Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 7421 - 7430 of 8337

"Minority Involvement and the Hoover Dam Project": manuscript draft by Roosevelt Fitzgerald

Date

1970 (year approximate) to 1996 (year approximate)

Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Unpublished manuscripts file.

Text

Transcript of interview with Mary Ellen Osborn Lake by Fred Wilson, February 18, 1951

Date

1951-02-18

Description

On February 18, 1951, Fred Wilson interviewed Mary Ellen Osborn Lake (born 1870 in Mercer County, Missouri) and her son, Thomas Lake (born 1889 in Missouri). Wilson first asked Mary Ellen questions about when she first arrived in Las Vegas, Nevada in 1904. Much of the relatively brief interview involved questions related to the first Methodist churches in Las Vegas and the Lakes’ involvement and recollections of the locations and members of the church community.

Text

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter "Tea Rose Talk" newsletters

Date

2002-01
2002-02

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

Text

Eric Mendoza oral history interview: transcript

Date

2021-11-29

Description

Oral history interview with Eric Mendoza conducted by Holly O'Donnell on November 29, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Eric Mendoza shares his family's chain migration history from Manila, Philippines to the United States and his difficult immigration and naturalization process once arriving in America in 1996. He talks about what brought him to live in Las Vegas, Nevada, his education and professional pursuits, what his life is like in the United States compared to that of the Philippines, and the lives of his eight siblings. Eric Mendoza discusses the historical past of the Philippines, the infrastructure in place there, and government corruption. He also speaks to Filipino traditions and festivals, food and customs, his cultural identity, and assimilating to American culture.

Text

Photographs of Walgreens signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the Walgreens signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3765 S Las Vegas Blvd
Sign condition: Structure 5 Surface 3 Lighting 5
Sign form: Fascia
Sign-specific description: The Walgreens lot is shared with the Fat Burger establishment, and a strip mall of assorted shops. The lot is located on the east side of the strip, just north of the Showcase Mall. On the west elevation of the building the Walgreen's cursive, logo script spells out the word "Walgreen's". The same sign design is repeated on the north face of the building also. The two signs are crafted out of channel letter, with blue and red neon in the interior of the channel. In small black channel letters, a bit further below the logos, there are three separate sets of much smaller channel letters. These spell the phrases "Pharmacy," "24HRS," and "1 Hour Photo." These are also lined on the interior with red and blue neon. Above the entrance to the building, a wall sign crafted of neon in the shape of the "mortar and pestle" is perched above the customers head as they enter the building from the NW. The entire structure of the image of the Walgreen's mortar and pestle, as well as the outline of the exterior stars, is constructed of one giant pan channel. The body of the pestle is made of a series of blue neon tubing which starts in the center of the pan in a square shape and creates a concentric pattern, filling the pan. Small white neon stars float to the top of the sign and into the body of the sign. Below that image, on the same elevated plane, the Walgreen's script logo is written in channel letters with white neon. Below that script is written independently in neon reading "The Pharmacy that America Trusts." Facing north /south, the street-side, pylon sign for the Walgreen's establishment is a multi-use pylon. The sign boasts advertisements for several other businesses, however the Walgreen's advertisement is the most visible and dominant on the face. The architecture of the sign is mostly a giant, stucco covered vertical rectangle with a simple crown cornice molding on the top edge of the structure. The other establishments mentioned on the sign are as read from the top of the sign to the bottom: Alan Albert's Lobster House, Club Utopia, Fatburger, and a small back-lit plastic sign for ice cream and t-shirts. At the bottom of the sign, channel letters spell the phrase parking in rear, with an arrow of the same concept pointing east toward the rear of the property. The pylon is two sided, with almost the entire top of the sign belonging to Walgreen's, and sculpted almost completely out of neon. Red, horizontal neon tubes form a field of light for the neon mortar and pestle, as seen above the entrance. The red field is also home to the cursive, Walgreen's logo script, and the phrase "Open 24 hours." The mortar and pestle are a pan channel including the stars floating out of the top incorporated into its design. Crafted in blue, with white neon for the stars, the mortar handle portion sticking out of the top of the pestle animates to appear as if it is stirring, while the stars turn on and off, representing the concoction being stirred in the body of the image. The Walgreen's script is made of channel letters filled with white neon. The bottom line of the sign that reads "Open 24 Hours," is in all caps, and channel letters with white neon on the interior. They animate in sequence one word at a time from left to right. Along the vertical edge width of the sign, the words "The Plaza" are spelled in red neon.
Sign - type of display: Neon
Sign - media: Steel
Sign - non-neon treatments: Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign manufacturer: Mikhon lighting and sign
Sign - date of installation: 1997
Sign - thematic influences: The thematic influence of the Walgreens pylon is based on the logo for the establishment, incorporated into the architectural design of a modern commercial signage. The objects represented in the logo's are based on historical peripheral tools used in the pharmaceutical trade. The mortar and pestle were instruments used by chemists and doctors to grind and pulverize chemical to me mixed together. Since Walgreen's is a pharmacy and purveyor of commonly used goods, the mortar and pestle are appropriate symbols of the property's function.
Sign - artistic significance: Walgreen's fits into a niche of locations on the Las Vegas Strip that are establishments that can be found anywhere in the United States.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Flashing; Fascia; Neon; Steel; Paint

Mixed Content

Transcript of interview with John E. Jeffrey by Frank Vivirito, April 1, 1976

Date

1976-04-01

Description

On April 1, 1976, Frank Vivirito interviewed John E. Jeffrey (born July 20th, 1938, in Sioux City, Iowa) about his life in Southern Nevada. Jeffrey discusses his occupational history and the disparity of work conditions and opportunities for Black and Mexican workers in the Henderson plant. The interview concludes with a brief description of Jeffrey’s family’s medical history.

Text

Transcript of interview with Darlene Kelly by David P. Wiser, March 16, 1975

Date

1975-03-16

Description

On March 16, 1975, David P. Wiser interviewed former hair dresser and dealer, Darlene Kelly (born December 1st, 1942 in San Francisco, California) in the collector’s home in Las Vegas, Nevada. The two discuss how Kelly first arrived in Las Vegas, as well as her occupational history. Kelly goes on to describe the Stewart Ranch, as well as the social environment of the forties and fifties in Southern Nevada.

Text

Transcript of interview with Pamela Hicks by Elaine Broniecki, February 16, 1979

Date

1979-02-16

Description

On February 16, 1979, collector Elaine Broniecki, interviewed local Clark County School District teacher, Pamela Calos Hicks, (born in Dayton, Ohio, on November 23rd, 1946) in her home in Las Vegas, Nevada. This interview covers Hicks’ recollections of Las Vegas from 1955 to 1979. Hicks’ also lists the addresses of where she has lived within Las Vegas.

Text

Transcipt of interview with John M. Beville by George Braver, March 11, 1981

Date

1981-03-11

Description

George Braver interviews John M. Beville (b. 1906) at his home in Las Vegas on March 11, 1981. Braver discusses his move to Nevada in 1926, his personal history, and early banking in Nevada leading up to modernized banking. Beville also discusses his personal experience in the banking business, working in Hollywood as a singer, and brings to the forefront key moments of his life in Nevada.

Text