The UNLV Libraries Collection of Gold Strike Resorts Inc. Promotional and Press Materials includes promotional materials, company newsletters, and newspaper clippings for Gold Strike Resorts Inc. located in Jean, Nevada dating from 1986 to 2005.
The Christie Young Papers are comprised of Young's personal papers, journals, and photographs between 1982 and 2011. The journals document Young's arrival to Las Vegas, Nevada and her involvement in several nascent Las Vegas lesbian, gay, bisexual, transgender, and queer (LGBTQ) organizations from 1982 to 1985, such as UNLV's Lesbian and Gay Academic Union (LGAU). The collection includes materials related to her life in San Diego, California from 1985 to 1995 and typed transcripts of all journal entries that relate to the Las Vegas LGBTQ community. The collection also includes photographic slides and prints documenting Young's involvement with LGAU and events in the Las Vegas LGBTQ community.
The Antonio Morelli Photograph Collection documents the professional and private life of the Sands Hotel Orchestra conductor, Antonio Morelli, from 1932 to approximately 1970. The majority of the photographs show events, Copa Room showgirls, and the orchestra at the Sands Hotel and Casino in Las Vegas, Nevada during the 1950s and 1960s. Subjects depicted in the photographs include a Copa girl with an atomic bomb crown, Joe W. Brown's Horseshoe million dollar display at Binion's Hotel and Casino, and Antonio Morelli performing with Jimmy Durante and Carl Cohen.
The Ray Cutright Collection of Winthrop A. Davis Photographs (approximately 1929-1939) consists of black-and-white photographic prints with some corresponding negatives and slides of the construction of Hoover Dam and the geographic terrain of southern Nevada during the early 1930s. Included are photographs of the geographic area around the dam site, Black Canyon, and Boulder City, Nevada. Photographs depict the construction of facilities and roads needed for the project.
What is the importance of dance? For Nancy Claire Houssels, it has simply shaped her life! Born on February 26, 1935 to Edith Darlene Wallace and William Edwin Wallace, Nancy grew up with three brothers in an athletic household in Piedmont, California. She began dancing at the early age of three and filled her childhood years with dance and synchronized swimming. After attaining a Bachelor of Arts Degree in Theatre Arts from UCLA in 1957, Nancy went on the road with the Hollywood Bowl; soon meeting her future dance partner, Francois Szony. Already known as one of the most respected adagio dancers in the world, Szony would become Nancy’s dance partner for the next ten years. The Szony and Claire adagio team rehearsed in New York City before heading off to their first European engagement at the London Palladium. The team spent the next few years appearing in London, Copenhagen, Paris, Vienna, Rome, Turino, Milan, Barcelona, and even Beirut. Their physical ability to perform breath-taking spins and lifts appealed to broad audiences; even those with little or no appreciation of ballet. After returning to the states, Szony and Claire performed in Miami, Puerto Rico, and throughout New York; including Radio City Music Hall, the Ed Sullivan Show, Carnegie Hall, and Madison Square Garden. In 1966, the dance team headed to Las Vegas, Nevada to appear with the Casino de Paris at the Dunes Hotel. Shortly thereafter, in 1968, Szony and Claire joined the cast of the Folies Bergere at the Tropicana Hotel. In May 1970, Nancy married J. Kell Houssels, Jr., then the President of the Tropicana Hotel. As Nancy likes to retell this moment, “Well, my husband fired me and we got married!” After more than thirty years of dancing, Nancy felt ready to end her professional dance career and looked forward to starting a family. Nancy and Kell subsequently had two children: Kelly Clair and Eric Wallace, and Nancy happily ‘inherited’ three stepchildren: Josh, Jake, and Leslie. The adjustment of shifting from a career characterized by a grueling work schedule to that of domestic life proved challenging for Nancy. She soon began looking for ways to involve herself in the community. Since the early 1970s, Nancy has lent her time and support to such diverse entities as Child Haven, Children’s Service Guild of the Clark County Juvenile Court System, National Conference of Christians and Jews, PBS Friends of Channel 10, Nathan Adelson Hospice, Meadows School, United Campus Ministry, Las Vegas Metropolitan Beautification Committee, McCarran Airport Arts Advisory Committee and the University of Nevada, Las Vegas Foundation. While Chair of the Nevada State Council of the Arts for seven years, she proved instrumental in establishing a Folk Arts program and expanding legislative funding for statewide arts programs. Nancy’s service to the community has been recognized with such awards as the 1985 Nevada Dance Theatre’s Woman of the Year, the 1988 Governor’s Arts Award - Distinguished Service to the Arts, the 1994 State of Nevada’s Women of Achievement, and the 1997 We Can, Inc.’s Chris Schaller Award for children’s advocacy. Although her days as a professional dancer had ended, Nancy never relinquished her love of dance. In 1972, Nancy joined Vassili Sulich in founding the Nevada Dance Theatre. As the principal dancer in the Folies Bergere, Sulich had organized a series of dance concerts for the Las Vegas community. Much to Nancy’s surprise, the Las Vegas community responded enthusiastically to the availability of ballet performances. Nancy quickly formed a volunteer board to raise the critically needed funding for this endeavor. She began with an evening fundraiser at her home, inviting a group of like-minded friends. This effort raised the initial fifteen thousand dollars that set the Nevada Dance Theatre on its way. In 1976, the company acquired its non-profit status and subsequently formed an academy to train children in dance. Nancy played an instrumental role in furthering the ballet company’s community outreach; creating such programs as Future Dance funded by the Lied Foundation. This program targets lower income children who attend at-risk elementary schools and provides them with free dance instruction…building self-esteem, confidence, and hope. In 1996, with a capital grant from the Donald W. Reynolds Foundation and land donated by the Howard Hughes Corporation, the Nevada Dance Theatre began drawing their plans for a world-class facility in Summerlin. Completed in 1999, the company now had a visible home within the Las Vegas community. Here, students from the Las Vegas community trained alongside the company’s professional dancers. Renamed in 1998 as the Nevada Ballet Theatre and with a new Artistic Director, Bruce Steivel, the Company continues to serve not only as a leading force for live performing arts, but also as a source of community outreach programs for children. Nancy continues to remain involved with the Nevada Ballet Theatre and currently serves as the Co-Chair of the Company. She believes her life experience reflects both the viewpoint of the artist and that of the audience. Indeed, her visionary leadership and love of dance has not only shaped her life but has nurtured the development of the cultural arts in Southern Nevada.
The Soroptimist International Sierra Nevada Region Records are comprised of memoranda, newspaper clippings, brochures, and communications from 1975 to 1998. The collection includes information about the Soroptimist International Sierra Nevada Region chapter's involvement with women's rights issues, primarily the Equal Rights Amendment ratification campaign in Nevada and California, as well as national efforts.
The Merle and Beulah Frehner Photograph Collection contains photographs of Southern Nevada from 1905 to 1955. The materials include photographs of the Frehner freight teams transporting ore, schools and students in the Moapa Valley, the Colorado River, and parades in Southern Nevada.
The Alan Byron Olson Photographs (approximately 1933) consist of one negative album containing 100 photographic negatives taken by Alan Byron Olson around 1933 that depict the Hoover Dam (then known as Boulder Dam) and the Boulder City Hospital. Olson was a medic for the Boulder City Hospital and the images also depict various hospital staff and other locations related to Hoover Dam. The collection also includes digital copies of the negatives.