Oral history interview with Phillip L. Cook conducted by Richard Strahan on March 3, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. Cook first talks about his parents' move to Nevada and discusses how the school system has changed over time. He then describes the first businesses that opened up in the Downtown and Strip areas of Las Vegas, Nevada before discussing prostitution, Block 16, and recreational activities available to youth. Cook also talks about the first television sets and telephone systems made available, and he moves on to talk about the prices of things such as movies and haircuts when he was younger. The interview then moves to discussions on the Old Ranch, racial discrimination, school integration, the crime rate, and the school system in Las Vegas.

The Fred Houghton Papers (1909-1998) consist of Houghton’s legal and personal files on his Blue Chip Ranch property in Las Vegas, Nevada. The materials include legal cases, maps, reports, and correspondence concerning water access on the property, and his work with the Las Vegas Well Users Association, which primarily contains correspondence in conjunction with Las Vegas's water politics. The collection also contains court cases during the 1930s when Houghton worked as a lawyer in Chicago, Illinois, as well as legal files for his time as a public defender for the State of California. The personal files in the collection primarily consist of correspondence, banking records, diaries, and notebooks.

The Klai Juba Wald Architectural Records (2000-2020) are comprised primarily of digital architectural renderings for projects completed by Las Vegas, Nevada architecture and interior design firm Klai Juba Wald Architecture + Interiors. The collection is comprised of renderings for the firm's projects conducted mainly around Las Vegas, but also includes projects around the United States such as the Seminole Hard Rock Hotel and Casino in Florida and Rivers Casino in Illinois. Also included are master plans and presentation slides for projects like the Choctaw Casino in Oklahoma and Live! Casino & Hotel in Maryland. Master plans for projects in Las Vegas include the LINQ, Silverton Casino Hotel, and Hard Rock Las Vegas.

Oral history interview with Edwin "Tony" Wuehle conducted by David Schwartz on December 21, 2006 for the Boyer Early Las Vegas Oral History Project. In this interview, Wuehle discusses his early life in Hettinger, North Dakota and his career as an educator. He recalls his first experiences playing poker, participating in home poker games while living in Michigan’s Upper Peninsula, and using a pseudonym as a player. Wuehle then talks about writing a book, founding the Gamblers Book Club Press in Las Vegas, Nevada, and writing for religious publications. Later, Wuehle explains the tension between participating in religion and playing poker. He describes Las Vegas poker rooms during the 1960s and 1970s and shares his thoughts on online poker. Lastly, Wuehle discusses why casinos use prop players and his efforts to organize a poker tournament to raise funds for Bay de Noc Community College in Michigan.

The Hal Rothman Faculty Papers (approximately 1930-2006) are comprised primarily of research, teaching, and professional papers of Hal Rothman, professor of history at the University of Nevada, Las Vegas (UNLV). The papers include Rothman's research notes, manuscript drafts, conference articles, lecture notes, audiovisual material for his book LBJ's Texas White House, newspaper clippings, and book draft. Material in this collection represents Rothman's time as a UNLV professor and as a graduate student at Wichita State University in Wichita, Kansas.

Oral history interview with Carolyn Freeman conducted on January 30, 2006 for the Boyer Early Las Vegas Oral History Project. Freeman begins by discussing her upbringing, her father, who was the president of the Japanese American Citizens League, and her early interest in dancing. She also details her experiences as a Japanese American during World War II and being relocated by the federal government. Freeman then describes how she began her career as a dancer after getting a role in a Broadway play in New York City, New York, and her later experiences dancing in productions in Reno, Nevada and San Francisco, California during the 1950s and 1960s. Lastly, Freeman discusses the differences between living in Las Vegas, Nevada compared to California and being offered the chance to dance in a Frank Sinatra show by himself and Sammy Davis Jr.