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Film transparency of a ghost town, Delamar, Nevada, 1956

Date

1956

Description

A view of some of the abandonded buildings on a hillside in Delamar, Nevada. One of the structures has a covered porch Delamar, Nevada, nicknamed The Widowmaker, is a ghost town in central eastern Nevada, USA along the east side of the Delamar Valley. During its heyday, primarily between 1895 and 1900, it produced $13.5 million in gold. In 1889, prospectors John Ferguson and Joseph Sharp discovered gold around Monkeywrench Wash. A mining camp was then born west of the Monkeywrench Mine. It was called Ferguson. In April 1894, Captain Joseph Raphael De Lamar bought most of the important mines in the area and renamed the Ferguson camp as Delamar. In the same year, a newspaper called the Delamar Lode began publication and a post office was opened. Soon, the new settlement boasted more than 1,500 residents, a hospital, an opera house, churches, a school, several businesses and saloons. Most buildings were made of native rock. By 1896, the Delamar mill was handling up to 260 tons of ore daily. Water for the camp was pumped from a well in Meadow Valley Wash, some twelve miles away. Supplies and materials traveled even further, by mule team over mountainous terrain from the railroad head at Milford, Utah, which was 150 miles from Delamar. Silicosis The gold in the Delamar mines was embedded in quartzite which when crushed created a fine dust. Miners breathing the dust often developed silicosis and the town became known as a "widow-maker." Many ruins now stand semi-intact in the Delamar ghost town region. Foundations can easily be seen from adjacent hills. There are two graveyards, which have been vandalized. The area is honeycombed with mines and mineshafts, but in recent years the main shaft has been blasted closed. Wild horses roam the area. The nearby dry lake is known to pilots as Texas Lake because its outline resembles the state of Texas.

Image

Film transparency of a ghost town, Delamar, Nevada, 1956

Date

1956

Description

A view of some of the abandonded buildings in Delamar, Nevada, taken from a nearby hill. Delamar, Nevada, nicknamed The Widowmaker, is a ghost town in central eastern Nevada, USA along the east side of the Delamar Valley. During its heyday, primarily between 1895 and 1900, it produced $13.5 million in gold. In 1889, prospectors John Ferguson and Joseph Sharp discovered gold around Monkeywrench Wash. A mining camp was then born west of the Monkeywrench Mine. It was called Ferguson. In April 1894, Captain Joseph Raphael De Lamar bought most of the important mines in the area and renamed the Ferguson camp as Delamar. In the same year, a newspaper called the Delamar Lode began publication and a post office was opened. Soon, the new settlement boasted more than 1,500 residents, a hospital, an opera house, churches, a school, several businesses and saloons. Most buildings were made of native rock. By 1896, the Delamar mill was handling up to 260 tons of ore daily. Water for the camp was pumped from a well in Meadow Valley Wash, some twelve miles away. Supplies and materials traveled even further, by mule team over mountainous terrain from the railroad head at Milford, Utah, which was 150 miles from Delamar. Silicosis The gold in the Delamar mines was embedded in quartzite which when crushed created a fine dust. Miners breathing the dust often developed silicosis and the town became known as a "widow-maker." Many ruins now stand semi-intact in the Delamar ghost town region. Foundations can easily be seen from adjacent hills. There are two graveyards, which have been vandalized. The area is honeycombed with mines and mineshafts, but in recent years the main shaft has been blasted closed. Wild horses roam the area. The nearby dry lake is known to pilots as Texas Lake because its outline resembles the state of Texas.

