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Galt House, menu, Tuesday, November 28, 1882

Date

1882-11-28

Archival Collection

Description

Restaurant: Galt House (Louisville, Ky.) Location: Louisville, Kentucky, United States

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Slide of the old stamp mill, circa 1950s

Date

1950 to 1959

Description

The old stamp mill, location unknown. A stamp mill (or stamp battery or stamping mill) is a type of mill machine that crushes material by pounding rather than grinding, either for further processing or for extraction of metallic ores. Breaking material down is a type of unit operation. A stamp mill consists of a set of heavy steel (iron-shod wood in some cases) stamps, loosely held vertically in a frame, in which the stamps can slide up and down. They are lifted by cams on a horizontal rotating shaft. On modern mills, the cam is arranged to lift the stamp from the side, so that it causes the stamp to rotate. This evens the wear on the shoe at the foot of the stamp. As the cam moves from under the stamp, the stamp falls onto the ore below, crushing the rock, and the lifting process is repeated at the next pass of the cam. Each one frame and stamp set is sometimes called a "battery" or, confusingly, a "stamp" and mills are sometimes categorized by how many stamps they have, i.e. a "10 stamp mill" has 10 sets. They usually are arranged linearly, but when a mill is enlarged, a new line of them may be constructed rather than extending the line. Abandoned mill sites (as documented by industrial archaeologists) will usually have linear rows of foundation sets as their most prominent visible feature as the overall apparatus can exceed 20 feet in height, requiring large foundations. Stamps are usually arranged in sets of five. Some ore processing applications used large quantities of water so some stamp mills are located near natural or artificial bodies of water. For example, the Redridge Steel Dam was built to supply stamp mills with process water.

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Slide of the Bowers Mansion, Washoe Valley, Nevada, circa 1970s

Date

1970 to 1979

Description

The Bowers Mansion was built in 1863 by Lemuel "Sandy" Bowers and his wife, Eilley Orrum Bowers, and is a prime example of the homes built in Nevada by the new millionaires of the Comstock Lode mining boom. The mansion, designed by J. Neely Johnson, a builder and ex-governor of California, combined Georgian Revival and Italianate architectural styles. It was modeled after a design conceived by Eilley based on her recollection of elegant buildings in her native Scotland. Following the death of Sandy Bowers in 1868, Eilley fell on hard financial times. She generated income by renting out rooms in the mansion and hosting parties and picnics on the grounds. The mansion hosted a ball for the women's suffrage movement and was the location of the annual Miner's Ball. The period of 1873–75 was the height of the mansion's popularity. However, this was not enough to overcome Eilley's debts and she finally lost her home to foreclosure in 1876. The mansion was abandoned by the time Henry Riter acquired it and operated it as a resort until 1946. The building is currently owned and operated by the Washoe County Parks Department. Some 500 Nevada families have donated period furniture housed in the mansion. The park blends the historical site with recreational facilities such as a spring-fed swimming pool, picnic areas, and a playground. The Bowers Mansion is located in Washoe Valley, within the Bowers Mansion Regional Park at 4005 Old U.S. Highway 395 North, North Washoe Valley, Nevada.

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Slide of a tufa deposit in Pyramid Lake, Nevada, circa 1970s

Date

1970 to 1979

Description

The pyramid-shaped island tufa that lies along the east shore of the lake and is the reason the lake was named Pyramid Lake. Pyramid Lake is the geographic sink of the Truckee River Basin, 40 mi (64 km) northeast of Reno. Pyramid Lake is fed by the Truckee River, which is mostly the outflow from Lake Tahoe. The Truckee River enters Pyramid Lake at its southern end. Pyramid Lake has no outlet, with water leaving only by evaporation, or sub-surface seepage (an endorheic lake). The lake has about 10% of the area of the Great Salt Lake, but it has about 25% more volume. The salinity is approximately 1/6 that of sea water. Although clear Lake Tahoe forms the headwaters that drain to Pyramid Lake, the Truckee River delivers more turbid waters to Pyramid Lake after traversing the steep Sierra terrain and collecting moderately high silt-loaded surface runoff. Pyramid Lake is the site of some of the Earth's most spectacular tufa deposits. Tufa is a rock composed of calcium carbonate (CaCO3) that forms at the mouth of a spring, from lake water, or from a mixture of spring and lake water. The explorer John C. Fremont (1845) wrote about the tufas during his 1843-44 expedition and named the lake after the pyramidal-shaped island that lies along the east shore of the lake. The Paiute name for the island is Wono, meaning cone-shaped basket. The Paiute name for the lake is Cui-Ui Panunadu, meaning fish in standing water.

