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Transcript of interview with Fluff LeCoque by Joyce Marshall, May 5, 1997

Date

1997-05-05

Archival Collection

Fluff LeCoque oral history interview

Description

This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.

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Transcript of interview with Judy Lee (Johnson) Jones by Claytee D. White, February 22, 2007

Date

2007-02-22

Archival Collection

An Interview with Judith Lee Johnson Jones

Description

In the 1950s and 1960s, the Copa Room at the Sands Hotel and Casino featured glamorous showgirls. For a few years, the Houston Chronicle sponsored a contest that added the Texas Copa Girls to the line. In 1958, one of the winners was 17-year-old Judith Lee Johnson. For the "wild" but "naive" Judy, the experience was a period of funfilled freedom, followed by relentless encouragement of others to attend college, which she reluctantly did. To her surprise, she embraced the college life, took her studies seriously, and received an education degree. She also became Miss Houston. Four years later she returned to Las Vegas and the Sands. As she stepped into her role as a showgirl this second time, she was no longer the newbie. She experiences the lifestyle with more maturity. She talks about the celebrities she met, the lasting friendships she formed, performing in the Elvis movie Viva Las Vegas, and her trip around the world, a trip that included her personal dream of going to Paris. Judy shares details of her family heritage and she wonders to what extent she might have been living her mother's dream. Though her love of performance and theatre is keen, Judy channeled her passions into a 29-year career as an educator. She married a Marine in 1965, raised their children, moved with his career. She and her husband, Walter F. Jones, live in Virginia.

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Transcript of interview with Joyce Marshall-Moore by Emily Powers, March 25, 2008

Date

2008-03-25

Archival Collection

Joyce Marshall-Moore oral history interview

Description

Joyce Marshall-Moore came to Las Vegas from Chicago in December of 1953. Only eight years old at the time, she clearly remembers the road trip with her father Royce (known as "Mousie"), her mother Agnes, and her two brothers. They left Chicago, where it was snowing, and arrived in Las Vegas on a cold snowy day! Joyce attended school at Sunrise Acres ES until eighth grade and then went to Rancho High School, graduating in 1962. She recalls that her father worked for a time at the El Rancho Vegas and that her mother found work at Southern Nevada Memorial Hospital. Agnes Marshall (nee Rasmussen) took her nurse's training in Buffalo, New York, and then worked at Buffalo General Hospital and Millard Fillmore Hospital. Later she joined the army and was stationed in Memphis, Tennessee, working at Kennedy General Hospital where she met Royce and married him. They moved to Chicago where she found work at Ravenswood Hospital. After their move to Las Vegas, Agnes was hired at Southern Nevada Memorial Hospital. She became disenchanted with nurse-patient interactions at the county hospital and found employment at Las Vegas Hospital. She worked there until 1976 and then was hired at Las Vegas Convalescent Center. Agnes followed her dreams and traveled during this period as well. Agnes worked with Doctors Lund, Allen, Woodbury, Sulvane, and Hardy, among others. Joyce recalls that Dr. Hardy, a cousin and look-alike to Oliver Hardy, was one of her mother's favorites. She shares anecdotes and memories of these and other doctors. Joyce remembers many aspects of her mother's life, including the fact that she took care of neighbors as well as her family and patients. She often worked double shifts and the pay was nominal, but she loved her job because of the relationships with her patients. Agnes passed away in 2006 at the ripe old age of 91.

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Temple Beth Sholom

Temple Beth Sholom was the first Jewish congregation in Southern Nevada and continues to function as a religious, educational, and social center for a considerable portion of the Jewish community of Las Vegas. Previously known as the Jewish Community Center of Las Vegas, it became affiliated with the Conservative Movement and officially known as Temple Beth Sholom in 1958. The congregation originated in Las Vegas in the 1930s with a small group of families and grew to be the largest temple in Nevada during the 1960s.

Depictions of Black people in various media and advertisements (including offensive caricatures, racist slogans and names, and non-Black people in Blackface)

Date

1890 to 1940

Archival Collection

Roosevelt Fitzgerald Professional Papers

Description

Folder from the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Personal and professional papers file.

