The Marjorie Barrick Museum of Natural History Records (1939-2003) detail the creation of the Marjorie Barrick Museum of Natural History in Las Vegas, Nevada founded by Richard H. Brooks, a professor of anthropology at the University of Nevada, Las Vegas. The records are comprised primarily of correspondence between Brooks and members of the Southwestern Anthropological Association (SWAA), the Society for California Archaeology (SCA), and the meetings and exhibitions of the Nevada State Museum. The collection also contains financial statements that describe expenses for supplies, research, and excursions. Also included are anthropological, archaeological, and historical publications, as well as administrative files and Richard Brooks' correspondence with the Nevada Archaeological Survey (NAS). The collection also includes architectural floor plans for the Classroom and Physical Education, the original space that was converted into the museum in 1980, and plans for the redesign of the Barrick Museum and the Harry Reid Environmental Research Center addition.

The Eileen Brookman Papers date from 1934 to 2002 and document Brookman's personal life and political career. Brookman was active in the Las Vegas Jewish community. Personal papers include programs from B'nai B'rith, scrapbook materials, correspondence, and photographs. The collection includes documentation from the White House Conference on Aging. She served several terms in the Nevada State Assembly from 1967 to 1977 and again from 1987 to 1989. Political materials include legislative information, bumper stickers, election returns, and newspaper clippings.

The Richard "Dick" Stabile Music Scores (1899-1986) is comprised primarily of musical scores arranged, composed, and performed by big-band leader and musician Dick Stabile. The scores, dating between 1941 and 1980, include popular music arrangements and original compositions, including original orchestra music for the documentary film Born to Buck. Also included in the collection are commercially produced popular music sheets published between 1899 and 1986.

The Scott Henry Photographs of the Las Vegas, Latinx Community (approximately 1983-2000) consist of 42 photographic prints depicting members of the Latinx community in Las Vegas, Nevada. Thirty-eight of the prints were used as part of a collaborative project between Scott Henry, photographer and editor for the Las Vegas Review-Journal, and Thomas Rodriguez, a prominent member of the Latinx community in Las Vegas, for an exhibit of the Las Vegas Latinx community. Henry and Rodriguez together planned who to photograph for the exhibit. The photographs demonstrate the impact that the Latinx community has on the region's political, economic, and social growth and development. A number of the photographs show early members of the League of United Latin American Citizens (LULAC), including John Mendoza, Delia Martinez, Tom Rodriguez, Bob Agonia, Corrine Gutierrez, Nick Flores, Grace Salazar, and Gus Ramos.

The Donna Andress Papers (1890-2021) contain the personal papers of Donna Andress, a longtime resident and activist in Southern Nevada. Materials include correspondence and newspaper clippings from the Nevada Welfare Committee, on which Andress served as chairperson during the 1970s, in addition to pamphlets and newsletters from various Nevada historical organizations and committees. The papers reflect her involvement with community organizations throughout Southern Nevada.

Oral history interview with Flora and Stuart Mason conducted by David G. Schwartz on February 27, 2010 for the Remembering Jay Sarno Oral History Project. Flora Mason begins by discussing the relationship between her family and the Sarnos. Mason describes that she and her husband socialized with Jay and Joyce Sarno in the 1960s because they lived on the same street in Las Vegas, Nevada. Stuart Mason recounts how the Sarnos were incredibly friendly and Jay occasionally invited him to play golf. Mason then chronicles his role as a contractor and the work he did for Jay Sarno throughout his career. He talks about how many of the development ventures of Sarno's were funded by Jimmy Hoffa and the Teamster’s Union. Lastly, Mason discusses how Sarno understood the gaming industry more than any other casino operator and how that was attributed to the success of Caesars Palace.