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C. C. Mobley Photograph Collection

Identifier

PH-00092

Abstract

The C. C. (Clio Cline) Mobley Photograph Collection (approximately 1911 to 1917) consists of sixteen black-and-white photographic prints with corresponding photographic negatives. The images depict the Las Vegas, Nevada Ranch while the Mobley family leased it from the Union Pacific Railroad during the period. The photographs depict the home, swimming pool, the Old Las Vegas Mormon Fort, and orchards and streams on the property.

Archival Collection

Photographs of Little Church of the West signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-02

Description

Photos show Little Church of the West signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Little Church of the West
Site address: 4617 S Las Vegas Blvd
Sign owner: Greg Smith
Sign details: The Little Church of the West now resides on the south end of the Strip, along the east side among the smaller roadside hotels. Surrounded with pleasant landscaping the property is a charming and welcome sight among the more barren area of the strip.
Sign condition: Structure 4 Surface 4 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: There are two specific signs which are significant to the property. The first being the double backed internally lit pylon roadside sign which sits on the east side of Las Vegas Blvd and faces east/west. The 10 feet at its widest, and thirty seven feet tall. The structure consists of a center pole upon which an internally lit plastic sculpted message board sits. Painted in an old west script upon the plastic are the words "Little Church Of The West Wedding Chapel," with painted scrollwork on the top and the bottom of the plane. The entire message board is bordered in neon. Sitting on top of the message cabinet is a small, sculpted apse and bell. The original sign from its original construction still exists atop the actual structure of the Little Church of the West. It is an image of a cross outlined in white neon.
Sign - type of display: Neon; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The property sits among the dying roadside motel environment of the South end of Las Vegas Blvd It stands as on of the properties that is still in good repair. The pleasant landscaping and grass provide a pleasant establishment among the southern strip. It seems to capture the environment it has always tried to attain, of the picturesque country church.
Sign manufacturer: Larsen Sign
Sign - date of installation: It was originally part of William J. Moore's Last Frontier Village, which was assembled in the late 1950's. The current pylon sign was manufactured in 1996.
Sign - date of redesign/move: Originally, it resided in the Las Frontier until it was demolished in 1954. The Little Church of the West stood approximately in the spot where Sax Fifth Avenue is located. When the New Frontier was constructed, it was moved to the east side of the Strip approximately where the Silver Slipper was located. It stood in this location until 1978 when it was moved to the south edge of the Hacienda's property. The property was moved to its current location in 1996.
Sign - thematic influences: The thematic influence of the Little Church of the West draws from its original property which was the Old Western theme of the Frontier Hotel Casino. The Last Frontier Village was assembled from actual Western towns and reassembled on the Last Frontier's Property. With its wooden facade, brown color tones, script and pylon structure, the Little Church of the West rings true with its origins, while still incorporating the subtle elements of Las Vegas such as neon.
Sign - artistic significance: The Little Church of the West is reminiscent of old west theme which extends back to the very beginnings of Las Vegas and which dominated the themes for a period of time. " Before it became filled with themed western architecture, Las Vegas was an actual western town with a Spanish Style train station and false front facades fronting plank sidewalks"-Alan Hess, After Hours Architecture. Such properties, which dominated the early years of Las Vegas, were the Pioneer Club, the El Rancho Vegas, the El Cortez, the Last Frontier, Binion's Horseshoe, and the Silver Slipper.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Backlit; Steel; Plastic; Graphics; Paint

