Search Results
Chester Hodson interview, March 4, 1981: transcript
Date
Archival Collection
Description
On March 4, 1981, collector Marlene L. Larson interviewed Chester Albert Hodson, Jr. (born December 21st, 1948 in Las Vegas, Nevada) at the Sizzler restaurant in Las Vegas, Nevada. In this interview, Mr. Hodson speaks about working in the restaurant industry in Las Vegas, as well as his father’s experience working in the industry. He also talks about living in Las Vegas and the changes he has seen throughout his life.
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Barry Holt interview, February 11, 1977: transcript
Date
Archival Collection
Description
On February 11, 1977, collector Lee LaVecchia interviewed Barry V. Holt (born January 20th, 1946 in Las Vegas, Nevada) at his home in Las Vegas, Nevada. In the interview, Mr. Holt speaks about the differences between growing up in Las Vegas in the fifties and sixties compared to how his children are growing up at the time of the interview. He also discusses education and the religious community in the city.
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Transcript of interview with Arlene Blut by Barbara Tabach, May 28, 2015
Date
Archival Collection
Description
In this interview, Arlene discusses her family and important friendships; her relations with and impressions of the disparate Las Vegas Jewish communities; the meaningful ways her Jewish relationships in Duluth, Winnipeg, and Las Vegas intertwine; her theatrical, professional, and philanthropic work; the reasons she and Jerry became active Zionists; and their support for Israeli causes. Her liberal sprinkling of Yiddish terms enriches her speech as it exemplifies her deep cultural attachment to and identification with her Jewish heritage, despite the fact that her wide and diverse circle of friends remains predominantly non-Jewish.
Actor, director, friend, mother, producer, wife, and volunteer extraordinaire Arlene Piekoff (now Blut) arrived in Las Vegas in 1971 with two young children and husband, Michael Peikoff, who was opening a surgical practice. Arlene was born and raised in Duluth, Minnesota, where she attended a Conservative Jewish temple but had mostly non-Jewish friends. She met Michael at the University of Minnesota, and they married before he began medical school in Winnipeg, Manitoba, Canada. Arlene and Michael followed his residencies and fellowships to California, Michigan, and Manitoba before they came to Las Vegas Through her brother in law and Ayn Rand?s intellectual heir, Leonard Peikoff, Arlene was exposed to Ayn Rand Objectivism, a philosophy that still influences her political outlook. After her 1975 divorce she began working at the Jockey Club; founded the Meadows Playhouse, Las Vegas?s first professional black box theater; and started Renta Yenta, the valley?s first full-service event planning business. In 1980 she married tax attorney Jerry Blut in a Renta-Yenta-produced, Fiddler-on-the-Roof-themed wedding at Paul Anka's Jubilation Restaurant.
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Transcript of interview with Lovee duBoef Arum by Barbara Tabach, November 1, 2016
Date
Archival Collection
Description
Lovee Arum is the Chief Financial Officer of the Morris A. Hazan Family Foundation and Director of Hospitality for her husband Bob Arum?s boxing promotion company Top Rank. She holds a Nevada Real Estate Broker Sales License and was a partner in Western Linen (a Las Vegas linen rental and laundry company) for many years. Arum is a volunteer and philanthropist in the Las Vegas, Nevada community and works with organizations such as Temple Beth Sholom and the Nathan Adelson Hospice. In this interview, Arum reflects upon her childhood in Beverly Hills, California, and first experiencing Las Vegas after her father, Morris Hazan, established Western Linen. She discusses adjusting to Las Vegas life after moving to the city with her first husband, Larry duBoef, in 1963, and raising her daughter and son within the local Jewish community. Arum also talks about meeting her current husband, Bob Arum, and her various philanthropic activities, including Junior League, United Jewish Appeal, Keep Memory Alive and establishment of the Lou Ruvo Center for Brain Health.
