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Transcript of interview with Anna Sipl Meyers by Leita Kaldi Davis, February 12, 2012, February 29, 2012, March 27, 2012, April 6, 2012, April 24, 2012, May 3, 2012, May 9, 2012, May 16, 2012, October 19, 2012, November 16, 2012, & December 7, 2012

Date

2012-02-12
2012-02-29
2012-03-27
2012-04-06
2012-04-24
2012-05-03
2012-05-09
2012-05-16
2012-10-19
2012-11-16
2012-12-07

Description

From concentration to ownership of Las Vegas casinos, Meyers owned the Cashbah and the and Queen of Hearts in downtown Las Vegas. Interview dates: 2/12/2012, 2/29/2012, 3/27/2012, 4/16/2012, 4/24/2012, 5/3/2012, 5/9/2012, 5/16/2012, 10/19/2012, 11/16/2012, 12/7/2012.

Text

Interview with Kenneth Giles, February 10, 2005

Date

2005-02-10

Description

Narrator affiliation: EPA Farm

Text

Joshua Abbey Papers

Identifier

MS-00820

Abstract

Collection is comprised primarily of files from approximately the early 1980s to 2017 detailing Joshua Abbey's theater and film career; his involvement with environmental efforts in Southern Nevada such as the Citizens Against Nuclear Waste in Nevada (CANWIN); and his involvement with the Jewish community in Las Vegas, including the Jewish Film Festival, the Jewish Federation, Temple Beth Sholom, and other organizations. The collection also includes information about the Jewish Community Center from the 1950s and a file on the film production of The Brave Cowboy, a novel written by his father, Ed Abbey.

Archival Collection

Henry and Anita Schuster Papers

Identifier

MS-00580

Abstract

Collection is comprised of correspondence, speeches, essays, meeting minutes, photographs, research materials, publications, press clippings, awards, and event programs (1941-2011) that document the life of Henry Schuster, and his work with his wife Anita. Materials are mainly related to the Holocaust and to Holocaust memory and survivor organizations (especially the Holocaust Survivor's Group of Southern Nevada, which the couple founded, and L’Œuvre de Secours aux Enfants). Genealogical information is also included, as well as records of Henry Schuster’s time in the U.S. Army and his studies at the Manhattan Technical Institute.

Archival Collection

San Pedro, Los Angeles & Salt Lake Railroad Company Records

Identifier

MS-00007

Abstract

The collection is comprised of records of the San Pedro, Los Angeles & Salt Lake Railroad Company (1901-1976). The construction of this railroad led to the founding of Las Vegas, Nevada and the creation of the Empire Construction Company and Las Vegas Land and Water Company. The records document the company's operations and include correspondence and contracts relating to lots in the Las Vegas townsite, payments and accounts, invoices and other audit materials from 1905 to 1923. The collection also includes the records of the railroad agent at Arden Station, located ten miles south of the Las Vegas Station, which contain correspondence, ledgers, freight and way bills, shipping orders, and telegrams.

Archival Collection

Jean Ford Photograph Collection

Identifier

PH-00295

Abstract

The Jean Ford Photograph Collection (1964-1977) contains black-and-white photographic prints, contact sheets, and transparencies of Nevada politician and activist Jean Ford. The collection includes photographs of Jean Ford with the Nevada State Park Commission and various Nevadan politicians; Ford lecturing and campaigning; and of the 1977 National Women's Conference in Houston, Texas.

Archival Collection

Amber Diskin oral history interview: transcript

Date

2018-01-05

Description

Oral history interview with Amber Diskin conducted by Barbara Tabach on January 5, 2018 for the Remembering 1 October Oral History Project. In this interview, Amber Diskin discusses her experience at the Route 91 Harvest music festival during the October 1, 2017 mass shooting in Las Vegas, Nevada. Diskin talks about finding her way home after escaping the crowds and letting her family and friends know she was not hurt. She speaks of the aftermath of the shooting, including how her children were affected, the post-traumatic stress disorder she developed, and how the shooting has affected her love of concerts. As a native Nevadan, she shares her views of Las Vegas and how her sense of community deepened after this event. Diskin ends the interview by discussing her appreciation for the first responders and the gift baskets she helped distribute to hospitals, police stations, and the fire department.

Text

Kirk Kerkorian School of Medicine at UNLV 1st Commencement and Academic Hooding Ceremony

Date

2021-05-07

Description

Commencement program from University of Nevada, Las Vegas Commencement Programs and Graduation Lists (UA-00115).

