At age 95, Marian Wojciechowski recalls his personal story of being born a region called called Poland in 1914, just as World War I was beginning. This narrative gives special attention to his Polish background at a time when the country did not technically exist, and their language was forbidden. By the late 1930s and the dawning of World War II, Marian is a young man struggling to understand what is transpiring, but knowing that he must participate in the Polish underground resistance against the Germans His activism gets him arrested and sentenced to Auschwitz as a non-Jew and without penalty of death. He recalls the Gestapo beatings which have left him without feeling in his fingers and a loss of hearing. He shares historical perspectives of the war era, agricultural coops, goal of Germans to sell Jews to the United States and other countries, and a story about a woman who helped save 2500 Jewish children during war.
The Whitney Family Collection of Bunkerville, Nevada Photographs (approximately 1900-1930) consists of black-and-white photographic prints and negatives depicting Agnes Murphy Neve, Luke Whitney, Julia Whitney, and Alfred Syphus near the Whitney family ranch in Bunkerville, Nevada. One image portrays an overflow drainage pipe connected to the St. Thomas pond near Bunkerville, Nevada.
The William White Postcard Collection (approximately 1930-1940) consists of three postcards depicting the Hoover Dam (Boulder Dam) on the border of Nevada and Arizona. One postcard showcases Oskar J. W. Hansen’s “Figures of the Republic” sculptures near the Hoover Dam. Another postcard displays an interior view of the visitor’s gallery at the Hoover Dam. The final postcard depicts the Hoover Dam at sunset.
On March 15, 1981, Susan Rapport interviewed Jacqueline Evans (born 1940 in Long Beach, California) about her experiences in Nevada. Evans first talks about living in Reno and Tonopah before moving to Las Vegas where she attended high school. She talks specifically about her extracurricular activities in high school, recreational activities, and other forms of entertainment. The two also discuss political events during the sixties, her husband’s involvement in Indian affairs, and the flood problem in Las Vegas. Evans also talks about bringing children up in Las Vegas, camping as a recreational activity, and the development of Lake Mead.
William “Billy” Christ, born in 1930 in Detroit, Michigan, is an accomplished bass player. His parents, Louis and Estemia Christ, were both from Albania and immigrated to Detroit in 1929. Christ’s father was a restaurant owner and his mother worked alongside his father in the restaurant business. Billy started playing the bass in high school and studied with the Detroit Symphony. Billy decided at an early age that he wanted to become a full-time musician. He attended Wayne University to study music and after two years he decided to join the Gene Krupa Band in New York. While living in New York, Billy had the good fortune to play at historical venues such as Apollo Theater, Copacabana, and Bop City. After only a few years, he left New York to join Lena Horne in San Francisco and then Billy made his way to Las Vegas in 1960. Christ’s first job in Las Vegas was on the strip at the Flamingo with the Russ Black Orchestra. Performing in Las Vegas allowed Billy to gain greater access to talented musicians and the opportunity learn from these virtuosos. As a result, Billy quickly matured into a skillful bass player and ultimately went on to work with legendary greats like Paul Anka, Tony Benett, Sammy Davis, Dean Martin, and Frank Sinatra. Billy currently lives in Las Vegas and performs weekly at The College of Southern Nevada on Wednesday nights. He has been married to his wife Alene since 1958. When asked about his philosophy on life, Billy responded, “I try not to worry about things and just take it a day at a time and try to be the best person I can be. And play every day.”
Oral history with Chris Davis, Debbie Davis, and Mynda Smith conducted by Claytee D. White and Barbara Tabach on May 24, 2018 for the Remembering 1 October Oral History Project. In this interview, Debbie and Chris Davis and Mynda Smith discuss the murder of their daughter and sister (respectively), Neysa Davis Tonks, at the Route 91 Harvest Country Music Festival on October 1, 2017. They discuss plans to form Fifty-Eight Loved and Never Forgotten, a foundation to help educate the children of the 58 families affected that night. Neysa, a single mother, left behind three sons, 24, 18, and 15 years of age. The family members recall how they were first alerted to Neysa's death, and having to locate and identify her body at the coroner's office twenty-four hours later. Chris, David, and Mynda reflect on Neysa's life, her work, and legacy. Debbie, Chris, and Mynda believe that "darkness cannot exist in the presence of light. Neysa's light will shine forever."
The Del Webb Corporation Photograph Collection (approximately 1957 to 1988) consists of black-and-white photographic prints, black-and-white oversize reprints, negatives, and color slides focusing on the Mint Hotel and Casino in downtown Las Vegas, Nevada. Images depict the construction of a twenty-six story high-rise addition to the property, its grand opening and anniversary celebrations, the Mint 400 Off-Road race festivities, interior shots of the casino floor, restaurants and lounges, and a salon. Also included are exterior images of properties on Fremont Street considered to be competitors of the Mint, advertisements and billboards, and photographs of Del E. Webb and associates.