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Transcript of interview with Bruce Isaacson by Barbara Tabach, March 24, 2017
Date
Archival Collection
Description
Bruce Isaacson was born in 1956 in Castro Valley, California to Betty Griffin and Bernard Isaacson, and spent his childhood in Oakland. He received his bachelor?s degree from Claremont McKenna College with majors in economics as well as drama, and continued studying for his Masters of Business Administration at Dartmouth College. After receiving his MBA, Isaacson started a career in finance, focusing on mergers and acquisitions. In 1995, he moved to Las Vegas to pursue a real estate career alongside his father. In June 2015, Isaacson became Clark Country?s first poet laureate to encourage poetry as an art form in Southern Nevada. Although Isaacson began writing poetry at a young age, he wanted to develop his craft further. So he attended Brooklyn College for a Masters of Fine Arts and studied with famed poet Allen Ginsberg. Isaacson is known in the San Francisco Bay Area as organizer and poet in the Cafe Babar readings in the 1980s. He is also a co-founder of Zeitgeist Press, where he remains publisher and co-editor. In this interview, Isaacson discusses his childhood and how he maneuvered his career path from finance into poetry. He talks about applying for and serving as the county?s first poet laureate, and describes the programing he?s started in this capacity. Isaacson also speaks about his earlier involvement with Bay Area poetry scene as well as the impact of his Jewish upbringing on his life and his art.
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Transcript of interview with Emma Ellsworth by Clark Ellsworth, March 5, 1980
Date
Archival Collection
Description
On March 5, 1980, Clark Ellsworth interviewed his grandmother, Emma Ellsworth (born 1902 in Payson, Utah) about her experiences in Southern Nevada. Ellsworth first talks about growing up in Utah and getting married before moving to Pioche, Nevada during the Great Depression. She also talks about bringing up a family in Las Vegas as well as her and her husband’s work in running Beneficial Life, a life insurance business, in Las Vegas. Ellsworth also talks about the Mormon churches in Las Vegas, the schools her children attended, and the number of grandchildren and great-grandchildren she had at the time.
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Interview with Sandie A. Medina, January 25, 2004
Date
Archival Collection
Description
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Sergio "Checko" Salgado oral history interview: transcript
Date
Archival Collection
Description
Oral history interview with Sergio "Checko" Salgado conducted by Laurents Bañuelos-Benitez, Barbara Tabach, Elsa Lopez, and Monserrath Hernández on June 4, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Checko talks about his personal history that led him to pursue journalism and photography. He discusses his education and employment working in art galleries in Denver, Colorado and Las Vegas, Nevada and the various art exhibitions he has designed including in the Marjorie Barrick Museum at the University of Nevada, Las Vegas and in the Reynolds Senate Building in Washington, D.C.
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Union Pacific Railroad Collection
Identifier
Abstract
The Union Pacific Railroad Collection (1828-1986) is comprised of the original corporate records of the Union Pacific Railroad's operations in Southern Nevada, Utah, and Southern California, particularly focusing on Las Vegas and Los Angeles. The collection documents the purchase of Stewart ranch and the construction of the original depot and town which became modern Las Vegas. The collection also contains the records of the Las Vegas Land & Water Company (LVL&W), a subsidiary of the railroad formed in 1905 to handle the railroad's land transactions. The collection contains office files, correspondence, reports, leases, various legal, governmental and financial document, the collection contains large and small format maps, architectural and engineering drawings, published technical reports, railroad operational manuals, bound legal briefs, ledgers, and payroll and receipt books. The collection also includes the personal files of Walter Bracken, the Union Pacific's special representative in Nevada and vice president of the Las Vegas Land and Water Company, and a paper index of the collection materials.
