The UNLV Libraries Collection on Claes Oldenburg's Flashlight sculpture is comprised primarily of correspondence, photographs, and information dating from approximately 1972 to 1981, and 2011 about the planning and installation of the Flashlight at the University of Nevada, Las Vegas (UNLV) campus. The materials include correspondence between Brock Dixon, Dean of Administration, and the sculpture grant committee, the National Endowment for the Arts, and sculptors considered for the job such as Richard Serra and Claes Oldenburg. The collection also includes photographs of Flashlight maquettes and installation on campus and postcards depicting the Flashlight on the UNLV campus. Also included is a written history of the commissioned sculpture, a UNLV News Center article about the sculpture from 2011, and an autographed copy of Claes Oldenburg: Large Scale Projects, 1977 to 1980.
Oral history interviews with Richard W. Bunker conducted by Stefani Evans and Claytee D. White on July 18 2017, July 21, 2017, and September 28, 2017 for the Building Las Vegas Oral History Project. In this interview, Bunker discusses the history behind a wide range of events that affected the daily lives of Southern Nevadans. He talks about his role in a consolidation attempt between the Clark County and Las Vegas, Nevada governmental structures that was halted by the courts in 1975. Bunker then recalls working as a member and Chair of the Nevada Gaming Control Board and his work with various casinos and hotels including Circus Circus, the Dunes, and the Aladdin. He discusses replacing key people at the Gaming Control Board, and the Federal Bureau of Investigation’s (FBI) Operation Yobo sting. He then speaks fondly of his longtime friends Jim Gibson, Judge Lloyd George, and Jim Joyce. Lastly, Bunker discusses water rights, supply, and management issues in Nevada as it relates to the Nevada Resort Association, Las Vegas Valley Water District, Southern Nevada Water Authority, and the Colorado River Commission.
Oral history interview with Ruben Acherman conducted by Monserrath Hernandez and Laurents Bañuelos-Benítez on July 18, 2019 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Acherman discusses growing up in Palmira, Colombia, where his father emigrated to from Romania. He talks about how accepted he felt in a Catholic community, moving to Cali, Colombia to study medicine, and describes completing his rural residency in San Pedro, Colombia. Acherman then recalls specializing in cardiology at the University of Southern California (USC). Later, Acherman explains why he chose to specialize in cardiology, his interests in pediatric cardiology, and his inability to continue studying due to the lack of financial stability and his immigration status. Acherman describes his move to the Summerlin residential community in Las Vegas, Nevada after being offered a position to work for Dr. Bill Evans in 2001, and compares the differences in health care between the United States and Columbia. Lastly, Acherman discusses his first balloon dilation procedure and talks about the illustrations he has created in cardiology textbooks.
Oral history interview with Hernando Amaya conducted by Laurents Banuelos-Benitez, Marcela Rodriguez-Campo, and Barbara Tabach on October 18, 2018 and December 3, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Hernando Amaya talks about his childhood and education in Bogota, Colombia. He discusses his start in journalism as a young man and working for El Espectador, the Colombian national newspaper. He discusses his experiences reporting on the narco-terrorism occurring in Medellin, Colombia and how this eventually led to his immigration to the United States. Amaya moved to Las Vegas, Nevada in 2001 and continued his career in journalism by working for local Spanish speaking papers and websites. He relates his civic involvement in the Las Vegas area, his work as the president of the Colombian Association of Las Vegas, and various other civic engagements. As a journalist, he asserts the importance of knowing one's culture, storytelling, learning history, and being active in the community.
George was raised in Mattapan, a suburb of Boston, by his mother and father. George had four siblings and was the second youngest. George shares fond memories of growing up and playing softball and tennis in the neighborhood park with his numerous friends. George could listen to a song on the radio and play it on the piano by ear when he was as young as four years old. George had several jobs to earn money growing up, including working in a record store and as a busboy. Eventually George and his brother joined a trio with Steve Harrington and performed in clubs. In 1958, George joined his brother and Paulette Richards in Las Vegas where they had a contract to play at El Rancho Hotel & Casino where they played until it was destroyed by fire. Following the fire, George and his brother parted ways and each did their own thing. In the 1960s, George began playing with the band at Caesars Palace. George used his background in accounting to do some bookkeeping and payroll for some of the ban
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Drafts for the Las Vegas Sentinel Voice file. On George Washington and Martin Luther King, Jr. comparisons.
The Alice P. Broudy Papers on Broudy v United States (1940-2018) comprise materials collected and created by the wife of Charles A. Broudy during her effort to obtain compensation for his death in 1977, which she believed to be a result of repeated radiation exposure. Materials include government documents obtained through the Freedom of Information Act (FOIA), correspondence, memos, litigation papers, scholarly reports and articles on radiation exposure and its effects, congressional testimony, speeches, newspaper clippings, books and audiovisual materials. Also included are photographs, slides, and one box of Alice "Pat" Broudy's personal papers. There are two boxes of papers that remain unprocessed.
The James Cashman Sr. Photograph Collection (approximately 1905 to 1975) consists of black-and-white photographic prints, negatives, slides, and albums as well as a glass plate negative. The photographs depict four major subjects: Cashman's family, friends, and associates; Cashman's businesses; the Hoover Dam and Colorado River; and various locations across Nevada.