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Transcript of interview with John and Mabel Dillingham by Sonny Le Jeune, March 19, 1978

Date

1978-03-19

Description

On March 19, 1978, John (Sonny) Le Jeune interviewed John (born 1904 in Trail Creek, Idaho) and Mabel Dillingham. The two provide many historical accounts of Las Vegas, Nevada, including John’s work on the railroad, the development of the city, and their living conditions when first moving to Las Vegas. The three also discuss prominent members of the community, recreational activities, church membership, and popular attractions around Las Vegas. Other topics include the building of Hoover Dam, the site of the Stewart Ranch, early irrigation systems, flood control, and Block 16.

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Transcript of interview with Edward "Eddie" Anderson by Dennis McBride, October 11-14, 2000

Date

2000-10-11 to 2000-10-14

Description

Dennis McBride interviews Eddie Anderson (born 1946) about his role in advocating for LGBT rights, specifically his participation in the various political and social movements during previous decades. The interview begins with a discussion of Anderson’s background, including his experiences growing up in children’s homes and living with his grandparents. Anderson mentions marching with his grandparents for both workers’ and women’s rights as some of his first political involvements. Anderson also discusses his original aspirations for becoming a priest as well as his memories of meeting President John F. Kennedy during a visit to his high school when Anderson was student body president. Anderson then discusses travelling to the South, specifically in Selma, Alabama, during one summer while in high school in order to help register Black voters. Anderson then discusses his friendship with Nevada Senator Bill Raggio and his wife, and his joining of the U.S. Navy, where he met President Ri

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Transcript of interview with Christopher Phipps by Dennis McBride, November 6, 1998

Date

1998-11-06

Description

Christopher Phipps, attorney in Las Vegas discusses his life. Hailing from Honolulu, Hawaii, and his adventure that led him to Las Vegas, Nevada.

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Transcript of interview with Rory Reid by Stefani Evans and Claytee White, July 13, 2017

Date

2017-07-13

Archival Collection

Description

Rory Reid works in the Downtown Las Vegas building fully tattooed with a mural depicting a hand holding a bouquet of flowers of which the glowing central bloom is half brain and half heart. The story behind the mural is essential to understanding why the oldest of Landra and Harry Reid’s five children loves coming to work. Born in Alexandria, Virginia, he arrived in Las Vegas as a six-month-old with his parents and led a story-book life in the Reid house on Gretel Circle, down the street from Hansel Circle and right off Lilliput Lane. After attending Doris Hancock Elementary School, James Cashman Junior High School, and Ed W. Clark High School, he served a church mission in Argentina and studied international relations and Spanish and then law at Brigham Young University before returning to Las Vegas and joining Lionel Sawyer and Collins law firm. In this interview, Reid talks about administrative law, about leaving the firm to become an executive with Lady Luck Gaming Corporation, serving as Nevada Democratic Party chair for two years, and returning to Lionel Sawyer and Collins in 2000, where he remained until 2014. He shares his motivations for running for the District G seat on the Clark County Commission in 2002, and talks about the political climate in which he took office in 2003, a few months before fellow Commissioners Dario Herrera; Lance Malone; Erin Kenny, and chair Mary Kincaid Chauncey were indicted on federal charges following Operation G Sting. Following these highly public arrests, Reid focused on restoring faith in local government. In 2010, after two terms as Clark County Commissioner and Commission chair, Reid ran for Governor of Nevada as the Democratic nominee against Brian Sandoval. In that election, as Reid puts it, "the voters told me to do something else with my life," and he returned to his law practice. However, in June of 2014, his dear friend Jim Rogers passed away. The day after Rogers died Reid discovered that he was named co-trustee of Rogers's estate, along with his widow, Beverly. Reid and Beverly Rogers together founded The Rogers Foundation to be the primary advocate for public education in Nevada. The Rogers Foundation is housed in Downtown Las Vegas in the building tattooed with the bouquet. The mural-the Wall of Understanding-is The Rogers Foundation's answer to political calls for "building a wall" and a show of solidarity with the students they serve, many of whom are undocumented immigrants or have undocumented immigrant family members. For the man who helped restore the reputation of Clark County government and who emphatically declines to run for further public office, fulfilling the mission and the work of The Rogers Foundation is one of his greatest joys-along with his family; his beagle, Oakey; and watching Liverpool compete in the English Premier League (especially when Liverpool plays his brother's favorite team, Manchester United).