Mixed Content

Photographs of Gateway Motel sign, Las Vegas (Nev.), March 12, 2017

Date

2017-03-12
2017-08-30

Description

The Gateway Motel sign sits in early evening light at the northeast corner at 928 South Las Vegas Boulevard. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet
Site address: 928 S Las Vegas Blvd
Sign owner: Vinod Soni and Gateway Motel Inc
Sign details: The Gateway Motel dates back to early 1930's and could be considered one of the earliest motels to pop up in Las Vegas. Before the name changed to Gateway Motel it was named as the Gateway Auto Court circa 1930-1946 it was known as the Gateway Auto Court. The first sign was built circa 1930's and their new remodeled sign which is still in use today was built circa 1950's. The 1950's sign was originally painted darker colors and had a larger graphic of a gate. The original 1930's sign has the streamline modern influence that was prominent in 1930's and 40's. The sign itself is a pole sign with a square structure at the top. The font Auto-Court is in pure neon with that fire-red hue; the font is placed in the middle to stand out the most. The word Gateway is on top of Auto-Court in black with black streamline lines surrounding the word. Underneath is a small wooden board hanging probably stating no vacancy. The background color of the square structure is in pure white and the pole is chrome.
Sign condition: The condition of the sign is a 3.5. Some of the neon is not working when it's turned on at night. The paint has some sun/UV damage since it looks faded. The reader board has a stained effect from sun damage.
Sign form: Pylon with three separate signs converged into one.
Sign-specific description: The sign is made out of glass, steel, plastic, and concrete. The color palette is light blue, white and a cream white. The sign is designed in separate sections. The white cream based portion is situated at the top with a gate and bridge illustrative design in glass tubes and neon. The gate itself lights up yellow with red on the side. The font Gateway is larger than the gate and is in the color white when lit up. Underneath the Gateway word is a subliminal directional arrow pointing towards the motel buildings This section is in the color sky blue with the word motel in massive white letters. Underneath the directional arrow is the reader board surrounded by the steel light blue border. The reader board states Free Wi-Fi and HBO. Underneath in the left corner is a small light blue board that states "no vacancy" in neon. These three separate signs are all connected like blocks with a concrete pillar structure holding up the sign. During the evening, the light blue paint is not shown and is just pure black with the neon illuminating the sign.
Sign - type of display: Neon and plastic back lit sign
Sign - media: Steel, plastic and concrete
Sign - non-neon treatments: Plastic back lit portion
Sign environment: This location is on the corner of Las Vegas Blvd and Charleston. This is right next to the original Dona Maria Tamales restaurant.
Sign - date of installation: Circa 1950's
Sign - date of redesign/move: From a 1930's streamline modern sign to a 1950's Mid-Century modern architectural roadside motel sign.
Sign - thematic influences: The sign is influenced by Mid-Century Modern roadside architecture, with the directional arrow as a staple in many motel roadside designs of the 1950's and 60's to accommodate the car consumer era.
Sign - artistic significance: One main trends of the 1950's designs with neon signs is using illustrative motifs with the inclusion of directional arrows to lend to the highway travelers an idea of where the property is located. To make sure these travelers don't miss the establishment in an empty road.
Survey - research locations: Assessor's Page, Roadside Architecture Website http://www.roadarch.com/signs/nvvegas.html , Neon Museum book Spectacular, Vintage Las Vegas http://vintagelasvegas.com/search/Gateway+Motel
Surveyor: Gisselle Tipp
Survey - date completed: 2017-08-30
Sign keywords: Neon; Plastic; Backlit; Steel; Concrete; Roadside; Reader board; Back to back

