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Transcript of interview with Laura Taylor by Claytee D. White, December 3 & 8, 2008

Date

2008-12-03
2008-12-08

Description

Laura Taylor was born in New Haven, Connecticut and spent her childhood bouncing between New York and Ohio to follow her father’s career. Robert Cox, her father, was a businessman who attended Syracuse University on the GI Bill. Her mother, Lillian Cox (neé Bower) was concert pianist and college music professor. At the age of seventeen, Taylor received a scholarship to attend the Cincinnati Conservatory of Music in Cincinnati, Ohio under the tutelage of Dr. Robert Powell. Unfortunately, Dr. Powell died two years later, which prompted a move into commercial music. Taylor performed at a number of local clubs as well as soloed in national commercial campaigns for United Airlines and Buick. She moved to Miami, Florida with her first husband in her early 20s. After she and her husband divorced, Taylor recorded her first album with Good Sounds Records of Criteria Studios. Her songs Dancin’ in My Feet, Lady Scorpion, All Through Me, and Some Love made Billboard and Record World charts. She returned to New York City and formed the Laura Taylor Trio to perform jazz music in famous hotels like the Plaza Hotel and The Waldorf Astoria Hotel. Taylor moved to Las Vegas, Nevada in 1983 to open for Don Rickles at the Desert Inn Hotel, which led to many years of performing in the Desert Inn’s Starlight Theater. She married her second and current husband, Robert Cox, in 1985 after meeting him at a concert. Taylor also enjoyed a number of jazz performances on public radio and at a number of venues across Las Vegas. Today, Laura Taylor is still active in the jazz world of Las Vegas, serving as a member of the Las Vegas Philharmonic and the Jazz Society. She also continues to write and perform jazz music, appearing at Smith Center for Performing Arts as well as releasing five CDs.

Text

C. A. Earle Rinker Photograph Collection of Goldfield, Nevada

Identifier

PH-00350

Abstract

The C. A. Earle Rinker Photograph Collection of Goldfield, Nevada (approximately 1900-1915) contains individual black-and-white photographic prints, photographic albums, black-and-white and tinted postcards, and photographic negatives that document the history of early twentieth century Goldfield, Nevada. The images include photographic prints of Goldfield and surrounding areas during its peak years of 1906-1910; postcards showing scenes of Goldfield, Tonopah, and other areas in central Nevada; and negatives that contain images of Rinker's family and homelife in Indiana and Illinois.

Archival Collection

Rocio Rodríguez-Martinez oral history interview: transcript

Date

2019-06-21

Description

Oral history interview with Rocio Rodríguez-Martinez conducted by Elsa Lopez and Monserrath Hernández on June 21, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Rocio shares her personal history growing up in Bogotá, Colombia and how she immigrated to the United States. She talks about motherhood, her Latina identity, and her experiences raising her daughter in Los Angeles and Las Vegas with her husband. Rocio also discusses her employment history and how she was able to achieve her professional goals of becoming a Spanish and English teacher for the Clark County School District (CCSD)'s Family and Community Engagement Services (FACES) program. Her interview is conducted in Spanish. Subjects discussed include: Bogotá, Colombia; El Salvador; Family and Community Engagement Services (FACES).

Text

Gene Hertzog Professional Papers

Identifier

MS-01015

Abstract

The Gene Hertzog Professional Papers (approximately 1930-2015) are comprised of photographs, slides, transparencies, publications, video cassettes, correspondence, and digital files spanning Gene Hertzog's working years with the United States Army, the Bureau of Reclamation, and as a freelance photographer and videographer based in Southern Nevada, New Mexico, and Washington state. The collection documents the complicated infrastructure required to supply water to the Las Vegas Valley and includes still and moving images of the Springs Preserve, Lake Mead National Recreation Area, the Colorado River, and the Columbia Basin. The majority of the collection comes from Hertzog's time as a regional photographer for the Bureau of Reclamation and offers a unique glimpse into the Bureau's work in Southern Nevada, the southwest, and the Pacific Northwest from the 1950s to the mid-1990s.