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Transcript of interview with Randall "Randy" Walker by Stefani Evans, November 2, 2017

Date

2017-11-02

Description

In twenty-first-century, urban America, Randall "Randy" Walker is one of the few fathers who can say he raised his children in the same house in which he grew up. Walker did not inherit the house at 443 Republic Street, in Henderson. Instead, Walker bought the house from his parents after he graduated from Brigham Young University in Utah, worked with Exxon Oil Company in Houston, returned to Southern Nevada to work in his first government job as a budget analyst for Clark County, and sold the house he previously owned. He did not have to move his wife and children far-their previous home was at 442 Republic Street, directly across from his parents. In this oral history, Walker shares why his family came to Henderson in 1952, describes growing up in the small town of his youth, and tells what it was like to have his father as his high school Spanish teacher. He focuses on his career in government and how he applied his accountant mindset to the various positions he held with Clark County, the Las Vegas Metropolitan Police Department, the City of Las Vegas, and McCarran Airport. Along the way he shares his experiences with large governmental building projects such as the first 911 Call Center, the Downtown Transportation Center, the Regional Justice Center, and at McCarran Airport, the D v Gates, Terminal 3, and the airport tunnel and connector roads. He explains how his work with these various projects brought him into interaction with such diverse fields as architecture, accounting, construction, design, infrastructure, public art, public safety and local, state, and national politics. Throughout, Walker displays the collegial and common-sense approach to government, leadership, and problem solving that grounds the decisions he makes and explains why Richard Bunker wanted him at Clark County, why Clark County leaders recruited him to be county manager (and why that did not happen), and why McCarran Airport was able to accommodate without interruption Southern Nevada's record-breaking growth in residential and tourist traffic, and why, even in his absence, McCarran was the first major airport allowed to reopen following the 2001 September Eleventh terror attacks.