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Slide of the rock formation known as The Squaw and Her Basket, Pyramid Lake, Nevada, circa 1970s

Date

1970 to 1979

Description

The rock formation known as The Squaw and Her Basket, Pyramid Lake, Nevada. Pyramid Lake is the geographic sink of the Truckee River Basin, 40 mi (64 km) northeast of Reno. Pyramid Lake is fed by the Truckee River, which is mostly the outflow from Lake Tahoe. The Truckee River enters Pyramid Lake at its southern end. Pyramid Lake has no outlet, with water leaving only by evaporation, or sub-surface seepage (an endorheic lake). The lake has about 10% of the area of the Great Salt Lake, but it has about 25% more volume. The salinity is approximately 1/6 that of sea water. Although clear Lake Tahoe forms the headwaters that drain to Pyramid Lake, the Truckee River delivers more turbid waters to Pyramid Lake after traversing the steep Sierra terrain and collecting moderately high silt-loaded surface runoff. Pyramid Lake is the site of some of the Earth's most spectacular tufa deposits. Tufa is a rock composed of calcium carbonate (CaCO3) that forms at the mouth of a spring, from lake water, or from a mixture of spring and lake water. The explorer John C. Fremont (1845) wrote about the tufas during his 1843-44 expedition and named the lake after the pyramidal-shaped island that lies along the east shore of the lake. The Paiute name for the island is Wono, meaning cone-shaped basket. The Paiute name for the lake is Cui-Ui Panunadu, meaning fish in standing water.

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Los Angeles & Salt Lake Railroad Company double privy: architectural drawing

Date

1926-06-14
1927-05-05

Archival Collection

Description

From Union Pacific Railroad Collection (MS-00397). The scales are noted in the drawing. The bottom of the drawing says, "Material-Finish: All Finish Lumber Unless Otherwise Noted Shall Be [Opsas?] Wood Work Of Vault Shall Be O.P Rough. Exterior Of Privy Including Both Sides Of Door And Door Jamb: Also Wood Lattice Screen On All Sides Shall Be Painted With 3 Coats C.S. Lead & Oil Paint As Directed. Doors Shall Be Hung On 3 1/2" x 3 1/2" Botts. Doors Shall Be Provided With Rim Latch Knob Lock And Iron Barrel Bolt. Revisions: Added Vent Stacks, Seat Cover, Double Floor & Floor Shoe". 

The bottom corner of the drawing states, "Union Pacific System L.A. & S.L.R.R. Double Privy 5'x8' With Lattice Screen. Ass't Chief Engineer's Office. Los Angeles, Calif. Drawn By E.C.B. Traced By E.C.B. Checked By F.W.G. Date June 14, 1926. Scale As Noted. Revised May 5. 1927. Drawing No. 15637".

Also written on the drawing: "Two to be built at East Yard, Calif. One ' ' Big Springs, Nev. ' ' Las Vegas, Nev. ' ' Borden, Utah. ' ' Elgin, Nev. 1927. ' ' Dry Lake, Nev. 1927. ' '  Wann ' ' 1928 [crossed out]."

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Lucky Cuss Neon Survey document, September 14, 2017

Date

2017-09-14

Description

Information about the Lucky Cuss sign that sits at 3305 Fremont St.
Site address: 3305 Fremont St
Sign owner: D B N G LLC
Sign details: This property was originally the Panorama Motel, which opened in the 1950's. However, the signage later changed to fit the Lucky Cuss Motel. It was removed from the property in 2008. In 2012, the old sign was restored by the Neon Museum and placed on Las Vegas Boulevard. The replacement sign is still at the property.
Sign condition: 5 - appears to be well maintained
Sign form: Roadside pole
Sign-specific description: The sign at the property is a rectangular cabinet, with the edges at the top rounded off. The background of the cabinet is red, and the outline is blue. The words "Lucky Cuss" are white in a stylized front, and the word "Motel" in larger, block white lettering. On the side of the cabinet is the address 3305.
Sign - type of display: Neon
Sign - media: Steel
Sign environment: Property is on Fremont St, near a car dealership and other motels
Sign - date of installation: c. 2008
Sign - thematic influences: The sign does keep some of the original elements of the first sign, the 1950s era stylized font and simple outlines of neon.
Sign - artistic significance: The sign, although new, does throwback to the original's 1950s creation date.
Survey - research locations: Assessor's website, roadarch.com
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-14
Sign keywords: Neon; Steel; Pole sign; Roadside

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Billy Root oral history interview

Identifier

OH-02569

Abstract

Oral history interview with Billy Root conducted by Lisa Gioia-Acres on May 14, 2008 for the All That Jazz Oral History Project. Root begins by discussing his upbringing in Philadelphia, Pennsylvania where he developed an early interest in being a musician due to encouragement from his father, who was also a musician. He describes playing baritone saxophone in the Philadelphia Orchestra, performing at the Apollo Theater in Ella Fitzgerald's orchestra, and going on tour with a predominantly African American jazz band in the Southern United States during segregation. Root details his interactions and impressions of various celebrities, such as Frank Sinatra and Tony Bennett, attending Playboy parties, and eventually deciding to settle in Las Vegas, Nevada. He discusses working as a professional musician in Las Vegas, where he performed in such casinos as the Dunes and the Desert Inn. He concludes by discussing his retirement and his family.

Archival Collection