Oral history interview with Christian Chan conducted by Cecilia Winchell, Jerwin Tiu, and Stefani Evans on May 06, 2022 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Chan begins by describing her childhood in Hong Kong and later moving to San Francisco, California with her family, then to Las Vegas, Nevada in 1965. She recalls attending Sunrise Acres and Roy Martin Middle School before graduating from Valley High School as valedictorian. In college, Chan attended the University of Nevada, Las Vegas (UNLV) and graduated with a degree in engineering. After college, she found work in the Las Vegas Valley Water District and became the first woman engineer. During her five years there, she excountered subtle sexism for the first time. Chan continues the interview by describing her work while she lived in California, as well as her years internationally living in the Philippines as well as Ecuador. Throughout the interview, Chan touches on topics ranging from identity, to her impressions of the different generations, discrimination, and the growth of Las Vegas.
Notice of special election for bond issue for the Water District including the reasons for the issue. Document includes information election date, amount of bond issue, voter eligibility, registration, purposes of bond issue, revenue, expenses, estimated water rates, financing, water consumption, and Lake Mead supply.
Stylized guide to the services and amenities at Caesars Palace. Each entry is depicted with colored drawing of a cartoon Caesar in various locations in the resort/hotel.
Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.