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Gold Hill Nevada Masonic Lodge Records

Identifier

MS-00127

Abstract

The collection consists of three bound volumes and a small leather folder, documenting Masonic Lodge activity in Gold Hill, Nevada between 1866 and 1917. The volumes contain lodge meeting minutes from 1866 to 1872; lodge membership records from 1866 to 1872; and lodge financial records from 1866 to 1917.

Archival Collection

Clark County Child Care Association (CCCA) Records

Identifier

MS-00167

Abstract

The Clark County Child Care Association (CCCA) Records (1957-1975) contain correspondence, fliers, dues paid rosters, insurance information, bills, memberships cards, and receipts. Also included are miscellaneous dues-related documents, minutes of CCCA (Nevada) general membership and executive board meetings, and a newsletter.

Archival Collection

Christian Giovanni oral history interview: transcript

Date

2022-05-17

Description

Oral history interview with Christian Giovanni conducted by Cecilia Winchell, Jerwin Tiu, and Stefani Evans on May 17, 2022 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Giovanni describes her early life being born and raised in Las Vegas, Nevada. She discusses her mother, Oywan, who first worked for the casinos before turning her focus to community building. Throughout Oywan's life, she did everything from start the first temple in the city to the first Thai newspaper, Las Vegas News. Giovanni mentions having what she considers a normal childhood, especially because of her more Western appearance, and did not embrace her AAPI identity until much later in life after she started helping her mother with different organizations. Currently, Giovanni is involved in many organizations, from the AAPI County Commission to the Thai Culture Foundation.

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Gene Noboru Nakanishi oral history interview: transcript

Date

2021-04-02

Description

Oral history interview with Gene Noboru Nakanishi conducted by Ayrton Yamaguchi, Cecilia Winchell, and Stefani Evans on April 2, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Gene Nakanishi shares his detailed family history from both his father's and his mother's families. He discusses his paternal grandfather's work on the Union Pacific Railroad, the family's internment in Wyoming during World War II, and his father's release from the camp by joining the United States Army Signal Corps. Nakanishi also talks of his maternal grandfather who was of the Bushido ("warrior") class in Osaka, Japan, and his grandfather's work with Christian missionaries. He shares details of his mother's restaurant employment in Los Angeles and her opening of Osaka Japanese Bistro in Las Vegas in 1969. Nakanishi also talks about being born and raised in Las Vegas, his musical schooling at Berklee College of Music in Boston, and his graduate education at Harvard University. He discusses his work as a band teacher for the Clark County School District, his involvement in the Idyllwild Arts Summer Program band camp, and his interests in jazz music.

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Transcript of interview with Blair Hale, by Emily Powers, June 16, 2006

Date

2008-06-16

Description

Dr. Blair Hale has been practicing dentistry in Las Vegas for over thirty years. He was born in Idaho in 1949, the third of four children born to Zendal McKay and Lenny Raymond Hale. His education includes semesters at BYU, El Camino City College, and a dental degree from Washington University. Dr. Hale recounts his experiences as an undergraduate at Washington University in Missouri, living in a dorm situation and signing for government loans. He also examines his early days in Las Vegas and the ease with which he obtained bank loans to start his business back in 1976. At that time there were relatively few dentists practicing in Las Vegas, and when he was the dentist society president in 1985, he knew most dentists by name. Blair explains his work with the Academy of LDS Dentists, which sends groups of dentists to Guatemala, Peru, Honduras, and the Dominican Republic to run week-long free clinics. The clinics not only treat the dental problems of the populace, but also serve as instructional seminars for local practitioners. In addition to running a practice and doing charitable work outside the country, Dr. Hale also teaches at UNLV's dental clinic one day per week. He describes the changes in technology, technique, and materials over the years, and the quality education future dentists receive at UNLV. He also delineates the differences dental work can make in a patient's life, not just aesthetically but emotionally and physically as well. Dr. Hale comments on the dynamics behind the large influx of dentists in the 90s, the future of health care in Las Vegas, and the impact of third-party carriers in the dental profession. He believes that dentistry is a wonderful profession and that students can receive an excellent education at any good dental school in the United States. His sons are contemplating following him into this field.

