Dr. John Richard Shepherd shares the background of his early life in southern Illinois, his father's and grandfather's occupations, and his educational journey through college and medical school. His army experiences in Chicago and Alabama convinced him and his wife to look for a warm dry climate in which to live, and they relocated to Las Vegas in 1968. Dr. Shepherd recalls the businesses and housing surrounding Sunrise Hospital, the difficulties getting his specialty listed in the phone book, and renting his first office space from Nate Adelson. He also describes taking out a loan to install ophthalmology equipment, hiring an office manager with medical accounting experience, and doing cataract surgery in a way that basically hadn't changed for decades. The passing of the Medicare bill back in 1966 caused Dr. Shepherd's practice to build up quickly. He details the many ways eye surgery changed, including the invention of the intraocular lens and the phacoemulsification procedure. He mentions his and Dr. Shearing's contributions to ophthalmology — better designed lenses and surgical techniques - which they taught to other doctors from all over the country. Dr. Shepherd discusses radial keratotomy, which was a precursor to laser and later LASIK surgery, and describes a lens implant technique he learned in Russia from Dr. Fyodorov. He goes on to share anecdotes and stories of his interactions with patients, his travels as a consultant and as a surgical teacher for Project Orbis, and meeting Fidel Castro. He speaks candidly about his successes and his failures as well. Dr. Shepherd retired in 2006 and immediately enrolled in a Master's program and earned a degree in military history. After a long and distinguished career, after receiving many accolades and awards, he and his wife are enjoying life, splitting their time between Sun Valley, Idaho, and Las Vegas.
Jack LeVine offers a narrative as a real estate agent and a gay man who has lived in Las Vegas since he was a young adult in the 1980s. He first started visiting Las Vegas whenever his truck driver routes allowed him to visit his parents who had moved here in 1977. They owned a downtown sandwich and catering business called Your Place or Mine. Then in 1985 Jack and his life-partner, J.J., decided to relocate to Las Vegas. Jack soon launched a real estate career that began with the purchase of a 13-unit apartment complex. Over the years he became knowledgeable about the history of the greater community and the individual neighborhoods; including John S. Park—"the earliest suburb in Las Vegas. Jack and J.J have lived in a 1954 Mid-Century Modern home since the mid-1990s. Jack is a strong believer in re-gentrification and mentions other cities where this has been successful. His philosophy includes an explanation of the sense of community that is derived from those who invest of themselves in that community life John S. Park.
Steven Ligouri is an artist who is a born and raised Nevadan whose artistic creations can be enjoyed at such places as the Hoover Dam, where his famous High Scaler sits comfortably [above left photo]. The stories of this statue and others are included within this interview. Steve began mastering his trade as a youngster making jewelry with assistance of his father, Bruno Ligouri who owned a turquoise shop in Boulder City. Since his birth in 1962, Steve has lived in several locations: a family farm in North Las Vegas, John S. Park neighborhood, in Boulder City, and eventually back to John S. Park. Returning to the John S. Park neighborhood after a 22-year absence gives him the chance to reflect on the changes that have occurred. Steve fondly calls the neighborhood "home" and firmly believes it can reach its potential.
On February 28, 1980, Rodney Goosby interviewed Al McDaniels (b. 1940 in Muskogee, Oklahoma) about his life in Las Vegas and his career as an athletic coach. McDaniels, referred to as Coach by Goosby, speaks primarily about his time as a coach for track and field at the University of Nevada, Las Vegas, his community involvement and the city’s recreational activities. Moreover, McDaniels speaks about his education and his current research as he works on a doctoral degree in physical education. Lastly, he talks about the city’s growth and the move from empty desert spaces to housing and shopping center constructions.
Temple Beth Sholom organized and led a bus tour of parts of Las Vegas that are significant in local Jewish history. Stops on the tour included Woodlawn Cemetery and the former Temple Beth Sholom campus on Oakey Boulevard. Narrator Arlene Blut gives the overview of the Jewish community, and Rabbi Felipe Goodman talks to tour participants at the cemetery. Former Las Vegas mayor Oscar Goodman speaks at the old synagogue along with Josh Abbey, whose mother created the stained glass windows at the temple.
In this chapter, Stern describes her upbringing in Russia and fleeing to Poland. It is accompanied by a letter to the publishing company William Morrow.
The C. A. Earle Rinker Photograph Collection of Goldfield, Nevada (approximately 1900-1915) contains individual black-and-white photographic prints, photographic albums, black-and-white and tinted postcards, and photographic negatives that document the history of early twentieth century Goldfield, Nevada. The images include photographic prints of Goldfield and surrounding areas during its peak years of 1906-1910; postcards showing scenes of Goldfield, Tonopah, and other areas in central Nevada; and negatives that contain images of Rinker's family and homelife in Indiana and Illinois.
On the corner of Eastern and Stewart, inside the East Las Vegas Community Center, lies an oasis of creativity and art. The halls ring with the sound of harmonious music coming from the meeting rooms, where children move violin bows up and down in a synchronized motion. They stare with concentration at the music sheets in front of them. They gracefully play together and fill the empty halls with classical music. For most of them, they are the first in their family to learn how to play an instrument. Like many in their neighborhood, they are also first-generation Americans. The students are rehearsing for their recital with the Las Vegas Philharmonic at the Smith Center in a few weeks. In the back of the room there is a man gleaming with pride and joy. The Foundation to Assist Young Musicians (FAYM) provides the rehearsal space, violins, and music lessons at the community center and allows these children to flourish despite their economic, social, or racial background through, “Building