Mixed Content

Photographs of Travelers Motel sign, Las Vegas (Nev.), 2017

Date

2017-04-18
2017-06-28
2017-08-18

Description

The Travelers Motel sign sits at 1100 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1100 Fremont St
Sign details: This location was constructed in 1926. Though the year of when the Traveler's Motel opened in unknown though its sign states, "Your Best Bet In Las Vegas Since 1936'. Though Vintage Las Vegas' blog states that the Traveler's Motel acquired some of their land from the Lucky Motel. Currently the Traveler's Motel is closed and gated up.
Sign condition: 3, the sign is fairly in condition. However, the sign does not light up at night. The sign that used to read "Traveler's Motel" that was affixed to the iron gate-like structure appears to have the majority of its sign taken down or destroyed in recent times.
Sign form: Blade Pole sign and Porte Cochere
Sign-specific description: This sign is attached to the building that belongs to and extends outward to Fremont Street. The lower portion of this sign has the same details on each side of the sign. The top portion of this sign is a trapezoid with "Traveler's" painted on it in a cursive text except for the "t." This is done in white on a rust colored background. Neon is also affixed to "Traveler's." Underneath this is a plastic back lit sign detail the various accommodations of the property, such as: phone, cable T.V., microwave, refrigerators, "totally remodeled rooms," "daily * weekly rental," and "Your Best Bet In Las Vegas Since 1936." Under this is another, smaller trapezoid that has the street address painted on it in bold white numbers with a rust background. Extending from the top portion of this sign is a rust colored pole that has five other poles with various lengths extending out from that towards Fremont Street. Attached to these poles are letters that spell out "MOTEL," the top supports the "M" and each pole following hold each of the others letters to spell out the word. Each of these are diamond shaped plastic, possibly back lit signs. The plastic is off-white and each of the letters is black. The marquee sign attached to the iron gate-like structure that connects one side of the building to the next. This sign is a long, rectangular back lit sign that has a white background and bold red text reading "Traveler's Motel. " This sign also was attached to an longer, yellow rectangle with rounded sided on the left and right side of the sign.
Sign - type of display: Neon, possibly back lit (sign doesn't light up any more)
Sign - media: Steel and Plastic
Sign - non-neon treatments: Plastic back lit portion
Sign animation: The sign is no longer in use; therefore, it is difficult to determine this. There is also no record of the sign having any animation.
Sign environment: This property resides in the area east of the Fremont East District with many new businesses surrounding it, such as: PublicUs, the Bunkhouse Saloon, Chow, The Writer's Block, and 11th Street Records. However, there are quite a few other closed Motel properties that reside near the Traveler's Motel as well.
Sign - thematic influences: The sign is extremely reminiscent of many of the signs from the 50's and 60's that belong to the other motels in the downtown area. The sign has many geometric elements to it that make it appear that it could be from this time period.
Sign - artistic significance: This sign does not have a specific theme to it. However, the plastic figure climbing on the sign stresses that this motel would be for those who do enjoy traveling and adventures. This sign does follow a very basic trend regarding motel signs on Fremont Street. It is attractive and very noticeable to those moving along Fremont Street. The overall design of the sign is very geometric, which is a common aesthetic among signs made in the 50's and 60's.
Survey - research locations: Assessor's Page and Vintage Las Vegas website http://vintagelasvegas.com/search/Traveler+Motel
Survey - research notes: It was difficult to find any history or old photographs of this property.
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-08-18
Sign keywords: Neon; Steel; Plastic; Backlit; Pole sign

Mixed Content

Stewart family histories

Date

1931 (year approximate) to 1955 (year approximate)

Archival Collection

Description

Stewart family histories

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Abraham Gomez interview, December 6, 2019: transcript

Date

2019-12-06

Description

Interviewed by Elsa Lopez. Abraham Gomez is a College Navigator for the Nevada Treasurer's Office where he is responsible for providing and distributing information on post-secondary resources that may enable Nevadans to go to college. Gomez was born and raised in Las Vegas, Nevada and grew up on the East Side near Desert Pines High School. He received an Associate of Arts from the College of Southern Nevada before obtaining a bachelor's degree in Communication Studies from the University of Nevada, Reno. After graduating he worked as a GEAR UP Ambassador for Nevada State College where he advised a cohort of 46 low-income students on the importance of continuing their education. He has volunteered with various organizations throughout Southern Nevada and continues to work to better his community and make education accessible to students everywhere.

