Photos show McCarran Field signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description. Site address: 6005 S Las Vegas Blvd Sign owner: McCarran International Airport Sign details: On the south end of the Strip, the very last sign on the east side before you arrive at Sunset Blvd Facing West the two stone pylons are set approximately fifty feet off of the street at the end of a dual-lane stretch of pavement separated by an island of grass. The banner marquis between the two pylons stretches over this area of grass. Sign condition: Structure 3 Surface 3 Lighting 4 Notes: The surface of the pylon is in good shape considering its age and its environmental condition. It is essentially left to fend for itself against the elements, being in the flat expanse of an airfield. The stone, plaques, and paint treatment are all badly worn, with the stone pylons, appearing the least worn. Sign form: Pylon Sign-specific description: The original McCarran Air Field entrance is constructed of two masonry pylons sit on an island of grass, and serve as an entrance to the private Hughes executive airport terminal. Each individual tower is adorned with a propeller attached to the front and the representation of a bird's wing crowning the tops Both facets are constructed of steel. When facing the structures the left has a plaque on the bottom section with the inscription "1948" while the one on the right reads "Las Vegas". Between the two pylons a stretch of text in white channel letters and white neon, large text in the old "Frontier style text reads McCarran Airport. The signage sits independently on top of a sturdy connecting steel cabinet, which supports the words "executive terminal" in smaller channel letters, with white neon. The cabinet is a painted blue horizontal plane tapering wider on either end in rounded profile patterns. The wings are outlined in pink neon, while the propellers are outlined in rose neon with a circle of white in the middle. Sign - type of display: Neon Sign - media: Masonry Sign - non-neon treatments: Paint Sign animation: none Sign environment: The surrounding area is rather dark due to the wide expanse of the airfield which stretches out behind the sign. It truly is a last marker for the end of the Strip, and stands alone. Even though it is in close proximity to the major strip resorts of the Four Seasons as well as the Mandalay Bay and various small roadside hotels, it seems to stand in solitude. Sign - date of installation: 1948 Sign - date of redesign/move: The blue banner of steel and white letters was added after its initial construction. Sign - thematic influences: The masonry pylons are constructed in an adobe style masonry reminiscent of the desert landscape surroundings. Designed for the airport, the appendages stem obviously around the theme of flight. This may be denoted from the propeller and the wing. The juxtaposition of the two elements, one being the method of flight in nature and the other man made, serves as a reminder of mans fascination with flight. The added banner's text is in the pioneer fashion of the original Last Frontier. Sign - artistic significance: Opened in 1948, the sign was intended for use as a marker for the endpoint of the Strip. " It was part of the city's expanding policy creating a jet-scale entrance for the city," Jorg Rudemer from Lost Las Vegas. Artistic significance also lies in the combination of materials using masonry, steel and, neon. The piece successfully combined these elements to provide an architecturally solid design by day, which was cohesive with its surrounding landscape. A metamorphosis takes place at night as the sign is transformed into a glowing specter of its daytime counterpart. The surrounding area is rather dark as the pylon rises up out of the darkness as a neon marker for the property. The illuminated wing and propeller stand out as the significant and successful partners in the world of flight. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Pylon; Neon; Masonry; Paint
Folder contains materials related to establishing a law school at UNLV, including: lists of members on the Law School Advisory Board and Citizens Committee for Law School; draft booklet by the UNLV Pre-Law Advisory Committee; The National Pre-Law Newsletter, December 1974; Law School Admission Bulletin, 1974-1975; LSAT/LSDAS blank registration form; Law School Advisory Board meeting minutes, 1973-1974; Consolidated Students of UNLV resolution supporting the establishment of a law school, 1974; correspondence; published articles; and informational documents. From the University of Nevada, Las Vegas William S. Boyd School of Law Records (UA-00048).
The Fercos Family Publicity Collection (approximately 1978-1989) contains newspaper articles, advertisements, and a poster promoting the Flying Fercos, a family of juggling and acrobatic performers who performed in Las Vegas, Nevada at the Dunes Hotel during the 1970s and 1980s. The materials document the Fercos family's act as part of producer Frederic Apcar's shows such as Casino de Paris and Hot Shock.