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Photographs of Greek Isles signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Greek Isles Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 305 Convention Center Dr
Sign owner: Mark IV Realty
Sign details: The property which is at the eastern end of Convention Center Dr., is one tower at the east end of the property, and is attached to a low-rise structure which reaches westward along the east side of Convention Center drive. Various signs adorn the facade of the Greek Isles including a small pylon sign, a porte- cochere and two wall/logo signs. The stucco surface of the front of the building is painted with images of rustic Mediterranean cottages, as well as the rising or setting sun image seen on the pylon as well.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The signage for the Greek Isles is essentially brand new, with exception to the porte-cochere. The Porte cochere was left over from the previous establishment with a bit of standard upkeep.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: At the east end of Convention center Blvd The Greek Isles casino resides at the old site of establishments such as The Paddlewheel, and The Debbie Reynolds Hotel Casino. The signage consists a pylon sign, a porte- cochere and two wall signs. Located on the south side of the street, the signage is located in relatively small span of space along the north face of the establishment. At the western most end of the property, a section of the low rise structure radiuses outward creating a giant white, convex stucco canvass. A golden sunset has been painted on the entire surface of this rounded wall. A bright white round section represents it with the color blending from an intense yellow into a burnt orange on the top edge of the building. At the top of the wall along the surface, "Greek Isles is spelled in shallow blue channel letters, with each letter set upon a white cabinet which mimics the shape of the font. Incandescent bulbs fill each channel letter, surrounded by a border of blue neon. The text is very angular, also mimicking ancient Greek text and the text utilized in Caesar's Palace. Just below the text on the surface of the wall. A wall sign in the shape of a rectangle with scrolls on the either sides. The resultant effect is a two-dimension representation of an Ionic top of a column. The outer edge of the sign including the spiraling scrolls on either side is created with a narrow blue channel. Tubes of blue neon line the interior of this channel. The open rectangular space left in the banner of the sign reads "Hotel &Casino," in red channel letters, lined with red neon on the interiors. Further east on the surface of the building, the white stucco is treated with a mural of broken tile overhangs and open shutters. Column, and corbels are other elements represented in the mural of a Greek village. Another sign is located on the wall between the western most sign and the central Porte cochere. This sign is two parts. Pair of concrete columns support a cabinet, crafted in the same fashion as the secondary portion of the previously mentioned sign. The details of the scroll are created by gold raceways lined with incandescent bulbs. Painted in red , all capital, letters, the text "Restaurant &Lounge Show," lies horizontally across the white surface. Neon is crafted over the tops of the letters. Sitting on top of the cabinet is another set of channel letters. The shallow blue letters are filled with incandescent bulbs. The shadowing cabinet, behind the letters is painted gold. Blue neon borders each one of the letters. On either side of the text, three slightly arched rods angle out of the body of the faux scrolled cabinet. The rods are lined on the surface with one single tube of blue neon. A pair of gold, polished, doors lie underneath the sign between the columns. The main entrance of the building is underneath the porte-cochere, continuing east along the property. The surface of the awning is illuminated with lengthy backlit cabinets, lined on the top and the bottom with gold raceways lined with incandescent bulbs. Blue tubes of neon line the top and the bottom edges of the surface of the cabinet. The underside of the awning is divided in clear plastic covered recessed cubes, forming a grid over the surface. The interiors of the cubes are mirrored, and sloped to a point in the negative shape of a pyramid. The centers are adorned with incandescent bulbs. The borders that periodically broken up with polished, reflective panels of a bronze hue. The property continues east still, until a north/south drive separates the building from the pylon sign for the establishment. A pair of white painted steel poles are capped with a white cabinet, sculpted itself to add elements to the poles themselves. The left and right bottom edges of the cabinet are crafted to look lime the scrolled column capital, represented in the two logo wall signs on the east surface. The scrolls are created with blue paint, n the white surface, as well as the address painted in the center. The combination of the sculpted cabinet and supporting poles create a solid base for a giant black cabinet which housed a color LED message center. Atop the cabinet, another horizontal cabinet sits wider in length than the LED cabinet. The cabinet is crafted like the two wall signs as well, with bulbous radius ends, adorned on the surface and edges with the channel raceways creating the scroll shape. This channel is lined with blue neon. All capital, red channel letters, filled with red neon, reads "Hotel & Casino." A top this cabinet another sculpted cabinet hold the main logo text of the sign. The sign is crafted as a half circle, creating a cabinet with the entire outer edge being a single radius. The surface of the sign is painted in the same fashion the sunset mural on the east end of the building. The sign starts as a dark orange at the bottom and fades to a yellow at the top. The edge of the radius is interrupted by the main text. "Greek Isles" is spelled in the same fashion as all the other signs. The mimicking backing cabinets for the letters are painted white as well. The outer edge is also lined with gold polished raceways , and incandescent bulbs. The width of the sign from the LED cabinet on up is painted black
Sign - type of display: Neon; Incandescent
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The Greek Isles is on the unique street line of Convention Center drive. To the east there is a nightclub, a chain motel, The Las Vegas Hilton, and the transplanted Riviera pylon. To the west, on that side of the street, is a bank complex and the Casino Royal. Across the street the vast expanse of the Hilton Convention Centers parking lot, makes the Greek Isles seem much larger for it's relatively small set of signage.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - date of redesign/move: The Greek Isles signage is the same since its initial installation, but replaces other vestiges of the previous properties, most recently the Debbie Reynolds Hotel and Casino.
Sign - thematic influences: The theme of the property is quite evident in its name as well as in its facade. The exterior is made to appear with elements of a rustic Greek village utilizing a white stucco finish treated with mural designs of wooden shutters and other village amenities. On western end of the property, the large round, surface of the wall is treated with graphic paint representative to a rising or setting sun. This element also adds to the apparent ambiance of the serene village. The text for the property is crafted in the generalized angular style of the ancient Greek text, not that much dissimilar to the Caesar's Palace logo text. In fact they are almost identical in fashion.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Graphics; Paint

Mixed Content

Transcript of interview with James M. Lancaster by Linda Voorvart, March 4, 1980

Date

1980-03-04

Description

On March 4, 1980, Linda Voorvart interviewed former senior safety engineer and power plant operator, James M. Lancaster (born July 5th, 1911 in Trinidad, Colorado) in his home in Las Vegas, Nevada. Lancaster explains how he first came to Southern Nevada from Mexico and Cuba. Lancaster then goes on to explain his occupational history, and the different jobs that he held in Southern Nevada, specifically at the Nevada Test Site.

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Transcript of interview with Ruth Gust by Beth Ann Bonenfant, March 10, 1981

Date

1981-03-10

Archival Collection

Description

On March 10, 1981, Rebecca (Beth) Bonenfant interviewed Ruth Gust (born 1905 in Mokane, Missouri) about her life in Nevada. Gust first talks about her original move to Las Vegas in 1947 and some of the first businesses that existed at the time. In this brief interview, she also talks about the first casinos, the culinary union, her employment as a server, and Mt. Charleston.

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