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The Front Page, approximately 1927 to 1939

Level of Description

Sub-Series

Scope and Contents

The Front Page sub-series (approximately 1927-1939) is comprised of materials pertaining to the production process of The Caddo Company's April 4, 1931 release of The Front Page. The sub-series contains advertising and publicity, administrative, financial, legal, and production and direction, and story development records. Director Lewis Milestone, along with editor Duncan Mansfield and writers Ben Hecht, Charles MacArthur, and Bartlett Cormack helped the film earn Academy Awards nominations for Best Director and Best Picture in 1929. The black-and-white photographic prints and negatives, primarily attributed to Newton Hopcroft, depict set and production stills of the principal and supporting cast and locations in the film.

Advertising and publicity records include newspaper clippings detailing the film’s release, articles of local advertising campaigns, and publicity stills of principal and supporting cast members. Administrative records include correspondence pertaining to the editing, censorship, and distribution of the film, as well as shipping receipts. Legal records include supporting actor and domestic distribution contracts. Production and direction records include production stills of principal and supporting cast, interior and exterior sets, and a sound and production daily report ledger. The story development records include production scripts, as well as cutting continuities and dialogue scripts for domestic and international releases.

Archival Collection

Howard Hughes Film Production Records
To request this item in person:
Collection Number: MS-01036
Collection Name: Howard Hughes Film Production Records
Box/Folder: N/A

Archival Component

Transcript of an interview with Chris Ramirez by Wendy Starkweather on October 2, 2013

Date

2013-10-02

Description

Chris talks about living in Las Vegas since he was 6 months old. He also talks about starting his own valet parking company while he was in college. Later Chris talks about Silver State Film Productions, a film company he founded. The schools Chris attended during his childhood were located in Las Vegas, Nevada at that time. Film producer Chris Ramirez moved from Colorado to the east side of Las Vegas in 1973, when he was six months old. Son of Greg Ramirez, owner and founder of Viva Zapatas restaurants, Chris and his family moved to Rancho Bel Air, where he completed his school years, in about 1980. Chris and other Clark County School District students of his age participated in a school desegregation program unique to Las Vegas. After completing fifth grade at Howard Wasden Elementary School, Chris and his classmates rode a bus for one year to Mabel Hoggard Sixth Grade Center in North Las Vegas. After sixth grade he attended Hyde Park Middle School and Bishop Gorman High School. Chris’s family and school connections combined with the barter culture in Las Vegas combined to create an emphasis on “who you know” rather than “what you know.” Chris formed his film companies on the basis of his Las Vegas knowledge and his contacts and credits Las Vegas for allowing him to be in the right place at the right time to meet and work with celebrities and become an entrepreneur. Chris enjoys the urban excitement of living, doing business, and participating in the revitalization of downtown Las Vegas.

Text

The Boulder Dam Las Vegas Rotary Club newsletter, March 25, 1926

Date

1926-03-25

Archival Collection

Description

Weekly newsletter issued by the Las Vegas Rotary Club

Text

Friends of Southern Nevada Libraries Records

Identifier

MS-00550

Abstract

The Friends of Southern Nevada Libraries Records (1974-2013) is comprised of the organizational records of the Las Vegas, Nevada based non-profit, Friends of Southern Nevada Libraries (FOSNL). Materials include volunteer information, book sale receipts, funding proposals, thank-you cards, board meeting minutes, correspondence, photographs, newsletters, court proceedings, and promotional materials.

Archival Collection

Southwest Oral History Association Records

Identifier

MS-00559

Abstract

The Southwest Oral History Association Records contains records of the Southwest Oral History Association (SOHA) from 1981 to 2020. Records include agendas and minutes from the executive board committee, financial records, correspondence, photographs, and planning documents for SOHA's annual conference.