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Transcript of interview with David Dahan by Barbara Tabach, May 26, 2016

Date

2016-05-26

Description

The fascinating life of David Dahan began in Casablanca, Morocco where he was born to Mathilde and Isaac Dahan in 1957. After a hasty departure in 1970 the family came to America and to Las Vegas. Isaac became an administrator for Yellow Cab and Mathilde was a server at the Stardust Hotel/Casino. David evokes a tale of growing up a teenager in a strange culture and then heading out on a solo adventure to learn about the world. By 1977, he fell in love and married an engaging Israeli nurse named Yaffa (1954-2007). Her legacy is the Yaffa Dahan Nursing Education Fund established to assist outstanding PhD nursing students in their dissertation research. Leadership and the energy to always say yes are among David?s many characteristics. He has served on numerous local boards, such as: Nevada Restaurant Association, North Vista Hospital, Touro University, Las Ventanas, Henderson Chamber of Commerce, and the Nevada Law Foundation. He has been the recipient of many awards and acknowledgments for his tireless efforts throughout Las Vegas. Among those is being named the 2005 Person of Influence by In Business Las Vegas. From 1997 ? 1999, he served as President of the Jewish Federation during which time he led a trip to Russia. He is past chair of AIPAC (American Israel Public Affairs) Committee. In 2007, David was honored as Mensch of the Year at Congregation Ner Tamid. In this interview he recalls his family?s escape from Morocco, learning to adjust to life in Las Vegas and his early jobs in the restaurant business. With his roots firmly planted in Las Vegas, David has built strong relationships within the Jewish and general Las Vegas communities. David is the Chief Executive Officer of Orgill/Singer Insurance. His life experiences have fueled passions for his faith, cooking, photography, poetry and his daughters, Shana and Michelle.

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Transcript of interview with Doris, Gerald and Marcy Welt by Barbara Tabach, November 30, 2014

Date

2014-11-30

Description

Interview with Doris, Gerald "Jerry", and Marcy Welt by Barbara Tabach on November 30, 2014. In this interview, the Welts discuss how they came to Las Vegas in the early 1970s from California, and Eli Welt's pawnshop, Stoney's, which he acquired from Doris's father, Jerry Fox. Jerry and Marcy talk about how they met and came to Las Vegas, where Jerry worked for Harry Reid's law firm. They talk about the community that existed in Las Vegas at the time, and their involvement with B'nai B'rith.

Just before the start of the Great Depression, Doris Fox was born in Detroit, Michigan. At the age of fifteen, she met Eli Welt, and the two were married three years later in Alexandria, Louisiana, where Eli was stationed with the United States Army Air Corps. Eventually, Doris and Eli moved to southern California with their three children-Gerald (aka Jerry), Richard (aka Rick) and Susan (aka Sue). In 1971, after all their children were out of the house, Doris and Eli moved to Las Vegas. They followed Doris' father, Jerry "Stoney" Fox, who had moved to the city in the 1940s, and was one of the first entrants into the local pawnshop industry. Like many migrants to the city, Eli became active in the Jewish community, particularly with B'nai Brith and Jewish Family Service Agency. Doris and Eli's eldest son, Jerry, and wife, Marcy, moved to Las Vegas in 1972 with their two small children. Tiffany and Cory. Jerry and Marcy had met through a Jewish youth group as teenagers in Anaheim, California. Having just finished law school, Jerry found that legal career opportunities were plentiful in the growing city. His first job was as a law clerk with Harry Reid's law office, Beckley, DeLanoy, Jemison and Reid, later becoming an associate attorney. He assisted Reid as lieutenant governor and on his early political campaigns. Jerry left Beckley, DeLanoy, Jemison and Reid to work for Oscar Goodman's firm-Goodman, Snyder and Gang-focusing on civil litigation. In 1975, Jerry opened his own practice, continuing to specialize in civil ligation, and served as general counsel to Las Vegas Clark County Library District. Since their arrival, Marcy and Jerry have been dedicated to community service, particularly within the Jewish community. Both were active in youth programs at Temple Beth Sholom, Jerry even serving as youth commissioner and later, education director. Marcy worked with Edythe Katz at the Holocaust Resource Center and assisted with producing a film and training program for educators. Both are avid supporters of youth travel to Israel and work hard to ensure these opportunities continue to be available for those interested.

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