The Hotel Last Frontier Photograph Collection contains photographic prints, negatives, and slides depicting scenes inside and outside the Hotel Last Frontier in Las Vegas, Nevada between approximately 1940 and 1969. The collection also includes photographs under its alternate names: the Last Frontier and the New Frontier Hotel and Casino.
The University of Nevada, Las Vegas School of Architecture Records (1980-2011) include marketing material, curriculum development material, student letters to the Nevada legislative counsel, journals, newspaper clippings, and architectural drawing sets for the school building's construction.
The Florence McClure Photograph Collection (approximately 1985-1997) consists of color photographic prints. Images show McClure and members of the Las Vegas, Nevada Community Action Against Rape (CAAR) organization that she co-founded with Sandi Petta in 1973. Also included are images of Nevada public figures and several travel images from China.
The collection contains material collected by Barbara Tabach to document the final days of the New Frontier Hotel and Casino in Las Vegas, Nevada (2007). Included are brief oral history audio recordings and transcripts for approximately 50 individuals wo worked at or were customers of the New Frontier, as well as over 650 digital photographs of the people and the building. Also included is a digital video of the November 2007 implosion and a Las Vegas Sun newspaper clipping from September 1961 on the New Frontier.
Hazel Baker Denton Papers (1907-1957) contain correspondence, family artifacts, scrapbooks, newspaper clippings, and family biographical information. Included are journals that chronicle the years Denton served as an Assemblywoman for the Nevada State Legislature and a copy of her book, Ironing Day, her newspaper columns, and speeches.
The Tony Wuehle Collection documents the activities of freelance writer, college president, and poker expert Edwin "Tony" Wuehle of Michigan and Las Vegas, Nevada, between the years of 1950 to 2007. The collection consists of copies of Wuehle's regular columns, newsletters, and special articles as they were published in various journals and newspapers, especially those related to poker, the International Home and Private Poker Player's Association (IH3PA), education administration, and religious concerns.
The Jarbidge, Nevada Community Archives Collection contains scanned images from seven archival collections and document the community of Jarbidge, Nevada from approximately 1910 to 2006. The materials were collected from various families living in Jarbidge in 2006 as part of a project led by Carrie Townley Porter. The images depict early Jarbidge structures, surrounding landscape, the Elkoro Mine, and residents of the area. Also included are images of certificates, correspondence, and newspaper articles relating to the families' histories. Also included in the collection are written summaries of ten oral history interviews of Jarbidge residents conducted in 2006. This collection contains digital surrogates only; the owners and Jarbidge Community Archives retain the originals.
Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.