Archival Collection

Photographs of Aladdin Casino Hotel and Resort signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime and nighttime views of the Aladdin Hotel Casino and Resort signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Aladdin Hotel (Las Vegas, Nev.)
Site address: 3667 Las Vegas Blvd
Sign owner: Aladdin Gaming LLC
Sign details: Just north of Harmon across the street from the Harley Davidson café, the stretch of the Aladdin property begins. The facade of the building is a pedestrian designed attraction, for it replaces the sidewalk. One must pass along the elaborate array of landscaping, to be confronted by the massive replication of the ancient Persian city, fully realizing it's Arabian Nights theme. Various signage does adorn the Aladdin property, Including a small one sided message board, resembling a miniature pylon, two jumbo LCD screens adorned with text, and entrance signs cover a couple of entrances.
Sign condition: Structure 5 Surface 5 Lighting 5--All signage is in good repair.
Sign form: Pylon; Fascia
Sign-specific description: The first sign you come upon is a small single sided pylon , which houses a message cabinet, and a channel letter logo for the Aladdin. Two poles rise out of a flowerbed, supporting a purple-faced message cabinet reading about valet and parking service. Incandescent bulbs surround the box along the border. Above that section, Aladdin is spelled in red channel letters, filled with red neon. They are hung upon the remainder of space on the upper portion of the cabinet, which only rises an additional 10 inches or so above the internally lit cabinet. The top of the cabinet is adorned with a three-tiered sculpted steel section mimicking the classic shape of the Persian spire seen so often in the property. Each section is finished in a different color: gold, pink and purple. Two neon tubes run the circumference of the tops of the poles, just underneath the negative Persian spire shape, which supports the internally lit cabinet. Neon tubes also border the tops and bottoms of each section of the sign as well as following the contour of the sculpted edges. This sign faces southwest and is found on the south end of the property and is the first sign you see walking on the property headed north. The first casino entrance is seen north of the previous sign and is above an entrance. The negative space of a Persian arch, preceding the entrance is occupied by a sign which designating an entrance. It is essentially one giant pan channel, with a smaller positive shaped cabinet in the center. Aladdin is spelled in gold polished channel letters with blue plastic faces. Another sign, of this sort, is also further down the face of the building. Translucent red ruby shapes run horizontally across the bottom. As the building steps up in various places, a larger, higher elevation, approximately in the center of the complex, plays host to two LCD screens facing northwest and southwest on the surface of the wall. Above each screen, Aladdin is spelled with larger red translucent letters, backed with white neon. When the light is visible, it creates a halo of white light around the text.
Sign - type of display: Neon; Incandescent; Matrix
Sign - media: Steel; Plastic
Sign animation: Chasing
Notes: The only Animation which I see present are in the pan channels occupying the negative Persian arch shape over two of the entrances on the west face of the building. The red plastic jewel shapes chase from either side to meet in the middle.
Sign environment: The Aladdin property lies between Harmon avenue and the Paris Hotel, on the east side of the strip. Headed North from Harmon, on the east side of the street, the pedestrian is enveloped by the properties façade, for it replaces a standard sidewalk. Once inside the path along the façade, it curves to and fro, mostly toward the casino entrances. Tall shrubbery and bushes separate the pedestrian from Las Vegas Blvd, creating a world all to it's own.
Sign architect of record: Nadel Architects, Contractor: Adp/Fd, Fluor Daniel
Sign - date of installation: 2000
Sign - thematic influences: The theme surrounding the Aladdin is centered around the Arabian Nights theme of an ancient Persian city or palace. Restaurants and storefronts are cased in with faux stone facades topped with bulbous towers and Persian spires. The significance lies in the lineage of the Aladdin transformed through the years since its change of management in 1966. It stands today holding the same theme but designed to fit in with the themed mega resorts currently present on the strip. The exterior is completely engulfed in themed architecture but draws references not only to its past self but other desert fantasy themed resorts such as the Desert Inn and the Sahara.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Steel; Plastic; Neon; Incandescent; Matrix; Pylon; Fascia; LCD; Internally illuminated

Mixed Content