Exterior view of the Flamingo Hotel at sunset. The illuminated champagne tower is visible and a marquee advertising Betty Grable and Harry James is seen in the background.
From left to right: Susan Jarvis, Hal Erickson, and Alfreda Blood in the Special Collections department at the University of Nevada, Las Vegas (UNLV). They are examining the Leonard T. Blood papers just donated to UNLV Special Collections.
The Lawrence Revere Papers primarily consist of correspondence between Lawrence Revere and the developers of blackjack betting systems dating from 1965 to 1970. The collection includes information about blackjack gambling systems, correspondence with gambling experts, and press material regarding the publication of Revere's book Playing Blackjack as a Business.
The Paul J. Richert Photograph Collection (approximately 1950-1951) consists of black-and-white photographic prints and negatives depicting the swimming pools at the Desert Inn and Flamingo Hotel & Casino in Las Vegas, Nevada. Also included is an image of the Las Vegas High School Rhythmettes dance group and an image of the El Rancho Hotel and Casino in Las Vegas.
The Nadine Tobin Collection of Helldorado Photographs, approximately 1940 to 1959, contains black-and-white photographic prints depicting parade floats during Helldorado Days celebrations in Las Vegas, Nevada. Also included is one image of a primary school class in Las Vegas.
The First Good Shepherd Lutheran Church Photograph Collection, approximately 1930 to 1950, consists of black-and-white photographic prints and negatives depicting the construction of the Good Shepherd Lutheran Church in Las Vegas, Nevada. Also included are images of parish leaders and the ground breaking ceremony for the grand opening.
The Castaways Hotel and Casino Photograph Collection, approximately 1963 to 1987, consists of black-and-white and color photographic prints and negatives. Images depict the exterior of the entrance to the property, the mega-pylon sign, the pool area, and the “Gateway to Luck” replica temple in the courtyard area. The interior images depict various hotel rooms and suites, a couple dining, and a performance by Rusty Isabel, an entertainer in the Kon Tiki Lounge inside the property.
The Harold Stocker Photographs depict Harold Stocker and his family from 1850 to 1980. Materials include photographs of Harold Stocker, his parents, his siblings, and his extended family. Materials also include photographs of Harold Stocker's business interests such as the Northern Club in Las Vegas, Nevada, the Nevada Silica Sand Company in Overton, Nevada, and the Chief Hotel Court on Fremont Street in Las Vegas, Nevada. The collection also contains photographs of Stocker participating in Republican Party events in Nevada.
Four women, Cynthia Cicero, Betty Brown, Tina Boag, and Jan Ravetti, recall coming to Las Vegas to obtain jobs during the period of mob ownership in the Las Vegas hotels. Each had a different reason for coming. A recession in Buffalo, New York, brought Cynthia and her husband to Las Vegas to obtain employment; Jan Ravetti’s family moved from Pennsylvania due to her father’s illness and possible employment; parents of Tina Boag, who was born in Paris, were entertainers who travelled and performed extensively; and Milton Prell, opening the Aladdin Hotel and Casino, encouraged Californian Betty Brown to work for him. Cynthia Cicero obtained a job with the City of Las Vegas, but the other three worked on the Strip in the casinos. Their experiences in the hotels show the differences between mob and corporate management since they were working there before and after Howard Hughes purchased six of the large Vegas hotels. The four ladies tell about their work on the Strip from Betty’s experience as a genie at the Aladdin to Tina’s position as a twenty-one dealer. They were acquainted with the casino owners and managers, entertainers like Sammy Davis, Jr. and Dean Martin, and show girls. They also knew first-hand the interactions between mobsters and the public. Food, for example, was a giveaway, an enticement for people to come into the hotel to gamble. They also knew stories about high rollers, the robbery of the baccarat tables at Caesars Palace, and the importance of “taking a fall” including the rewards attached. The ladies describe the shops on downtown Fremont Street and the Strip such as Nina Clark’s, Ronzones, Dillards and Chic Hecht’s as well as Penneys and Sears. A young woman shopped at Suzie Cream Cheese, for example, for the right outfit to wear to Pussy Cat A Go-Go, the rock and roll club on the Strip. Las Vegas also had many good gourmet and ethnic restaurants, piano bars, hotel lounges, and pubs with excellent entertainment. The ladies also describe the difference in the treatment of women during the 1960s and 1970s by men in clubs. Women rarely bought drinks nor did they pay for dinners when with gentlemen. Finally, the ladies compare areas where they lived including McNeil Estates, Heritage Square and the Chisholm-built homes in the Jones-Vegas Drive area. Not to be forgotten, however, are the terrible rain storms that flood streets and the Strip. Serious gamblers in the casinos refused to leave the tables while drenching rains washed cars from the hotel parking lots during the 1970s. Neither did they leave the MGM casino when the hotel caught on fire in1980.