Image

Film transparency of a ghost town, Delamar, Nevada, 1956

Date

1956

Description

Some of the abandonded buildings in Delamar, Nevada. A tailing pile from one of the mines is visible in the center of the photograph. A stone structure is visible on the right side of the photograph. Delamar, Nevada, nicknamed The Widowmaker, is a ghost town in central eastern Nevada, USA along the east side of the Delamar Valley. During its heyday, primarily between 1895 and 1900, it produced $13.5 million in gold. In 1889, prospectors John Ferguson and Joseph Sharp discovered gold around Monkeywrench Wash. A mining camp was then born west of the Monkeywrench Mine. It was called Ferguson. In April 1894, Captain Joseph Raphael De Lamar bought most of the important mines in the area and renamed the Ferguson camp as Delamar. In the same year, a newspaper called the Delamar Lode began publication and a post office was opened. Soon, the new settlement boasted more than 1,500 residents, a hospital, an opera house, churches, a school, several businesses and saloons. Most buildings were made of native rock. By 1896, the Delamar mill was handling up to 260 tons of ore daily. Water for the camp was pumped from a well in Meadow Valley Wash, some twelve miles away. Supplies and materials traveled even further, by mule team over mountainous terrain from the railroad head at Milford, Utah, which was 150 miles from Delamar. Silicosis The gold in the Delamar mines was embedded in quartzite which when crushed created a fine dust. Miners breathing the dust often developed silicosis and the town became known as a "widow-maker." Many ruins now stand semi-intact in the Delamar ghost town region. Foundations can easily be seen from adjacent hills. There are two graveyards, which have been vandalized. The area is honeycombed with mines and mineshafts, but in recent years the main shaft has been blasted closed. Wild horses roam the area. The nearby dry lake is known to pilots as Texas Lake because its outline resembles the state of Texas.

Image

Las Vegas Age

Alternate Title

preceded by Las Vegas Times (1905-1906)

Description

The Las Vegas Age was not Las Vegas's first newspaper; that distinction belongs to the short-lived Las Vegas Times which started publishing on March 25, 1905. But only two weeks later, on April 7, C.W. Nicklin founded what was the not-yet-a-city's third paper, the Age. Nicklin edited and published the Age from the Overland Hotel each Saturday as a six-page independent weekly, at $2 per year. When the railroad finally arrived, and laid out and auctioned off the town lots, the Age and its two competitors, the Times and the Advance, boomed with the new town amid lively journalistic debate. The Age briefly triumphed when the Times and Advance collapsed, until new competition arrived, and Nicklin left the Age to his partner Charles C. Corkhill to give his attention to his other paper, the Beatty Bullfrog Miner. Corkhill struggled for two years as editor and publisher, as Las Vegas languished in post-boom depression, then persuaded local businessman Charles P. "Pop" Squires to buy the paper, only after repeatedly dropping the price. Thus began the long and fruitful newspaper career of Charles Squires, sole editor and proprietor of the Age for almost forty years. Even after he sold the paper in 1943, he continued as editor until its last owner, Frank Garside of the Review-Journal, suspended publication of the Age on November 30, 1947.

As the Las Vegas Age, under Squires' shrewd editorship, dominated its local competition as the leading local newspaper with the largest circulation, it also became the leading paper in Southern Nevada. When Las Vegas was founded it was a remote railroad establishment far from the seat of Lincoln County, in Pioche where the county's leading newspaper and the paper of legal record was the Lincoln County Record, which had been in business since 1871. With the rapid growth of Las Vegas and the decline of the Pioche mining district, the population of southern Nevada shifted to the south and the divisions between the southern and northern sections of Lincoln County, which covered the whole of southeastern Nevada, became politically heated. When the Age began publication in Las Vegas in 1905, with a larger circulation than the Record in Pioche, the county commissioners decided to award to the Age all county printing and job work. The editor of the Record, not surprisingly, was enraged and commenced a series of personal attacks on the Age and the residents of Las Vegas, likening the Age to a mushroom fungi of uncertain life, possessing a readership of "floaters, the shiftless and reckless class."

Squires became the city's foremost booster and the Age became his trumpet, fighting for the division of Lincoln County that created Clark County, or for the new dam (an original member of Nevada's Colorado River Commission, Squires was in charge of publicity), or promoting as a one-man Chamber of Commerce civic and community organizations and projects or the city's nascent tourism and resort industry. Thus, the Age became the Voice of Las Vegas, as well as the most respected "paper of record" for the city. Other newspapers came and went, some were political adversaries (Squires was a staunch conservative, pro-business Republican), and some became well-established. But the Age remained the essential Las Vegas newspaper, from its fiercely independent editorials, to its boosterism and its comprehensive reporting of the simple everyday doings of this boisterous and dynamic new city.

