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Transcript of interview with Pamela Gale by Margaret Louis, July 10, 1995

Date

1995-07-10

Description

In Elko on Juny 10, 1995 Pamela Gale participates in an interview at UNLV, and discusses her experiences with nursing and with the Distance Learning Program at UNLV.

Text

Interview with Kenneth Giles, February 10, 2005

Date

2005-02-10

Description

Narrator affiliation: EPA Farm

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Guadalupe Meza Redmond interview, December 7, 2018: transcript

Date

2018-12-07

Description

Interviewed by Claytee White. Rodrigo Vazquez also participated in the questioning. Guadalupe Redmond lived a wonderful life in Mexico while growing up. When Guadalupe was 17, her mother decided to immigrate the family to Las Vegas, Nevada, Guadalupe did not want to move but reluctantly did so. She taught herself English by watching TV. Then she decided she wanted to work and became a guest room attendant working downtown and on the Strip - Sundance (Fitzgerald's, now the D), Stratosphere, Aladdin, Planet Hollywood, Riviera, Hacienda - to name a few. As she moved about, she began to understand the importance of the Culinary Union Local 226. She is now an organizer who in 1989 participated in a 10-month Work and Walk strategy that was successful.

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Film strip of individuals or Hoover Dam construction, image 003: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has three images. The first one, (0272_0020) reads, "Personal pictures taken by Tommy Teas (my brother-in-law) of his work mates on #8 line. Bucket swinging, hard to spot. It hanging about 500 ft. Bell boy talking to operator who is out of sight on top of mountain," as a handwritten inscription. The second one (0272_0021) reads "Men building key, about 10 in. high and two ft. wide. (1) Bell boy getting a good sight to spot the bucket in the right place," as a handwritten inscription. The third one (0272_0022) is an upside down picture of the Dam. Its handmade inscription reads, "Still below river bed. Good look at a pouring crew (x) shows bell boy giving orders to operator. Nice shot showing how bucket works. After the bucket leaves, the men will walk all through the fresh mud to walk out any air pockets."

Image

Film strip of individuals or Hoover Dam construction, image 005: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has two images. The first one (0272_0038) reads, "No.7 hi-line 'My first job'. Showing all the old crew. I am seasoned by now. But Colette the boss (bottom right), on my first night, began to eat me out because I didn't know to follow the crew to next pour. Here stood a man as large as a bull, with a black eye and a hare-lip & bull-dog face, didn't fear me at all - all my fear was on that stuff going back and forth overhead." The second one (0272_0039) has an inscription that reads, "Good view of men working on No.8 hi-line - not up to the intake towers yet, but have dumped a lot of mud in this hole - good picture for night shift. A good action picture. Know all the men well - First there is Slim, Blackie, the man whose back we see is Whitie, the foreman then Tommie. My brother-in-law. There are four lines like this."

Image

Film strip of individuals or Hoover Dam construction, image 008: photographic print

Date

1935-03

Description

This photograph has three images. The first one (0272_0069) says, "'Nevada spillway' during overflow from a record snowfall in the mountains. Reeves fell from the entrance, shown behind the head caption reads: 'Tourists photographing spillway at Hoover Dam; tunnel behind man's head carries runoff almost half a mile to the Colorado River below.'" The second image (0272_0070) shows a young dam worker, R.B. Reaves (friend of John Kizziar), with the information that Reaves fell to his death in the Colorado River. "He lost his balance while working in the Nevada spillway raise. He was only 17 years old. He was a form stripper for Six Companies, March 1935." The third image (0272_0071) shows a view looking upstream through the channel of the Arizona spillway, Boulder Dam. It reads," Spillway with gates up. Weight of water will open gates. Working platform is being moved out of tunnel."

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Film strip of individuals or Hoover Dam construction, image 009: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has three images. The first one (0272_0072) is upside-down, and it reads, "Speaking of celebrities - 'Form Raising Crew'. A tough and dangerous - a few boys were hurt on this one. I managed to say a little prayer before climbing over a hanging, swinging panel - Dear 'God' don't let it fall now. Only one man on it while it's swinging. Get that first bolt in fast. Art Strickland 'Ill'. Swinging panels make him seasick - some chickens can't fly." The second one (0272_0073) has a handwritten inscription that reads, "'Form Raising Crew' (cont.) 'So. Dakota Slim' - My Gott in himmel! If we had something that wouldn't move - we called on Slim and Reeves." The third one (0272_0074) shows a general view of operations looking across Black Canyon from high point above Nevada spillway. It reads, "Birds eye view of dam, spillways, -- intake towers."

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Film strip of individuals or Hoover Dam construction, image 010: photographic print

Date

1930 (year approximate) to 1939 (year approximate)

Description

This photograph has three images. The first one (0272_0075) reads,"'Form Raising Crew,' 'Chris' the Boss - Webfoot 'Oregon' - Alright boys; let's go over the top - Reeve and I had the guts to climb over a swinging panel. If it was a large panel Slim would climb over after we secured it with a bolt on each end." The second image (0272_0076) reads, "'Form Raising Crew' - Pal Jake 'Georgia' - Georgia Cracker. ([Georgia as in:] 'Whar's the hammah? Who's got the bahr')." The third one (0272_0077) shows a particular day on site a week after Reeve's seventeenth birthday themed "something for the kid." The inscription reads, "The Crew. This form is hooked up to 'A' frame bars you see in foreground, is used to pry form from cement after it has been unbolted. Then it is jacked up to position and bolted up. Then load your 'A' frame - jacks, and block & tackle, and move to another job - some high pours have four panels - all swinging."

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