Text

Photographs of Blue Note signs, Las Vegas (Nev.), 2002

Date

2002

Description

Views of the Blue Note club signs on the Las Vegas Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3663 S Las Vegas Blvd
Sign owner: Blue Note International: Father & Son team of Danny and Steven Bensusan
Sign details: The Blue Note is located a short distance east, down Harmon Ave., on the north side of the street, facing south. It is part of the Aladdin Hotel Casino. A vacant lot resides on the corner, and is the only thing that separates the Blue Note from the Strip. Signage for the property includes two logo wall signs on the west wall of the building, a vertical blade sign and an entrance sign over the main port to the establishment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: Just east off of Las Vegas Blvd, down Harmon Ave, lies the entrance to the "Blue Note: Jazz Capital of the World." The Blue Note is actually part of the Aladdin property, residing in the eastern most wing of the building, on the south side of Harmon. The majority of the signage hangs on the front of the building, which faces south toward Harmon Ave., with additional signage on the west face of the structure that extends from the Aladdin property. A vacant lot on the north east corner separates the Blue Note from the rest of the strip. The structure of the building and the design of the signage are juxtaposed with the building still being finished in a Persian Palace theme. While the signs are reminiscent of roaring twenties style font and theatre front design. Several different types of signs adorn the Blue Note. Two wall /logo signs hang on the west side of the building, while a sculpted entrance marquee, a hanging logo sign, and a vertical blade sign hung on the south side of the building. The west wall logo sign is composed of blue channel letters spelling the text " Blue Note," separated by a circular cabinet with a tube of neon bent to emulate the shape of a musical note placed in the middle. Five steel bars just out from either side of the cabinet. Below the text, a white steel cabinet with rounded ends, support a thin set of blue channel letters reading, "Jazz capital of the world." Further to the right a set of pink channel letters rest upon the upper portion of the corner of the structure. The letters are filled with pink neon. Along the South face of the building the first sign, hung in close proximity to the southwest corner, a vertical blade sign sits on a radius base of shaped molding jutting out of the wall. The actual body of the sign is a double backed cabinet finished in polished aluminum, with blue pin striping along the edges as well as along the rounded edge of the top. Near the top of the sign, the same rounded cabinet seen on the west wall of the structure, is integrated into the blade facing east/west. The cabinet is thicker in width to compensate for the width of the actual sign. The edges of the steel structure are painted in the same blue tone. The afore mentioned blue neon tubing fashioned into the shape of the note resides in this cabinet also. Along the east/west sides of the sign the text "The Blue Note," runs vertically from top to bottom, in blue channel letters only interrupted by the circular cabinet. The panel, which the text resides is painted white. Along the edge of the blade, which faces south, the text "Blue Note" is spelled vertically in blue channel letters. Sitting along the edge of the base, which the sign sits on, thin red channel letters stand almost independently, wrapping around the radius of the base. Starting on the west side of the sign and finishing on the east side, the text reads "Club & Cafe." These letters are filled with tubes of red neon. The letters are attached to a backing radius band of metal appearing to be gold. Further down the face of the building the main entrance to the building plays host to an overhead marquee/logo sign incorporating sculptural elements as well. Directly in the center of the composition, a long horizontal cabinet plays host to the red channel letters filed with red neon, reading, "World's Finest Jazz Club." Sitting on the top edge of the cabinet the same configuration of the Blue Note logo sign along with the circular cabinet, rests in front a sculpted piece of black steel. This piece of black painted steel is cut to appear as if it is the open top to a piano. Along the interior edge of the lid tubes of blue neon form a blue border. Between the piano top and the Blue Note logo, a horizontal steel grate serves as a divider as well as support for the blue channel letters. This entire section sits on a long horizontal ledge composed of a long polished steel section with a long LED message center just below that. Slightly recessed below the message center another width of overhang constructed of steel is painted to appear as if it is made of piano keys. Along the wall, just above the door, the pink channel letters read "Insomnia" with pink neon on the interior.
Sign - type of display: Neon
Sign - media: Steel; Fiberglass
Sign - non-neon treatments: Paint
Sign environment: Situated just east off the strip, down Harmon Avenue, the Blue Note is the only attraction in its immediate area. Even though it is part of the Aladdin complex, the closest property is the Harley Davidson Cafe on the south east corner of Harmon and Las Vegas Blvd At night, the property loses its Arabian Nights architecture emitting a sultry glow of neon. It is hard to miss, if a pedestrian peers down the street while traveling north or south, on the east side of the strip. During the day, the architecture helps to blend in the property to appear as it is, part of the Aladdin.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The building itself is part of the actual Aladdin property, so the faced of the structure is themed in the manner of an ancient Persian city. It is an interesting juxtaposition for the sleek, modern finish and colors of the signage, with the organic facade of domed towers and stone facade. The Blue note signage is themed around the subject of music, specifically Jazz and Blues music. The blue hue of the neon, and the cabinet containing the crafted musical note are all evidence of this. The blade sign is thematically influenced by marquee building signs for theaters and music clubs from the first part of the century, specifically the forties and fifties. Such examples that utilized a similar designed blade sign were properties from the 1930's 40's and 50's such as The Boulder Club, The Pioneer Club, and the Las Vegas Club.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Steel; Fiberglass; Paint

Mixed Content