See full information about this title online through Nevada's participation in the National Digital Newspaper Project. All issues digitized online at: Chronicling America collection from the Library of Congress.

1928
February
March
April
May
June
July
August
September
October
November
December
1929
January
February
March
April
May
June

Language

English

English

Frequency

Weekly

Place of Publication

International Standard Serial Number (ISSN)

2766-4791

Library of Congress Control Number (lccn)

sn86076141

OCLC Number

13754433

Photographs of Dino's Lounge sign, Las Vegas (Nev.), February 19, 2017

Date

2017-02-19
2017-08-11

Description

Dino's Lounge sits at 1516 South Las Vegas Boulevard. The dive bar has been in operation since 1962. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1516 S Las Vegas Blvd
Sign owner: Kristin Bartolo
Sign details: This location was originally constructed in 1957. Opened as Ringside Liquors by Eddie Trascher. Trascher sold the property to Rinaldo Dean "Dino" Bartolomucci in 1962. Bartolomucci Renamed it "Dino's". Bartolomucci sold cars in california, moved to Las Vegas in the 1950's. "Dino's" is now owned by his granddaughter Kristin Bartolo.
Sign condition: 4 out of 5, it still lights up brightly at night and has bright paint colors.
Sign form: Pylon as well as signage on the building.
Sign-specific description: Sign on building green cover filtered neon, with a script style design for the name. Road pylon contains skeletal neon with red and white design also stating their name "Dino's" in the same font as the sign on the building. This pylon has a white base that extends out of the main red rectangle portion of the sign. Also below their logo is a back lit plastic sign.
Sign - type of display: Neon (skeletal on roadside sign and encased on building) and Plastic Backlit sign
Sign - media: Steel and plastic.
Sign - non-neon treatments: Plastic back lit portion
Sign environment: This is located downtown just a few blocks south of Fremont, next to Tod Motor Motel.
Sign - date of installation: 1963
Sign - thematic influences: This sign shows 50's/60's trend with the base of the sign extending out of the main worded portion of the sign. That trend is very common among many other signs across the valley from the same era.
Survey - research locations: Dino's website http://dinoslv.com/new/, Recorder's office, Assessor's office, Dino's site visit and discussion with owner Kristin.
Survey - research notes: This location is .35 acres and was constructed 1957. The Dino's website contains an archive of images of their bar and owners from the last 50 years, and some of the images show older photos of their sign.
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-08-11
Sign keywords: Neon; Plastic; Backlit; Steel; Pole sign

Mixed Content

Sperling Kronberg Mack Holocaust Resource Center Records

Identifier

MS-00733

Abstract

The Sperling Kronberg Mack Holocaust Resource Center Records (1971-2018) mainly consists of correspondence, event planning documents, financial records, subject files, and newspaper clippings created by or related to the Sperling Kronberg Mack Holocaust Resource Center and the Nevada Governor’s Advisory Council on Education Relating to the Holocaust. Materials document educational conferences, remembrance events, and student field trips; curriculum planning, involvement with the Clark County School District, and educational materials about the Holocaust and other related historical events; and grant and fundraising activities. The collection also includes photographs and proclamations.

