Folder contains: law school questionnaire and responses, 1973; press release about a statewide advisory board charged with developing preliminary plans for a law school at UNLV, June 20, 1973; Minutes of the Joint Senate-Assembly Education Committee Meeting for a Law School, March 16, 1973; press releases about donations; notes; and newspaper clippings. From the University of Nevada, Las Vegas William S. Boyd School of Law Records (UA-00048).
The collection is comprised of the personal, professional and business papers of Dr. Juanita Greer White from 1927 to 1980. Included are correspondence, booklets, dissertations, minutes, newsletters, newspaper clippings, and various other materials linked to women's organizations and Nevada organizations relating to education, health, and aging. Other material includes documents from her work in the Nevada State Legislature, books, catalogs, chemistry papers, plaques, and campaign materials.
The regional subject files include materials collected by anthropologist Katherine Spilde about Native American gaming, Native American communities in the United States, and the US and international gaming industries. The materials date from 1859 to 2015, with the bulk of materials dating from 1990 to 2010. Materials dating from the nineteenth and early twentieth centuries are a reproduction of a federal treaty and an ethnohistorical essay. The majority of the materials document Native American gaming following the passage of the 1988 Indian Gaming Regulatory Act. The papers include research and subject files created by Dr. Spilde during her employment with the National Gambling Impact Study Commission (NGISC), National Indian Gaming Association (NIGA), and Harvard Project on American Indian Economic Development (HPAIED). The materials document Native American gaming enterprises both on and off reservations, the socioeconomic impact of gaming, the political history of gaming in the US, and international gaming. The series includes socioeconomic reports, testimonies, correspondence, memos, press releases, photographs, audiovisual materials, promotional materials, brochures, fact sheets, summaries, booklets, pamphlets, advertisements, tourism materials, journal articles, legal briefs, legislative documents, court opinions, notes, presentations, conference materials, periodicals, community newspapers, and newspaper articles.
The collection contains documentation on a number of Native American nations, including the Misi-zaaga'iganiing Anishinaabeg (Minnesota Chippewa Tribe, Mille Lacs Band); Gaa-waabaabiganikaag Anishinaabeg (Minnesota Chippewa Tribe, White Earth Band); Forest County Bodéwadmi (Forest County Potawatomi Community); Ho-Chunk Nation of Wisconsin; Mashantucket Pequot Indian Tribe; Mohegan Tribe of Indians; Tulalip Tribes of Washington; Sisseton-Wahpeton Oyate of the Lake Traverse Reservation; Standing Rock Sioux Tribe of North and South Dakota; Mandan, Hidatsa, and Sahnish (Arikara) (Three Affiliated Tribes of the Fort Berthold Reservation, North Dakota); and Mississippi Band of Choctaw Indians. Other communities are also represented in the series, but to a lesser extent. In addition to materials about gaming and casinos, Dr. Spilde also collected documents, photographs, and audiovisual materials about Native American culture in general. The series documents regional and national trends in Native American gaming, and the greater gaming industry. Materials trace federal and state relationships with individual Native American nations, specifically concerning gaming enterprises.
Archival Collection
Katherine A. Spilde Papers on Native American Gaming
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Collection Number: MS-00092 Collection Name: Katherine A. Spilde Papers on Native American Gaming Box/Folder: N/A
From the Syphus-Bunker Papers (MS-00169). The folder contains documents about the history of George Burton Whitney and his wife, Lovina Syphus, and Luke Syphus and Christiana Long, Lovina's parents, and a genealogical data sheet for John Mathieson Bunker and Mary Etta Syphus.
Lee Cagely, an interior designer and professor who designed some of the most iconic hotels in Las Vegas, Nevada, was born in the Panama Canal Zone on January 31, 1951. His father Leo was a civil engineer for the Panama Canal Company and his mother Charlotte worked as a receptionist. After his father left his job in Panama, Lee spent his childhood in Dallas, Texas; Tulsa, Oklahoma; and Des Moines, Iowa. He started to attend Rice University for architecture, but he chose to leave before completing his degree. He returned to college a few years later and graduated from Iowa State University with a degree in interior design in 1975. While his first California jobs were in restaurant design, he quickly moved on to airports and hotels and moved to Las Vegas in 1990 after associating with Marnell Architecture. Cagley is known for his designs in the Rio All-Suite Hotel and Casino, Ceasars Palace Atlantic City, the Mirage, and the Bellagio Resort & Casino. He is currently Chair of the Iowa State University College of Design and is principal designer for Lee Cagely Design. Here, Cagley explains the importance of keeping the various pieces of the infrastructure of a resort—including landscape architecture, architecture, interior design, all kinds of HVAC [heating, ventilation and air conditioning] concerns, housekeeping, food service, maintenance, etc.-invisible in order to maximize the visitor experience. At the same time he illustrates through several examples how resort design does not happen in a vacuum-it is instead part of a complex team that works together to create the whole. He also describes the challenges the Las Vegas resort industry finds in creating the very best visitor experience for a broad range of groups-from Millennials to their Boomer grandparents and all the generations in between.
As he reveals in this oral history, Roger Thomas is, among many other things, a son, a father, a brother, a husband, a student, an artist, a visionary, and a philanthropist. As the second son of Peggy and E. Parry Thomas’s five children, Roger was raised a Mormon child of privilege and civic responsibility. The banking family summered in Newport Beach, wintered in Sun Valley, and taught their children by words and deeds that it is not up for debate if you will be involved in your community; the only question is how you will apply your talents and resources to benefit your community. Roger absorbed the lessons well. As a child who struggled in school but excelled in art, he attended his last two years of high school at Interlochen Arts Academy, graduating in 1969, finally finding himself “in an environment where what I did had currency.” From there he earned his BFA from the School of the Museum of Fine Arts Boston and Studio Degree from Tufts University before returning to Las Vegas and eventually joining Steve Wynn’s team in 1981. As Executive Vice President of Design for Wynn Design & Development, he is the man in whom Steve Wynn places his trust to make real at each Wynn property the Wynn design philosophy: aim for a constituency of highly sophisticated, well-traveled, very educated people and give them a reality, a now, that is so fetching, so alluring they wish to be no place else. As he was mentored by his father and Steve Wynn, he too is mentoring those who will follow him. At Wynn, the next generation will carry forward the Wynn idea of evoca-texture, of creating “moments of experiential emotion that result in a memory so captivating and so unique that if you want to repeat that you have to come back.” At home, he collaborates with his daughter on a children’s book that has the potential to become a series; she is the illustrator, while he provides the words. Roger Thomas sat for this interview five days after his father, E. Parry Thomas, passed away in Idaho. Instead of postponing the interview to a more convenient time, Roger kept the appointment and explained, “This is for UNLV. If I’d cancelled my father would have killed me.”