Archival Collection
Photographs of Paris signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site name: Paris Las Vegas Hotel & Casino
Site address: 3655 S Las Vegas Blvd
Sign owner: Park Place Entertainment
Sign details: The Paris property lies on the east side of Las Vegas Blvd, between the Aladdin and Bally's. The three properties stretch from Harmon Avenue, all the way to Flamingo Rd. The only real neon signage includes the text seen on top of the replica of the Eiffel Tower, and a three-dimensional balloon shaped pylon sign located at the south end of the property.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Leaving the Aladdin property, headed north you are immediately confronted with the giant hot-air balloon, which acts as the main marquis sign for the Paris Hotel and Casino. The three-dimensional balloon shape sits among trimmed shrubbery and foliage, representational of a classic French garden. The sign is located on an island with a long driveway on its north side running east into the property. It towers high above the viewer, almost appearing as if it is floating. In the spirit of properties like the Aladdin and the Excalibur, the facade of the resort is modeled after a theme, which is the French City of Paris. Complete with fountains, replica street fronts and markets, the main focal point is a life size replica of the Eiffel Tower. Some signage is located high up on the tower, in yellow channel letters. The sign reads "Eiffel Tower Restaurant." The three-dimensional sculpted pylon sign is composed of basically three pieces. At the very bottom, a large post holds up the second section of a large cube. All four sides of the cube are occupied by square, advertising screens. The two facing east/west are back lit color plastic, while the ones facing north/south are LCD screens. The cube is finished in stucco, with sculptural treatments along all of the edges of the cubes. The edges are made to look like giant ropes with knots on all eight corners. The sign is located on the East Side of the strip, yet the only directional orientations are on the cube that the balloon sits on. The spherical structure is an exterior frame with blue vinyl material stretched to form the balloon shape. Steel framework also runs around the circumference in six different places along the structure. On the north and south sides Paris is spelled in red channel letters, filled with incandescent bulbs and bordered in neon. The blue vinyl material is treated with graphic painted images, which are repeated around the circumference of the balloon. The images are of lion heads holding red sashes, above golden eagles. On the middle section an image of a woman's face is surrounded by a golden halo. The yellow structural supports, which are visible on the exterior, also house tubes of neon. The resulting effect is a repeating pattern of neon running up the length of the structure, with horizontal bands around the bottom of the structure, below the channel letters and above them also. A criss-cross pattern adorns the two bands below the text, as well as a scalloped pattern above the text also. The porte cochere is a circular drive with the only lighting being incandescent bulbs running along the raceways, which create the structure of the interior. The structure is finished in a patina bronze, made to look oxidized.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The incandescent bulbs inside the text reading "Paris" on the balloon oscillate rapidly.
Sign environment: Located between Bally's and the Aladdin, two heavily frequented and boisterous properties themselves, the Paris fits nicely creating it's own environment that stands alone when entered. If a pedestrian is present among the stunning architecture, it is easy to be pulled into the theme. Even though the Bellagio is west across the street, the expanse of the street keep the Paris far enough away to be mostly independent, that is of course if the Bellagio's water show is not being displayed. The surrounding properties of Bally's, the Aladdin, and The Bellagio make the area of Las Vegas Blvd between Harmon Ave. and Flamingo rd. a fantastic world stylized cities and dazzling imagery, yet an interesting mix of architecture and signage.
Sign designer: Architect/consultant: Bergman, Walls & Youngblood Ltd. Contractor: Perini Building
Sign - date of installation: 1997
Sign - thematic influences: The Paris Hotel Casino is obviously themed after the actual French city of Paris. The entire facade represents the Parisian atmosphere containing the most famous of Parisian attractions including the Eiffel Tower, the Arch de Triumph, open air cafes, plazas utilizing fountains, and the ornate architecture that spans from gothic to neo classical. The Paris fits into the themed hotel casino industry seamlessly, actually boasting one of the more ornate and unique facades. Other properties that parallel the Paris in style and genre include the Aladdin, the Venetian, and the New York New York. In fact it fits into the category of Hotel/Casino whose theme is what dominates the aesthetic surroundings as well as operation inside and out. Other facilities contain elements of a theme, such as the Stardust, but the interior and exterior are no longer the dominant aspect of the aesthetics. It also fits into the category of resorts themed after actual cities.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Paint; Graphics
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