Search Results
Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, March 20, 1979
Date
1979-03-20
Archival Collection
Description
Includes meeting agenda and minutes with additional information about the activities board meeting and the organization meeting.
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Interview with Patrick Rowe, November 5, 2004
Date
2004-11-05
Archival Collection
Description
Narrator affiliation: Drilling Engineer, Reynolds Electrical and Engineering Company (REECo)
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Interview with Katsumi Furitsu, with Janet Gordon, May 13, 2005
Date
2005-05-13
Archival Collection
Description
Narrator affiliation: Physician and international anti-nuclear activist
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Interview with Philip Wymer Allen, August 26, 2004
Date
2004-08-26
Archival Collection
Description
Narrator affiliation: Meteorologist-in-Charge, Weather Bureau Research Station, Nevada Test Site
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Interview with Julia Occhiogrosso, June 17, 2004
Date
2004-06-17
Archival Collection
Description
Narrator affiliation: Protester, Loyal Dissenter
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Interview with George Robert Maynard, Sr., February 16, 2005
Date
2005-02-16
Archival Collection
Description
Narrator affiliation: Atomic Veteran, Armed Forces Special Weapons Project
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Krystal Ramirez oral history interview: transcript
Date
2019-10-30
Archival Collection
Description
Oral history interview with Krystal Ramirez conducted by Monserrath Hernández and Barbara Tabach on October 30, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Krystal talks about her personal history growing up in Texas and spending summers with her family in Mexico. She shares her thoughts about how Las Vegas has changed and how she has contributed to the city's art scene as a staff photographer for Vegas Seven (a local magazine), the New York Times, and the Marjorie Barrick Museum. Subjects discussed include: Texas; Chihuahua, Mexico; Latinx Identity; Vegas Seven; Beat Coffee House; Downtown Las Vegas.
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Transcript of interview with Fluff LeCoque by Joyce Marshall, May 5, 1997
Date
1997-05-05
Archival Collection
Description
This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.
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Nancy Brune oral history interview: transcript
Date
2019-08-21
Archival Collection
Description
Oral history interview with Nancy Brune conducted by Monserrath Hernandez and Rodrigo Vazquez on August 21, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Brune recalls her childhood and her experiences growing up in Austin and San Antonio, Texas to a Mexican-American father and British mother. She often identifies herself as tejana. Brune has lived in Las Vegas, Nevada since 2007 and is the Executive Director of the Kenny Guinn Center for Policy Priorities. Brune is a graduate of Harvard and has a doctoral degree from Yale University. She and her husband, Richard Boulware, who is a born and raised Las Vegan, have three children.
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