Archival Collection

Photographs of O'Shea's signs, Las Vegas (Nev.), 2002

Date

2002

Description

Daytime views of the O'Sheas Casino signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3555 S Las Vegas Blvd
Sign owner: Park Place Entertainment
Sign details: O'Shea's Casino is located just north across a small driveway from the Flamingo. The small but busy facade is a small, yet busy stop along the Las Vegas Strip. The exterior signage consists of two corner signs, a blade sign, hanging off of the west face of the building, a main entrance sign, backlit screens as well as various images laden with neon. All of these create a flashing display of luminescence all just above the pedestrian's head.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: O'Shea's Casino is located just north across a small driveway from the Flamingo. O'Shea's theme and signage is influenced by Irish culture and imagery, integrated into the forms of signage along the Las Vegas Strip. The building design itself is influenced by traditional European housing imagery, generalized with other elements of architecture also. One example of this is the coloring, exposed wooden beams and narrow rooflines over treated windows, which suggest styles seen in classic European architectural imagery. Examples of other elements such as sculpted windowsills and exterior molding are more akin to neoclassical than the Irish pub or cottage. A small blade sign hangs in the center of the structure facing north /south. Attached off of the building by two poles, the double sided cabinet is designed with a circular portion at the top that transforms along it's bottom edge into length portion of the "blade" that continues down to a rounded bottom. The Circular portion serves as the "O" in O'Shea's. The exterior of the signs width is finished in a polished gold aluminum surface. The top portion continues into a full circular space in the front where the backlit image of the O'Shea's leprechaun mascot resides in it's center. The image has a circular green neon border at the edge of the cabinet and is set into a field of incandescent bulbs, which occupy the remaining space in the face of the "O". Incandescent bulbs also run around the edge of a face on a gold raceway. Channel letters run vertically down the face of the blade spelling the remaining "Sea's" of the title. Each letter is filled with incandescent bulbs, and bordered on it's exterior in green neon. The remainder of the space, which comprises the surface of the sign, is a green material. The entire edge of the rest of the sign is also bordered with incandescent bulbs. Below the blade sign, the main entrance for the establishment is denoted by the large, arched, marquee logo, and wall sign for the casino. The arch shape is bordered by gold polished raceways, with the interior space where the O'Shea's logo is written in a bowed, horizontal arrangement with the "O" and "S" being the biggest letters in this group. The same back-lit leprechaun figure which is present in the blade sign, in seen in the "O" of the logo. The letters are of channel design and filled with incandescent bulbs. Gold scrollwork adorns the green background above and on the sides of the logo. An entablature, running the length below the arch, reads "casino" in channel letters filled with incandescent bulbs and bordered with green neon. The orange background in contained on the bottom edge with a gold polished raceway, which sharply curves into a downward point at the very center. All the raceway edges of the sign are lined with incandescent bulbs. Flanking the wall on either side of the main entrance are two backlit message centers with vinyl lettering. They also are bordered with incandescent bulbs, strewn upon polished raceways. To the south toward the Flamingo Casino, a corner marquee sign faces toward the southwest. The message center on the right of the main entrance essentially continues its shape wrapping in radius fashion all the way around the corner. As the entablature wraps the corner, the color changes to a section of black, containing the channel letters hung at a slight angle, spelling the words " Hall of Fame," in cursive text. Small stars in channel design adorn the black background. On the left of the text, O'Shea's is painted in red paint, in a cursive script at a similar angle as the premier text. Neon is shaped over the surface of the letters to allow it to be spelled in light. The word "Casino" is spelled on the right hand side, and treated in the same fashion. A top the black portion of pediment, the sign continues with it's corner finishing, rounded marquee, containing the text, "Magic & Movie," in a three lined arrangement. Putting the two signs together the appropriate title for the advertisement of the attraction is read "Magic and Movie Hall of Fame." The channel letters on the top portion are filled with neon and treated white on the interiors. The edge of the cabinet is treated with white bull nose borders, sandwiching a field of pink holding two tubes of contoured neon. At the peak of the sign a small element reminiscent of a fan, created using a multi layered box, uses different levels receding into space, with the center blade at the front of the sign. The sections are lined with gold raceways and incandescent bulbs, with the center blade being horizontally striped with tubes of neon. Two small gold finished gargoyle statues flank either side of the theatre-esque entrance. Underneath the