The JMA Architecture Studio Records are comprised of architectural records (1953-2002) created by the American architect Jack Miller and/or his architectural firm, known as both Jack Miller & Associates, Architects, & Engineers, Inc and JMA Architects, Inc. This collection includes 30.25 linear feet of materials documenting work on over 250 projects. The collection focuses on Las Vegas and Reno, Nevada. The materials feature photographs of the firm’s projects and hand-drawn architectural drawings, ranging from pencil and ink on tracing paper preliminary sketches to ink on Mylar (TM) construction documents. The drawings also contain work from a number of consultants, engineers, and other architects who collaborated on the development of the various projects. The collection includes architectural drawings for hotels, casinos, integrated casino resorts, office towers, multi-family residential developments, and custom single-family homes.

The Claudine Williams Papers (1956-2009) contain awards, contracts, personal and business correspondence, newspaper clippings, and photographs pertaining to Las Vegas, Nevada businesswoman and philanthropist, Claudine Williams. The collection also includes extensive information on her hotel and gaming properties, including the Silver Slipper Gambling Hall, Holiday Casino, and Harrah's Hotel and Casino, as well as her honorary doctoral degree, medals, and audiovisual materials of interviews, news reports, and events.

The Sands Hotel Photograph Collection depicts entertainers, celebrities, events, amenities, and staff at the Sands Hotel in Las Vegas, Nevada from approximately 1952 to 1980. The photographs primarily depict entertainers like Frank Sinatra, Dean Martin, and the Copa Girls performing in the Copa Room, the showroom of the Sands Hotel. The photographs also depict patrons gambling, events held in the Sands Hotel's ballrooms, banquets, the pool, rooms in the hotel, as well as Jack Entratter, the hotel'’s director of entertainment.

The Dunes Hotel Photographs (1950-1993) consist of administrative, publicity and entertainment images documenting the history of the Dunes Hotel and Casino in Las Vegas, Nevada. In addition to materials focusing on day-to-day activities at the hotel (correspondence, contracts, personnel, budgets, etc.) the collection provides insight into the hotel’s entertainment and public relations activities. Although there are chronological gaps in the collection, particularly during the later years of the Dunes (1970s-1990s), it provides a significant amount of historical documentation on the famed Strip hotel that was long known to tourists and residents alike as the “the Miracle in the Desert.”