Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 79321 - 79330 of 80553

William Fulton Papers

Identifier

MS-01056

Abstract

The William Fulton Papers (1993-1996) contains Fulton's research files used in writing his book, The Reluctant Metropolis: the Politics of Urban Growth in Los Angeles. The materials primarily consist of newspaper clippings that cover stories on the growth of Los Angeles residents moving to Las Vegas, Nevada, water, economic development, and the master planned community of Summerlin. The majority of newspaper clippings are from the Las Vegas Review-Journal and the Las Vegas Sun. The materials also include reports on economic and housing development in Southern Nevada as well as drafts of the book's Chapter 12, "Cloning Los Angeles" which discusses the growth of Las Vegas throughout the 1980s and 1990s.

Archival Collection

Nevada Statehood Commemorative U.S. Postage Stamps and Coin

Identifier

MS-00409

Abstract

The Nevada Statehood Commemorative U.S. Postage Stamps and Coin collection contains one sheet of the 1964 Nevada Statehood Centennial Stamp, printed from plate number 27798, and one proof copy of the 1964 Nevada Centennial Medallion.

Archival Collection

Photographs of Maxim signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the Maxim Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 160 E Flamingo Rd
Sign owner: Premier Interval Resorts
Sign details: The Maxim is located just east of the Bourbon Street, in close proximity to Bally's Hotel Casino. The Maxim is no longer operating, and is fenced off from further inspection. The signage that is seen entails building signs, the original pylon, and the porte cochere
Sign condition: Structure 2 Surface 2
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Building: The tower itself contains the logo and giant text spelling the name of the establishment, on one side of the building. The tower is mirrored and reflective, thus matching the porte cochere and pylon, and reserves to collect its building signage to one end of the tower. The tower, which runs east/west, and faces north/south contains the signs on the east end structure. On the north and south faces of the building, giant red channel letters run vertically along the block surface. The letters look to be lined on the interior of the letters with neon. The logo can be seen on the east face. Pylon: The pylon sign is essentially a giant vertical monolith of a rectangle, divided into several different sub-shapes. The center of the monolith is occupied by cabinets which fill in most of the shape, with a small gap bordering the cabinet. The cabinets are treated the same as the square arch, and flush with the surface. The cabinets are very subtle and create an illusion of one solid object. The entire outer arch shape and interior cabinets are bordered with polished aluminum. The interiors surface of the arch are covered in polished gold aluminum panels. The lining of the incandescent bulbs on the sign is interesting. On the arch the incandescent bulbs are on the interior return width of the aluminum borders. With this configuration, the bulbs sit parallel to the surface instead of perpendicular. The main marquee text is aligned horizontally across the top in gold channel letters with red plastic faces. The letters blend with the gold surface nicely. The interior cabinets are internally lit with plastic faces. There are two cabinets, the larger of the two, occupying the upper part the interior space of the monolith. Incandescent bulbs line the exteriors of the cabinets, sitting back on a recessed edge. Porte Cochere: The porte cochere is unique, opting to rise high above the surface of the pavement. The prismatic design crafted in polished aluminum, interlocks into a pattern suitable to the space which it resides. The recesses in which the decoration resides are separated by a small width of structure. This pattern of giant recesses, matched with the prismatic design in each negative space create a hulking environment high above the head in proud stature. Along the peak edge of the pieces of the prism, rods protrude every foot or so, creating a row of arms holding incandescent spheres.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: chasing, flashing
Sign environment: The Maxim is now closed, and stands in marked contrast to its neighbors a bit to the east--the famous "Four Corners" of Flamingo and the Strip, and next to the trendy Meridian at Hughes Center apartment complex.
Sign designer: Maxim letter design: Kenneth Young, Porte Cochere; Lighting: Jack Dubois Pylon sign: Marnell Corrao
Sign - date of installation: 1977
Sign - thematic influences: The influence of the Maxim hotel was 70's Vegas design refined to simple geometric forms and curved linear logo's. The pylon was completely sheathed in polished aluminum, as well as the underside of the porte cochere being polished gold aluminum. The use of the popular 70's material is used extensively throughout the design. Letters hung over the main entrance, as well as signage on three sides of the building. Other examples of the material can be seen elsewhere but not as extensively. The only property that comes close is the pylon for usage of the material is the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Graphics; Paint

Mixed Content

Letter and envelope from Mary Etta Syphus, Provo, Utah to John M. Bunker, Logan Utah

Date

1894-03-23

Archival Collection

Description

From the Syphus-Bunker Papers (MS-00169). The folder contains an original handwritten letter, an envelope, a typed transcription of the same letter, and a copy of original letter attached.

Text

Edith Leavitt interview, February 7, 1977: transcript

Date

1977-02-07

Description

On February 7, 1977, collector Enrico Messina interviewed Edith Leavitt (born April 12th, 1924, in St. George, Utah) at her home in Las Vegas, Nevada. In this interview, Mrs. Leavitt talks about teaching in Southern Nevada, including in the Virgin Valley and in Las Vegas. She also discusses the changing education system in Southern Nevada during her time as an educator.

Text

Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, January 27, 2003

Date

2003-01-27

Description

Includes meeting minutes and agenda, along with additional information about the Constitution of Student Alliance, memorandums, and broadcaster agreements.

Text

Program for Gay 90s Revue by Variety Club Number 39, November 1960

Date

1960-11

Archival Collection

Description

This program has fundraising advertisements from community members, celebrities and performers in Las Vegas who supported the event that benefited the Variety Club.

Text

Julian Eusebio oral history interview: transcript

Date

2022-06-01

Description

Oral history interview with Julian Eusebio conducted by Cecilia Winchell, Jerwin Tiu, and Stefani Evans on June 01, 2022 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Eusebio discusses his childhood in the Philippines countryside, helping his parents farm and harvest rice. After moving to Manila for college, Eusebio studied architecture and illustrated for comics and magazines. After moving to Los Angeles, California, Eusebio started a construction business, doing landscapes and constructing swimming pools for celebrities such as Michael Jackson. In 1992, he opened another branch in Las Vegas, Nevada. After retiring in 2010, Eusebio took up painting again and cites his favorite artists as Norman Rockwell and Rembrandt. In the remainder of the interview, he discusses his drawing process and how he started showing his artwork throughout the Las Vegas Clark County Library District.

Text