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Transcript of interview with Dr. Percy Poon by Lisa Gioia-Acres, February 5, 2007

Date

2007-02-05

Description

Dr. Percy Poon was born in Hong Kong in 1958, the oldest of four children. He attended Catholic school through junior high and high school, but decided to work after high school instead of going on to college. After working in banking and police forensics for a couple of years, he decided to continue his education. Percy studied economics at a university in Hong Kong, graduated at age 25, and then applied to Southwest Texas State for an MBA. Having earned his degree after only a year and a half, he applied and was accepted to a PhD program at Louisiana State. He interviewed for several jobs as he was approaching graduation, but decided to follow one of his professors, Mel Jameson, to UNLV. In August of 1989, Dr. Poon moved to Las Vegas to take on a visiting professorship, and the next year was promoted to tenure-track assistant professorship. In 1994, he met and married his wife, and they make their home in the southwest valley. Percy recalls the different styles and contributions of university presidents Robert Maxson and Carol Harter. His memories of first arriving in Las Vegas include the marvel of the volcano at the new Mirage Hotel, the oppressive heat, and the smaller size of the city. Currently, Dr. Percy is dean of the College of Business and Finance, and feels that the program is working towards competitiveness with other well-established university programs, such as UCLA or Arizona State. He feels that progress has been made in pushing for academic exams, but that increased funding will create better programs and opportunities. Dr. Poon became a U.S. citizen in 1998, and makes occasional visits to his family still living in Hong Kong. He and his wife socialize occasionally with colleagues and church acquaintances, and also entertain family members when they visit from Hong Kong.

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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, September 10, 2007

Date

2007-09-10

Description

Includes meeting agenda. CSUN Session 37 Meeting Minutes and Agendas.

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Nate Mack B'nai B'rith lodge no. 2825 Newsbeat newsletters, item 02

Description

Newsbeat newsletter (first page missing)

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter arts and humanities committee reports