Mixed Content

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Angela Castro oral history interview: transcript

Date

2020-11-05

Archival Collection

Angela Castro oral history interview

Description

Oral history interview with Angela Castro conducted by Stefani Evans, Cecilia Winchell, Kristel Peralta, Vanessa Concepcion, and Ayrton Yamaguchi on November 05, 2020 for the Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Castro begins the interview by talking about her early life, childhood, what Guam was like, and the history of her parents and grandparents. She describes the difference in public and private education in Guam and compares it to the United States. She explains the reason why she moved to Las Vegas, Nevada in 1998 and attended the University of Nevada, Las Vegas for public relations. Castro then talks about the differences between older and newer generations, the political atmosphere in Guam, and the differences between the United States and Guam in politics. She also talks about the discrimination she has experienced throughout her life and diversity in the workplace. Lastly, she describes her culture and traditions during holidays, the struggles with an absence of culture within her family, and her personal religious beliefs.

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Erica Mosca oral history interview: transcript

Date

2023-02-03

Archival Collection

Erica Mosca oral history interview

Description

Oral history interview with Erica Mosca conducted by Cecilia Winchell, Stefani Evans, and Jerwin Tiu on February 3, 2023 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Mosca reflects on her life journey from a low-income Asian American to a current serving Nevada State Assemblywoman. She recalls that most of her childhood was in Palm Springs, California where she enjoyed a diverse community of students within her education system. It was not until she moved to Navato, California where she first experienced the economic and resource gap between economically diverse areas. Mosca went on to be involved in a college readiness program and received a scholarship to Boston University. After college, Mosca went on to work for Teach for America where she was stationed on the east side of Las Vegas at Goldfarb Elementary School where she grew a passion for leadership. She eventually returned to school and graduated from Harvard University, returning to Las Vegas to start her nonprofit "Leaders in Training." Mosca hopes to inspire change in her communities by enacting legislation and initiatives targeted towards the communities she was and continutes to be a part of.

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Minutes from Temple Beth Sholom Board of Directors meetings, 1998

Date

1998

Archival Collection

Temple Beth Sholom Records

Description

Meeting minutes include reports from committees of the board, correspondence, and balance sheets.

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Lily Teo oral history interview: transcript

Date

2022-02-07

Archival Collection

Lily Teo oral history interview

Description

Oral history interview with Lily Teo conducted by Stefani Evans on February 7, 2022 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Lily Teo discusses her upbringing in Singapore, her education, her religious beliefs, and converting from Buddhism to Catholicism. She talks about her husband, her early married years, and what life was like as a young mother of three children. Teo shares how she started a catering business to feed construction workers and was responsible for shopping for ingredients, preparing all meals and tea, and cooking the food on site in her temporary kitchen. She talks about her children, the faiths they practice and languages they speak including English, Malay, and Mandarin, and the customs and traditions they practice, such as celebrating Lunar New Year and other holidays. Lily's daughter, Stella, sits in on the interview and expands on her mother's recollections.

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June Monroe and Kazuko Atomura oral history interview: transcripts

Date

2022-07-14

Archival Collection

June Monroe and Kazuko Atomura oral history interviews

Description

Oral history interviews with June Monroe and Kazuko Atomura conducted by Cecilia Winchell and Stefani Evans on July 14 and July 19, 2022 for Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In the first interview, Kazuko Atomura describes her childhood in Taiwan and Tokyo, Japan, and shares both happy and difficult mememories of that time. Atomura eventually moved to Los Angeles, California, where she reconnected with a man she previously met in Japan. She married him and together had their daughter, June Monroe, and another son while living in Corpus Christi, Texas. After difficult medical procedures involving Atomura's husband and Monroe's younger brother, Brian, the family relocated to Las Vegas, Nevada. Monroe recalls attending Las Vegas High School and Bonanza High School, and the struggle of making new friends as a young person. In the second interview, the mother and daughter discuss racism, discrimination, and identity. Kazuko Atomura recalls her many experiences with discrimination as a result of both her appearance and language barriers. June Monroe discusses how she came to be proud of her Japanese heritage, while Atomura discusses some of the community activities she has been involved in since living in Las Vegas including the Japanese Culture Club and odori dancing. Then, both Atomura and Monroe discuss Monroe's brother, Brian, who received two kidney transplants; one from Monroe's father and one from Monroe herself. Atomura talks about the shrines she has built for Brian, the experience of him being on dialysis, care taking, and his final days. Monroe shares about her activism with organ donation, being regularly involved with the Nevada Donor Network and helping to pass significant pieces of legislation within the area of organ donation.

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