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Displaying results 114371 - 114380 of 114535

Henry Kronberg Papers

Identifier

MS-00718

Abstract

The Henry Kronberg Papers is comprised of photographs, newspaper clippings, and business records from 1945 to 2017 that document Henry Kronberg's business, Stoney's Pawn Shop, his personal life, and his involvement with the Jewish community in Las Vegas, Nevada. The collection also includes A Place of Hope, a documentary about the Warsaw Remembrance Garden at Temple Beth Sholom in Las Vegas featuring Kronberg.

Archival Collection

Elmer R. Rusco Collection on Ethnicity and Race in Nevada

Identifier

MS-00196

Abstract

The Elmer R. Rusco Collection on Ethnicity and Race in Nevada (1964-1972) contains correspondence, court cases, employment information, and research materials compiled by Rusco for a book he was writing on race relations in Nevada.

Archival Collection

Jane Ham Legislative Papers

Identifier

MS-00221

Abstract

The Jane Ham Legislative Papers (1980-1981) document the legislative activities of Nevada Republican Assemblywoman Jane Ham during the 1981 legislative session. The collection consists of Legislative Bureau correspondence, memos, pamphlets, and draft legislative bills. Also included are reports, studies, and informal polls from private individuals and lobby groups expressing response to pending legislation.

Archival Collection

Sherwin "Scoop" Garside Photographs

Identifier

PH-00067

Abstract

The Sherwin “Scoop” Garside Photographs contain photographs from journalist and photographer “Scoop” Garside from 1907 to 1969. The photographs primarily depict events and buildings in Southern Nevada, including construction of the Hoover (Boulder) Dam, the Helldorado Parade in Las Vegas, Nevada, hotels and casinos, schools, and social events. The photographs also depict the Garside Family, including Las Vegas Review-Journal owner Frank Garside, “Scoop” Garside’s father.

Archival Collection

Junior League of Las Vegas Photograph Collection

Identifier

PH-00097

Abstract

The Junior League of Las Vegas Photograph Collection contains photographic prints and negatives, as well as postcards of locations in and around Las Vegas, Nevada between approximately 1900 and 1980. Early photographs in the collection offer views of the Las Vegas townsite, buildings, railroads, the Las Vegas High School, Overland Hotel, Arizona Club, and residential areas. Other photographs during this time depict the Hoover Dam (Boulder Dam) construction and Death Valley, California. Later photographs show the University of Nevada, Las Vegas (UNLV) campus, downtown Las Vegas, and the Las Vegas Strip.

Archival Collection

W. I. Booth and A. Allen Photograph Album of Goldfield, Nevada

Identifier

PH-00355

Abstract

The W. I. Booth and A. Allen Photograph Album of Goldfield, Nevada (approx. 1900-1910) contains forty-five black-and-white photographs taken by photographers W. I. Booth and A. Allen. The images depict the Goldfield, Nevada townsite; mines, miners, camps, and equipment; horses pulling freight and carriages across the desert; and topographical features of Goldfield and outlying areas. The photographs document the mining boom in the Goldfield area during the early 20th century.

Archival Collection

Arthur G. Grant Photograph Collection

Identifier

PH-00398

Abstract

Arthur G. Grant Photograph Collection (approximately 1950-1965) consists of 120mm and 35mm color photographic slides taken in the mid-1950s in and around Las Vegas, Nevada. Images depict Arthur G. Grant's home life, the Fortune Club business on Fremont Street, general downtown, Helldorado Parade, and a Mount Charleston picnic. The collection also contains images of Lake Mead boat races including an appearance by Donald Campbell and his water speed world record-setting jet powered boat, Bluebird.

Archival Collection

Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, March 5, 1974

Date

1974-03-05

Description

Agenda and meeting minutes for the University of Nevada, Las Vegas Student Senate. CSUN Session 2 Meeting Minutes and Agendas.

Text

Karin Hilgersom (Truckee Meadows Community College) oral history interview conducted by Magdalena Martinez and Elia Del Carmen Solano-Patricio: transcript

Date

2022-10-05

Description

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Education sector interviews file.

Text

Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002

Date

2002
2017-08-15

Description

Photos show Mandalay Bay signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics

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