On May 2, 1972, James M. Greene interviewed Carl F. Kelley (born May 19th, 1922 in Ohio) about his life in Southern Nevada. The two talk about how Kelley first moved to Nevada and his original addresses. Kelley describes living in Boulder City, Las Vegas, and Henderson. The interview concludes with an in-depth discussion of the Civilian Conservation Corps activities in Boulder City, Nevada.

On January 20, 1975, collector James M. Greene interviewed housewife, Dorothy Kelsey (born May 28, 1916 in Kingman, Arizona) in her home in Nelson, Nevada. This interview covers the early days of Nelson, Searchlight, and Las Vegas, as Mrs. Kelsey offers an in-depth personal narrative on the life of a local old-timer. The interview concludes with a discussion on hotels and casinos.

From the Ralph Roske Oral History Project on Early Las Vegas, OH-01017. On February 26, 1980, collector Steven McKenzy interviewed Clark County Community College coordinator of rehabilitation, Autumn Keyes Ita (born December 8th, 1936 in Port-au-Prince, Haiti) at the Clark County Community College. This interview offers a personal historical account on home and family life in Las Vegas, Nevada. Autumn also discusses entertainers such as Wayne Newton and Sammy Davis, Jr., and the role that entertainment played in the development of Southern Nevada.

On February 28th, 1979, collector Richard Probst interviewed Louise Kirkwood (born December 13th, 1925 in Kemmerer, Wyoming) at her residence in North Las Vegas, Nevada. In the interview, Mrs. Kirkwood discusses moving to Nevada and raising her family. She also discusses recreation in Nevada and her involvement in church activities.

On February 28, 1980, Paul Gentle interviewed Luella Knuckles (b. 1910 in Impolla, Texas) about life as an African-American in Las Vegas, Nevada. Knuckles talks to Gentle about the conditions that African-Americans lived in and the discrimination they faced when first arriving to the city. Knuckles, in particular, spends a portion of the interview discussing the segregated layout of Las Vegas and the jobs and opportunities that were available for the black community in a segregated town. Moreover, she provides anecdotes about her deceased husband’s employment, their experience buying and repairing a property by themselves, and the changes in attitudes as the city desegregated. The conversation later focuses on the Church’s place in the African-American community, education and participation in church activities, and Knuckle’s personal love for books and Bible study.

From the Ralph Roske Oral History Project on Early Las Vegas collection OH-01063. On February 26, 1980, Nancy Bright interviewed school teacher, Patricia Lappin (born April 14th, 1924 in Denver, Colorado) at Robert L. Taylor Elementary School in Henderson, Nevada. The interview covers Boulder City, Nevada around Hoover Dam. The two discuss the different gambling habits between Southern Nevada locals and Las Vegas tourists. During the latter half of the interview, the two speak at length about the impact of nuclear waste on Nevada. Lappin explains the unique issues that Southern Nevada faces as one of three states to accept nuclear waste.

Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin