb Pastor bought the Mecca Club from Sylvia Sioratta in 1974 then opened up the Golden Goose soon after. Mr. Reed's was the property that sat next to the Golden Goose at this time; however, that then became Bob Stupak's Glitter in 1980. In 1981, Pastor ended up buying the Glitter Gulch. In 1991, Pastor merged both of these properties into a strip club. Both of these properties ultimate closed in the summer of 2016. The signage was taken down in 2017.
Sign condition: 3, the Golden Goose signage is still on Fremont Street and in good condition.
Sign form: Blade and sculptural sign
Sign-specific description: Perched atop the signage for the Golden Goose is a sculptural goose made out of fiberglass wearing a brown cowboy hat and red scarf around its neck with white polka dots all over it. In its right hand it hold a golden egg covered in incandescent light bulbs, which looks just like the eggs surrounding the bottom of the goose. Under the goose and the eggs surrounding it is a base that has a yellow border on the top and bottom of it and yellow incandescent light bulbs lining these lines. In the center is an orange band. The main portion of the signage for the Golden Goose is an interesting organic shape in a red/brown color that curves inward at in the middle top of the sign and in the middle side of the sign that faces Fremont. The edge of the sign that faces Fremont Street is lined with ten golden eggs that look just like the ones surrounding the goose; however, these vary in size and do not line all the way down the entire sign. This edge of the sign also has red incandescent light bulbs covering it. Each side of the sign is lined with a yellow line that outlines the sign and incandescent light bulbs are part of that line as well. "Golden Goose" is in a stylish mustard yellow font with made up of open channel letters filled with incandescent light bulbs. This sign is also lined with neon tubes that run up and down the sign and oscillate at night.
Sign - type of display: Neon, incandescent, back lit
Sign - media: Steel, plastic, fiberglass
Sign - non-neon treatments: Fiberglass and back lit plastic
Sign animation: Neon tubes lining the Golden Goose sign oscillate.
Sign environment: These signs sit in the midst of the excitement on Fremont Street Experience. Some of the other properties that sit near them are Binion's, Golden Gate Hotel & Casino, and the Plaza Hotel & Casino.
Sign - date of installation: About 1974
Sign - date of redesign/move: The Golden Goose sign was removed from Fremont in 2017.
Sign - thematic influences: Both of the Golden Goose and Glitter Gulch signs are extremely iconic signs in Las Vegas history and combine elements that are typically used in signage throughout the city, such as: sculptural signage and signs that have a dominant theme for the property. The signage for the Golden Goose features a sculpture of a goose to drive the theme of the property to motorists and pedestrians. They are elaborately designed to draw people's attention to these businesses, which many other signs throughout the city aim to do as well.
Sign - artistic significance: These sign are significant because the design of them is elaborate and they are excellent examples of signs that use sculpture/image to help convey the theme of the property. They are also crafted in such an excellent manner and filled with numerous details.
Survey - research locations: Fox news website http://www.fox5vegas.com/story/31783315/d-las-vegas-owner-buys-3-more-fremont-properties , Vintage Las Vegas website http://vintagelasvegas.com/search/glitter+gulch, Review Journal Article https://www.reviewjournal.com/business/casinos-gaming/mermaids-la-bayou-and-glitter-gulch-come-to-a-close-on-fremont-photos/
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-17
Sign keywords: Blade; Sculptural; Neon; Incandescent; Backlit; Plastic; Oscillating; Steel; Fiberglass
Mixed Content
Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, June 5, 1979
Date
Archival Collection
Description
Text
Sands Hotel & Casino (Las Vegas, Nev)
The Sands Hotel opened in Las Vegas, Nevada in December 1952. A controversial group of investors fronted by Texas gambler and oilman Jake Freedman and New York nightclub boss Jack Entratter built what was considered at the time one of the world’s most lavish hotels and a showcase Las Vegas resort. Freedman purchased the property itself for $15,000 and spent $600,000 on the construction. The Sands was designed by Googie California architect Wayne McAllister.
Corporate Body