overhang created by the corner sign, polished aluminum element creates a sloping drum shape above the door. This drum is divided into sections by gold polished raceways. The flat portion, which returns to the ceiling of the overhang is adorned with painted images of clovers, encircled in rings of green neon. This section is reminiscent of the top section of the corner drum of the Barbary Coast. The black pediment along the south portion of the building., abruptly changes to the orange color seen on the main entrance. Along the south wall section of the pediment green pan channels in the shape of clovers hang, lined on the interior with neon. A small sign denoting parking is also present. Another corner entrance is located on the north end of the property, facing northwest. It too has the rounded corner entrance and logo sign. Slightly different than the main entrance, the same "Casino text and structure is seen on the orange pediment above the door, as well as the channel logo with the mascot located in the letter "O." A three-sectioned panel with swooping wings and an arched center creates the field for the main logo. A more busy section of two dimensional scrollwork sits below the neon filled text. The wings of the top section a recessed panels with checkerboard design behind that. Each side of the entire top section is book ended with two small square posts. Three small miniature spires line the very top, and the same inverted drum shape sits underneath the door. Street posts reside on the sidewalk outside.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: Chasing, flashing, oscillating
Notes: All of the bulbs, which reside in the fascia signs which designate entrances, oscillate rapidly. The entrance sign a bit closer to the north end of the property also contain the pan channel star shapes, with incandescent bulbs in the center. The bulbs which, reside on the widths edge of the small pole sign at the south end of the property, oscillate giving a twinkling effect. The main pylon's animation is rather simple considering the amount of lighting. Bulbs which create the dazzling background chase each other upward to the very point, then once they reach the top, each letter light up from left to right, one at a time, then off one letter at a time. The letters all turn on simultaneously while, while the background chases up, leaving the lights off in its trail. The text then shuts off as well. The small incandescent bulbs lacing the background of the main body of the sign oscillate subtly, twinkling themselves. Each letter of the text contains a single row of incandescent bulbs, just inside the border of the red neon. This row is always on in a chasing animation from left to right even when the letters are dark. The animation for the three sided, pole sign, at the north end of the property is adorned with sparkling animation as well. The purple bulbs, which create the border of the main base, chase each other from bottom to top, and the star shape in the center is filled with oscillating incandescent bulbs. The bulbs, which also encrust the bottom surface of the cabinet, oscillate as well. The incandescent bulbs, which adorn the background of the text portion of the sign, also sparkle with a soft random oscillating pattern. The stars which sit on top of the cabinet, animate in a random, non descriptive fashion. The inner star shaped pans oscillate with incandescent bulbs, and the neon borders flash on then off, in a clumsy random order. The three-sided sign also rotates, one of the few animatronic signs on the Strip.
Sign environment: Being essentially part of the Flamingo, O'Shea's is only separated by a small drive, producing the easy traffic flow from the north entrance of the former. The north of O'Shea's on the immediate vertical explosion of the front tower/porte cochere of the Imperial Palace. It is easy to say that O'Shea's is sandwiched in between two giants, assuming its place as the charming gap between the Flamingo and the Imperial Palace which is quite a bit more pedestrian friendly. Traveling north on the east side of the strip, O'Shea's is not hard to miss at all
Sign - date of installation: Original date of installation 1989. The southwest, and northwest corner signage were added at a later date
Sign - thematic influences: O'Shea's centers around the theme of the Irish pub, utilizing various imagery to get support the design. The color green is used extensively in the main signs color scheme while the ever-popular image of the folkloric leprechaun illuminated it a cartoon form upon the pylon. The green pan channels, which are shaped like shamrocks, are place along the exterior wall, an obvious reference to the St. Patrick's Day Holiday as well a reference to good luck. ( example: the four-leaf clover, luck of the Irish.) Luck is something synonymously associated with an industry such as gaming. Gold is also used extensively with the exterior referencing the infamous pot of gold associated with the lore of leprechauns. The actual structure itself is constructed with elements which suggest a European rustic cottage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Plastic

Mixed Content

Report by Moapa Soil Conservation District on irrigation storage possibilities of Wells Siding, Bowman Reservoir, and adjacent basins, December 1944

Date

1944-12

Description

Results of a preliminary survey of irrigation storage potential of Wells Siding, Bowman Reservoir and other nearby sites.

Text