Oral history interview with Sachiko Young conducted by Mikaela Nettlow on December 5, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Sachiko shares her upbringing in Fukoka, Japan and how she and her family moved frequently as a child. She talks about meeting her husband, an American military man, while visiting family in Tokyo. Sachiko discusses their marriage and birth of their child, their move to San Jose, California, and their travels back and forth from Japan before settling in Las Vegas, Nevada. She shares stories of visiting casinos with friends, working in hotel coffee shops, and what life was like for her and her family. Sachiko also talks of how she and her husband both faced racial prejudice from their families and the difficulties of learning English as a second language.
The Harry Hayden Whiteley Architectural Records are comprised of architectural records (1931-1970) created and/or maintained by the American architect Harry Hayden Whiteley and/or his architectural firm, known as Harry Hayden Whiteley and Associates. This collection includes 30.21 linear feet of materials including 45 items from over 30 projects. The collection focuses on his work in the Las Vegas and Reno, Nevada areas. The materials feature both architectural drawings and project files. Architectural drawings include pencil and ink on tracing paper preliminary sketches and mounted artist’s renderings used for presentations and promotional materials. Project files include project correspondence, photographs, and structural calculations. The drawings also contain work from the architect Paul Revere Williams. The collection includes architectural drawings for hotels, shopping plazas, residential developments, and office buildings.
The Baneberry Nuclear Test Trial Records (1969-1989) contain documents of a federal court case regarding a 1970 Nevada Test Site nuclear test and the resultant radioactive cloud which may have exposed and subsequently injured the test site workers. The consolidated suits, William Nunamaker vs. the United States and Harley Roberts vs. the United States, came to trial January 1979, in Federal District Court, Las Vegas, U.S. District Judge Roger Foley presiding. The materials in the collection consist of court documents, such as transcripts of the trial, briefs, findings and statements, an appeal, orders, defense and plaintiff exhibits, and indices to the exhibits and witnesses as well as a glossary of terms.
The Bill Hughes Photographs (approximately 1980-2012) contains negatives, slides, prints, proofs, and born digital images created by local photographer and photojournalist Bill Hughes for publications including Las Vegas CityLife, Las Vegas Business Press, Las Vegas Weekly, as well as commercial clients. A portion of prints in the collection consist of modeling photographs Hughes took as part of his business. The digital images represent a variety of clients, and feature local bands, DJs, and performers in nightclubs and bars on the Strip and downtown Las Vegas. Also included in digital files are portraits, artistic photographs and self-portraits, and material used for Las Vegas Weekly, CityLife, and Business Press.
The regional subject files include materials collected by anthropologist Katherine Spilde about Native American gaming, Native American communities in the United States, and the US and international gaming industries. The materials date from 1859 to 2015, with the bulk of materials dating from 1990 to 2010. Materials dating from the nineteenth and early twentieth centuries are a reproduction of a federal treaty and an ethnohistorical essay. The majority of the materials document Native American gaming following the passage of the 1988 Indian Gaming Regulatory Act. The papers include research and subject files created by Dr. Spilde during her employment with the National Gambling Impact Study Commission (NGISC), National Indian Gaming Association (NIGA), and Harvard Project on American Indian Economic Development (HPAIED). The materials document Native American gaming enterprises both on and off reservations, the socioeconomic impact of gaming, the political history of gaming in the US, and international gaming. The series includes socioeconomic reports, testimonies, correspondence, memos, press releases, photographs, audiovisual materials, promotional materials, brochures, fact sheets, summaries, booklets, pamphlets, advertisements, tourism materials, journal articles, legal briefs, legislative documents, court opinions, notes, presentations, conference materials, periodicals, community newspapers, and newspaper articles.
The collection contains documentation on a number of Native American nations, including the Misi-zaaga'iganiing Anishinaabeg (Minnesota Chippewa Tribe, Mille Lacs Band); Gaa-waabaabiganikaag Anishinaabeg (Minnesota Chippewa Tribe, White Earth Band); Forest County Bodéwadmi (Forest County Potawatomi Community); Ho-Chunk Nation of Wisconsin; Mashantucket Pequot Indian Tribe; Mohegan Tribe of Indians; Tulalip Tribes of Washington; Sisseton-Wahpeton Oyate of the Lake Traverse Reservation; Standing Rock Sioux Tribe of North and South Dakota; Mandan, Hidatsa, and Sahnish (Arikara) (Three Affiliated Tribes of the Fort Berthold Reservation, North Dakota); and Mississippi Band of Choctaw Indians. Other communities are also represented in the series, but to a lesser extent. In addition to materials about gaming and casinos, Dr. Spilde also collected documents, photographs, and audiovisual materials about Native American culture in general. The series documents regional and national trends in Native American gaming, and the greater gaming industry. Materials trace federal and state relationships with individual Native American nations, specifically concerning gaming enterprises.
Archival Collection
Katherine A. Spilde Papers on Native American Gaming
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Collection Number: MS-00092 Collection Name: Katherine A. Spilde Papers on Native American Gaming Box/Folder: N/A
The Joanne de Longchamps Papers date from 1938 to 1985 and document de Longchamps' career as a poet as well as her personal life. The collection contains photocopies of her published poems, poetry journals and magazines containing her work, and photocopies of her unpublished typewritten poetry. It also contains original correspondence from Joanne de Longchamps to her mother, Ruth Cutten, as well as photocopies of her correspondence to poet Harold Witt.