On March 6, 1981, Mark Milford interviewed Owen Earl Cox (born 1909 in Bunkerville, Nevada) about his experiences growing up in and working in Nevada. Cox first talks about his early moves to and from Nevada and his work in road construction in the 1930s. He then discusses his work of machinery at the Basic Magnesium Plant and some of his experiences during that time. Cox also talks about his family, the Mormon Church, the growth of population, and the increase in tourism. He later describes managing a store he owned known as Vegas Village and the types and prices of the products that were sold there. The end of the interview involves a discussion of crime, Cox’s hobby of cattle ranching, and his views on the growth of Las Vegas.

On the corner of Eastern and Stewart, inside the East Las Vegas Community Center, lies an oasis of creativity and art. The halls ring with the sound of harmonious music coming from the meeting rooms, where children move violin bows up and down in a synchronized motion. They stare with concentration at the music sheets in front of them. They gracefully play together and fill the empty halls with classical music. For most of them, they are the first in their family to learn how to play an instrument. Like many in their neighborhood, they are also first-generation Americans. The students are rehearsing for their recital with the Las Vegas Philharmonic at the Smith Center in a few weeks. In the back of the room there is a man gleaming with pride and joy. The Foundation to Assist Young Musicians (FAYM) provides the rehearsal space, violins, and music lessons at the community center and allows these children to flourish despite their economic, social, or racial background through, “Building