Materials in this collection (1969-1989) document various endeavors of the Operation Life organization. They include original correspondence, meeting minutes, news clippings, medical programs, grant applications, legal and financial documents, brochures and pamphlets, and other materials that provide context on the kinds of services provided by Operation Life. These files were kept by Jack Anderson in the course of his work as attorney for Operation Life.
Oral history interview with Katherine L. Rankin conducted by Claytee D. White on June 16, 2014 for the Boyer Early Las Vegas Oral History Project. In the interview, Rankin discusses her childhood, her move to Las Vegas, Nevada, and her career as a librarian. Rankin talks about how she began her library career on the Gila River Reservation in Arizona before accepting a position as an audio and visual materials cataloger at University of Nevada, Las Vegas (UNLV) in the 1970s. Rankin later describes her work with the American Library Association, getting tenure at UNLV, and her role as a map cataloger in UNLV Special Collections and Archives.
The Tamara Pickett Papers (1977-1998) are comprised of materials related to the experiences of transgendered individuals in America. The collection includes transgender publications, scientific articles about sex reassignment surgery, and informational material provided to Pickett from various doctors as she planned her own sexual reassignment surgery.
The Clarence Ray Photograph Collection (approximately 1930-1960) consists of black-and-white photographic prints and negatives of Clarence Ray, casino scenes of people playing table games, and images of Ray with black activists in Las Vegas, Nevada.
Coming from humble beginnings, Elaina Blake grew up in Port Orchard, Washington, where her father was in the logging industry and she involved herself in the love of horseback riding. After becoming engaged at age 16, she married the following year at 17 and moved to Las Vegas where she started as a statistical typist at the Sahara Hotel and Casino. This led to a position her to become an executive secretary at the Thunderbird where she dealt with the rampant sexual harassment that was typical of the executive office environment in the industry at the time. The rejection of those advances led her to start her career in real estate with Roberts Realty where she sold her first group of homes off of Nellis Boulevard and Tropicana Avenue. In 1976, she made the entrepreneurial move by buying into Roberts Realty, becoming an owner, and eventually buying out Young American Homes. She started giving back to the community through her service as being the first woman elected to president elect for the Chamber of Commerce in 1984 and also served on the Clark County Planning Commission for four years serving as vice chairman and chairman. She did such a wonderful job running the chamber, she was approached to run for Lieutenant Governor. Her involvement with the community increased during this time as she got involved with the United Way, saved the YMCA from closure and started the Focus School Project in 1989 with former superintendent Brian Cram where businesses adopt schools and provide money and volunteer. This project is still in operation today and has given back $8 million dollars to CCSD in volunteerism. During her time with the Chamber, she continued to work with major local builders such as Pageantry Homes, Heers Brothers, and Christopher Homes, which led to her taking another entrepreneurial milestone by taking a small team to create Blake and Associates. In 1996, Blake leveled up to become a developer starting with office buildings. As a champion for the inclusion of women, she never felt held back because of her gender and she always encouraged women in the Chamber to give more of themselves, even if it was for ten minutes because the men did so. In a male-dominated industry, Elaina Blake has been a trailblazer for women in business and the housing industry in the valley.
George was raised in Mattapan, a suburb of Boston, by his mother and father. George had four siblings and was the second youngest. George shares fond memories of growing up and playing softball and tennis in the neighborhood park with his numerous friends. George could listen to a song on the radio and play it on the piano by ear when he was as young as four years old. George had several jobs to earn money growing up, including working in a record store and as a busboy. Eventually George and his brother joined a trio with Steve Harrington and performed in clubs. In 1958, George joined his brother and Paulette Richards in Las Vegas where they had a contract to play at El Rancho Hotel & Casino where they played until it was destroyed by fire. Following the fire, George and his brother parted ways and each did their own thing. In the 1960s, George began playing with the band at Caesars Palace. George used his background in accounting to do some bookkeeping and payroll for some of the ban