Date

2000-01-08 to 2000-12-13

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

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Photographs of O'Shea's signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the O'Sheas Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3555 S Las Vegas Blvd
Sign owner: Park Place Entertainment
Sign details: O'Shea's Casino is located just north across a small driveway from the Flamingo. The small but busy facade is a small, yet busy stop along the Las Vegas Strip. The exterior signage consists of two corner signs, a blade sign, hanging off of the west face of the building, a main entrance sign, backlit screens as well as various images laden with neon. All of these create a flashing display of luminescence all just above the pedestrian's head.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: O'Shea's Casino is located just north across a small driveway from the Flamingo. O'Shea's theme and signage is influenced by Irish culture and imagery, integrated into the forms of signage along the Las Vegas Strip. The building design itself is influenced by traditional European housing imagery, generalized with other elements of architecture also. One example of this is the coloring, exposed wooden beams and narrow rooflines over treated windows, which suggest styles seen in classic European architectural imagery. Examples of other elements such as sculpted windowsills and exterior molding are more akin to neoclassical than the Irish pub or cottage. A small blade sign hangs in the center of the structure facing north /south. Attached off of the building by two poles, the double sided cabinet is designed with a circular portion at the top that transforms along it's bottom edge into length portion of the "blade" that continues down to a rounded bottom. The Circular portion serves as the "O" in O'Shea's. The exterior of the signs width is finished in a polished gold aluminum surface. The top portion continues into a full circular space in the front where the backlit image of the O'Shea's leprechaun mascot resides in it's center. The image has a circular green neon border at the edge of the cabinet and is set into a field of incandescent bulbs, which occupy the remaining space in the face of the "O". Incandescent bulbs also run around the edge of a face on a gold raceway. Channel letters run vertically down the face of the blade spelling the remaining "Sea's" of the title. Each letter is filled with incandescent bulbs, and bordered on it's exterior in green neon. The remainder of the space, which comprises the surface of the sign, is a green material. The entire edge of the rest of the sign is also bordered with incandescent bulbs. Below the blade sign, the main entrance for the establishment is denoted by the large, arched, marquee logo, and wall sign for the casino. The arch shape is bordered by gold polished raceways, with the interior space where the O'Shea's logo is written in a bowed, horizontal arrangement with the "O" and "S" being the biggest letters in this group. The same back-lit leprechaun figure which is present in the blade sign, in seen in the "O" of the logo. The letters are of channel design and filled with incandescent bulbs. Gold scrollwork adorns the green background above and on the sides of the logo. An entablature, running the length below the arch, reads "casino" in channel letters filled with incandescent bulbs and bordered with green neon. The orange background in contained on the bottom edge with a gold polished raceway, which sharply curves into a downward point at the very center. All the raceway edges of the sign are lined with incandescent bulbs. Flanking the wall on either side of the main entrance are two backlit message centers with vinyl lettering. They also are bordered with incandescent bulbs, strewn upon polished raceways. To the south toward the Flamingo Casino, a corner marquee sign faces toward the southwest. The message center on the right of the main entrance essentially continues its shape wrapping in radius fashion all the way around the corner. As the entablature wraps the corner, the color changes to a section of black, containing the channel letters hung at a slight angle, spelling the words " Hall of Fame," in cursive text. Small stars in channel design adorn the black background. On the left of the text, O'Shea's is painted in red paint, in a cursive script at a similar angle as the premier text. Neon is shaped over the surface of the letters to allow it to be spelled in light. The word "Casino" is spelled on the right hand side, and treated in the same fashion. A top the black portion of pediment, the sign continues with it's corner finishing, rounded marquee, containing the text, "Magic & Movie," in a three lined arrangement. Putting the two signs together the appropriate title for the advertisement of the attraction is read "Magic and Movie Hall of Fame." The channel letters on the top portion are filled with neon and treated white on the interiors. The edge of the cabinet is treated with white bull nose borders, sandwiching a field of pink holding two tubes of contoured neon. At the peak of the sign a small element reminiscent of a fan, created using a multi layered box, uses different levels receding into space, with the center blade at the front of the sign. The sections are lined with gold raceways and incandescent bulbs, with the center blade being horizontally striped with tubes of neon. Two small gold finished gargoyle statues flank either side of the theatre-esque entrance. Underneath the overhang created by the corner sign, polished aluminum element creates a sloping drum shape above the door. This drum is divided into sections by gold polished raceways. The flat portion, which returns to the ceiling of the overhang is adorned with painted images of clovers, encircled in rings of green neon. This section is reminiscent of the top section of the corner drum of the Barbary Coast. The black pediment along the south portion of the building., abruptly changes to the orange color seen on the main entrance. Along the south wall section of the pediment green pan channels in the shape of clovers hang, lined on the interior with neon. A small sign denoting parking is also present. Another corner entrance is located on the north end of the property, facing northwest. It too has the rounded corner entrance and logo sign. Slightly different than the main entrance, the same "Casino text and structure is seen on the orange pediment above the door, as well as the channel logo with the mascot located in the letter "O." A three-sectioned panel with swooping wings and an arched center creates the field for the main logo. A more busy section of two dimensional scrollwork sits below the neon filled text. The wings of the top section a recessed panels with checkerboard design behind that. Each side of the entire top section is book ended with two small square posts. Three small miniature spires line the very top, and the same inverted drum shape sits underneath the door. Street posts reside on the sidewalk outside.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: Chasing, flashing, oscillating
Notes: All of the bulbs, which reside in the fascia signs which designate entrances, oscillate rapidly. The entrance sign a bit closer to the north end of the property also contain the pan channel star shapes, with incandescent bulbs in the center. The bulbs which, reside on the widths edge of the small pole sign at the south end of the property, oscillate giving a twinkling effect. The main pylon's animation is rather simple considering the amount of lighting. Bulbs which create the dazzling background chase each other upward to the very point, then once they reach the top, each letter light up from left to right, one at a time, then off one letter at a time. The letters all turn on simultaneously while, while the background chases up, leaving the lights off in its trail. The text then shuts off as well. The small incandescent bulbs lacing the background of the main body of the sign oscillate subtly, twinkling themselves. Each letter of the text contains a single row of incandescent bulbs, just inside the border of the red neon. This row is always on in a chasing animation from left to right even when the letters are dark. The animation for the three sided, pole sign, at the north end of the property is adorned with sparkling animation as well. The purple bulbs, which create the border of the main base, chase each other from bottom to top, and the star shape in the center is filled with oscillating incandescent bulbs. The bulbs, which also encrust the bottom surface of the cabinet, oscillate as well. The incandescent bulbs, which adorn the background of the text portion of the sign, also sparkle with a soft random oscillating pattern. The stars which sit on top of the cabinet, animate in a random, non descriptive fashion. The inner star shaped pans oscillate with incandescent bulbs, and the neon borders flash on then off, in a clumsy random order. The three-sided sign also rotates, one of the few animatronic signs on the Strip.
Sign environment: Being essentially part of the Flamingo, O'Shea's is only separated by a small drive, producing the easy traffic flow from the north entrance of the former. The north of O'Shea's on the immediate vertical explosion of the front tower/porte cochere of the Imperial Palace. It is easy to say that O'Shea's is sandwiched in between two giants, assuming its place as the charming gap between the Flamingo and the Imperial Palace which is quite a bit more pedestrian friendly. Traveling north on the east side of the strip, O'Shea's is not hard to miss at all
Sign - date of installation: Original date of installation 1989. The southwest, and northwest corner signage were added at a later date
Sign - thematic influences: O'Shea's centers around the theme of the Irish pub, utilizing various imagery to get support the design. The color green is used extensively in the main signs color scheme while the ever-popular image of the folkloric leprechaun illuminated it a cartoon form upon the pylon. The green pan channels, which are shaped like shamrocks, are place along the exterior wall, an obvious reference to the St. Patrick's Day Holiday as well a reference to good luck. ( example: the four-leaf clover, luck of the Irish.) Luck is something synonymously associated with an industry such as gaming. Gold is also used extensively with the exterior referencing the infamous pot of gold associated with the lore of leprechauns. The actual structure itself is constructed with elements which suggest a European rustic cottage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Plastic

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