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Hernando Amaya oral history interview: transcript

Date

2018-10-18
2018-12-03

Description

Oral history interview with Hernando Amaya conducted by Laurents Banuelos-Benitez, Marcela Rodriguez-Campo, and Barbara Tabach on October 18, 2018 and December 3, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Hernando Amaya talks about his childhood and education in Bogota, Colombia. He discusses his start in journalism as a young man and working for El Espectador, the Colombian national newspaper. He discusses his experiences reporting on the narco-terrorism occurring in Medellin, Colombia and how this eventually led to his immigration to the United States. Amaya moved to Las Vegas, Nevada in 2001 and continued his career in journalism by working for local Spanish speaking papers and websites. He relates his civic involvement in the Las Vegas area, his work as the president of the Colombian Association of Las Vegas, and various other civic engagements. As a journalist, he asserts the importance of knowing one's culture, storytelling, learning history, and being active in the community.

Text

Julian Escutia-Rodriguez (Mexican Consulate of Las Vegas) oral history interview conducted by Magdalena Martinez and Elia Del Carmen Solano-Patricio: transcript

Date

2022-05-16

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Community organization interviews file.

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Evelyn Garcia-Morales (Clark County School Trustee) oral history interview conducted by Magdalena Martinez: transcript

Date

2022-12-14

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Elected official interviews file.

Text

The Rebel Yell

Alternate Title

Rebel Yell (1954-2010); currently published as Scarlet and Gray (2010-present)

Description

The Rebel Yell and cultural identity at UNLV


The UNLV student newspaper, like the university itself, has gone through many changes not least, its
name. When the paper made its debut in 1955, what was to become UNLV was the Southern Regional
Division of the University of Nevada, in Reno, popularly known as Nevada Southern. The newspaper,
reflecting its identity with the southern part of the state as well as its ongoing opposition to the
northern-centric bias of the State Legislature in Carson City and the administration of the University of
Nevada in Reno, adopted the name “Rebel Yell” and flew a Confederate flag on its mast head. The
fledgling university took to its identity as “Rebels” which, in fact, continues as a brand for the university
and its students to this day. While administrators and students would later deny any conscious or
intended association of these historical Confederate symbols with the southern Confederacy, slavery,
and racism, they would, nonetheless cause embarrassment in the future when Black (and White)
students began to express their indignation with these symbols and demand that the university change
its image.
In 1962 the most flagrant symbol, the Confederate flag, was removed from the masthead to be replaced
by the only marginally less problematic “Beauregard” figure, a Disneyesque cartoon hound dog in a
Confederate uniform. In 1969 in the wake a national civil rights protests, Beauregard was yanked from
the masthead. In 1970 the student senate, the “Confederated Students” (which would change its name
to “Consolidated Students” in 1973) instituted a “Rebel Name-change committee” charged with coming
up with alternative names. The next year in 1971 the students voted to retain their nickname, the
Rebels, by which their sports teams had traditionally been known, but the newspaper decided to change
its name from the Rebel Yell to The Yell, but affirming on its front page “We’re Still Rebels”. In 1973
when the student senate changed its name, the students again rejected changing the Rebels nick-name.
Only in 1975 was Beauregard officially removed as the university mascot.
In 1982 artist Mike Smith created a new UNLV mascot, the “Hey Reb” trail-blazing pathfinder, in western
frontier garb, with mustachios that rendered him a look-alike for the cartoon character Yosemite Sam. In
1983 the Yell quietly resumed its old title Rebel Yell (briefly the Yellin Rebel) which persisted until 2016,
when, after months of deliberation and renewed calls to rebrand the university the Rebel Yell became
the Scarlet & Gray Free Press, adopting the school colors. According to then-Editor-in-chief Bianca Cseke
“a Confederate battle cry isn’t a great name for a newspaper.”

Essay Contributed by Peter Michel 

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Language

English

English

Frequency

Biweekly

Place of Publication

Florence Lee Jones and John Cahlan Papers

Identifier

MS-00200

Abstract

The Florence Lee Jones and John Cahlan Papers (1929-1983) contain material created by the couple related to their work at the Las Vegas Review-Journal, their interest in the history of Las Vegas, Nevada, and the promotion of Southern Nevada for business and industry. The collection includes the Cahlan's correspondence as well as newspaper clippings about Las Vegas. It also contains drafts and manuscripts for their book, Water: a History of Las Vegas, commissioned by the Las Vegas Valley Water District.

Archival Collection

Robert Scott Hooper Photographs [UNPROCESSED]

Identifier

PH-00459

Abstract

This collection is unprocessed; see the access note for additional information. The Robert Scott Hooper Photographs (approximately 1960-2019) consist of photographic negatives, positives, prints, Polaroids, 16mm films, videos, business records, correspondence, drawings, and ephemera. The collection was created by prolific photographer Robert Scott Hooper and his longtime business partner and wife, Theresa Holmes. The couple's life and business was based in Las Vegas, Nevada. Hooper's work focused on the female form, encompassing many areas of interest including sexual entertainment, modeling, pornography, and Las Vegas entertainment. Hooper was a contributing photographer with Playboy and Vegas Visitor magazines. Hooper also photographed many celebrities, Las Vegas production shows, notable events like hotel implosions, and the development of the Las Vegas Strip, including early time-lapse work on the Luxor Hotel and Casino and The Venetian. This collection also includes business records, model contracts, and correspondence.

Archival Collection

Fayle Family Papers

Identifier

MS-00404

Abstract

The Fayle Family Papers (1895-1998) document the family's personal and business interests in Goodsprings, Nevada and Las Vegas, Nevada. The collection contains mining documents, business records, and photographs from Leonard Fayle’s work with the Las Vegas Valley Water District, where he documented reservoirs, dams, and both abandoned and functioning mines. The photographs also include family members, vacations, and Southern Nevada fraternal organization pictures.

Archival Collection