Archival Collection

Harmon Family Papers

Identifier

MS-00301

Abstract

The Harmon Family Papers consist of the political and personal correspondence of Las Vegas, Nevada pioneer Harley A. Harmon from 1910 to 1934, and his son, Harley E. Harmon, from 1950 to 1966. The collection also includes correspondence, personal papers, and photographs of Harley L. Harmon from approximately 1950 to 1999. Also included are family scrapbooks with wedding announcements, photographs, birthday cards, newspaper clippings, and other ephemera.

Archival Collection

Su Kim oral history interview: transcript

Date

2021-11-21

Archival Collection

Description

Oral history interview with Su Kim conducted by Ashley Brooke Fuentes on November 21, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Su Kim discusses her family and life in Seoul, Korea. She talks about immigrating alone to the United States to study in Provo, Utah and later transferring to the College of Southern Nevada. Su Kim talks about her immigration experience, the culture shock of coming to America, and the discrimination and racism she has seen since the start of the COVID-19 pandemic. Su shares how she met her husband, details of her employment as an office manager, and her plans to pursue a degree in hospitality from the University of Nevada, Las Vegas.

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Photographs of Backstage Bar & Billiards, Las Vegas (Nev.), 2016-2017

Date

2016-04-28 to 2017-08-11

Description

The sign for Backstage Bar & Billiards sits at 601 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 601 Fremont St
Sign owner: DJ Lethal co-owned with DJ Scotty
Sign details: This building dates back to 1957. Triple B opened in 2012 as a billiard hall bar and concert venue. It is filled with a lot of Rock Memorabilia which includes a "turntable library" which they claim showcases over 8 decades of rock history. This location was furnished by rock outfitter Anvil Cases. This property got its name by being "backstage" to the adjoining Fremont Country Club.
Sign condition: 5- looks relatively new and still in great condition
Sign form: Variation of a Bull Nose Sign
Sign-specific description: Their entrance is on the corner of 6th (going South) and Fremont with a blue bull nose type sign in a triangle shape. The base of the triangle sign is right above the entrance. The triangle border has a blue (argon) strip with incandescents lining both sides of the neon tubing. At the base of the sign there is a blue (argon) curved platform (half circle placed adjoining to the base of the triangle). On this platform there are 5 separate strips of argon tubes. Above the platform states "Backstage Bar & Billiards" in white cursive channeled letters. Above the words Backstage and Billiards there are two martini glasses with a pool ball and flag in each glass. At the top of the triangle portion of the sign there is their logo "Triple B" in cursive with Triple in Blue and B in white. Below the bull nose sign there is a reader board that wraps around the building. This reader board is also lined with incandescent light bulbs. In the middle of the of the reader board there is a black background rectangle with 3 rhombus's lined in incandescent light bulbs in a design.
Sign - type of display: Neon, incandescent and reader board
Sign - media: Steel and Plastic
Sign - non-neon treatments: Reader Board
Sign animation: Flasher for incandescent light bulbs
Sign environment: Fremont East district East District, next to other bars and restaurants. This location is right across the street from the El Cortez. Also they claim to be "backstage" to the adjoining Fremont Country Club which inspired their name.
Sign manufacturer: Ultra Signs' recently bought out by Jones Las Vegas ( of Jones SIgns) who did not have records of this sign.
Sign - date of installation: 2012 when the bar opened
Sign - thematic influences: On Fremont many of the entrances are at the corner intersections, so the bull nose sign has been prominent design type to draw attention to the entrance of the company. This is remnant of the Golden Nugget and Binion's Horseshoe put up their bull nose signs in 1961.
Sign - artistic significance: The curved platform at the bottom of their bull nose sign looks like an old retro movie theater style sign platform that you would see in the 1940's/50's. Particularly with their reader board with incandescent light bulbs speaks to this era as well.
Survey - research locations: Assessor's page, triple B website http://www.backstagebarlv.com/ , Las Vegas Weekly Newspaper article https://lasvegasweekly.com/nightlife/lowball-diary/2012/dec/05/triple-b-fills-downtowns-watering-hole-hole/
Survey - research notes: Fremont Bars.com has a photo of their main sign being installed. http://www.fremontstreetbars.com/2012/11/29/welcome-to-the-neighborhood-backstage-bar-billiards/
Survey - other remarks: The Ultra Signs logo is visible on the left side of the sign.
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-11
Sign keywords: Neon; Incandescent; Steel; Plastic; Flashing; Reader board; Bullnose; Marquee

Mixed Content