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Tony Wuehle Collection

Identifier

MS-00522

Abstract

The Tony Wuehle Collection documents the activities of freelance writer, college president, and poker expert Edwin "Tony" Wuehle of Michigan and Las Vegas, Nevada, between the years of 1950 to 2007. The collection consists of copies of Wuehle's regular columns, newsletters, and special articles as they were published in various journals and newspapers, especially those related to poker, the International Home and Private Poker Player's Association (IH3PA), education administration, and religious concerns.

Archival Collection

Jarbidge, Nevada Community Archives Collection

Identifier

MS-01122

Abstract

The Jarbidge, Nevada Community Archives Collection contains scanned images from seven archival collections and document the community of Jarbidge, Nevada from approximately 1910 to 2006. The materials were collected from various families living in Jarbidge in 2006 as part of a project led by Carrie Townley Porter. The images depict early Jarbidge structures, surrounding landscape, the Elkoro Mine, and residents of the area. Also included are images of certificates, correspondence, and newspaper articles relating to the families' histories. Also included in the collection are written summaries of ten oral history interviews of Jarbidge residents conducted in 2006. This collection contains digital surrogates only; the owners and Jarbidge Community Archives retain the originals.

Archival Collection

Hazel Baker Denton Papers

Identifier

MS-00387

Abstract

Hazel Baker Denton Papers (1907-1957) contain correspondence, family artifacts, scrapbooks, newspaper clippings, and family biographical information. Included are journals that chronicle the years Denton served as an Assemblywoman for the Nevada State Legislature and a copy of her book, Ironing Day, her newspaper columns, and speeches.

Archival Collection

Audio clip of Marzette Lewis

Date

2012-10-30

Description

Part of an interview with Marzette Lewis by Claytee White on October 30, 2012. Lewis discusses community involvement in the movement for equality in elementary schools to stop bussing children to schools in different neighborhoods.

Sound

Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-15

Description

Photos show Mandalay Bay signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics

Mixed Content

Cecia Alvarado oral history interview: transcript

Date

2020-09-15

Description

Oral history interview with Cecia Alvarado conducted by Barbara Tabach on September 15, 2020 for the Latinx Voices of Southern Nevada Oral History Project. Cecia describes her personal history, moving to the United States as a teen in the year 2000. She talks of immigration, education, and her work as the State Director of "Mi Familia Vota."

Text

Elmer R. Rusco Collection on Ethnicity and Race in Nevada

Identifier

MS-00196

Abstract

The Elmer R. Rusco Collection on Ethnicity and Race in Nevada (1964-1972) contains correspondence, court cases, employment information, and research materials compiled by Rusco for a book he was writing on race relations in Nevada.

Archival Collection