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Photographs of Arby's and Guinness World of Records Museum signs, Las Vegas (Nev.), 2002
Date
Archival Collection
Description
Site address: 2776 Las Vegas Blvd, 2780 Las Vegas Blvd
Sign owner: Arby's: Schultzen and Harry Sax, Guinness: ?, Cj's: PDS Gaming used to be Carl Fredrickson
Sign details: Located in a small lot on the west side of the strip, north of the giant Circus Circus pylon, and just north of the Arco AM/PM, the Arby's fast food establishment shares property and a sign with Guinness World of Records, and CJ's Slot Sales Facility. The Arby's is located in the front of the lot facing the strip, flanked on either side by drives. The "L" shaped structure for the other two establishments lies in the rear, western portion of the lot. To the north of the property, is vacant desert, stretching to Sahara Ave. To the south is Fantasia Gifts. Text signage adorns both structures, as well as a small pylon on the front northeast corner of the property. This sign is located in close proximity to the street.
Sign condition: Structure 4 Surface 3 Lighting 3 The structural integrity of all the signs on the property seem to be stable and in decent repair. The surface of the Guinness channel letters is faded, and showing patches of white. The lighting on the Guinness sign does not work, but the main pylon is functional. Even though CJ's slot sales are not present in this location any more, the text on the pylon for CJ's is functional and animating. The back-lit letters on the Arby's facility are functional, but the red channel letters are not.
Sign form: Pylon; Fascia
Sign-specific description: The north and south sides the Arby's building contain red painted, channel letter text, reading "Museum & Gift Shop," with a lengthy channel arrow underlining the above text and pointing toward the buildings located at the rear of the property. The pylon sign is on the north end of the property, across the drive from the establishment itself. It is basically a two-sided, vertically standing rectangle, divided into two sections by a narrow LED message center. The top half belonging to Arby's and the bottom half designated for the Guinness establishment. Both are placed on a smaller section, which serves as the base. The top half is finished in mirrored panels, providing a reflective surface for the Arby's logo. The insignia for the establishment is the outline of a ten-gallon cowboy hat, with the text spelling "Arby's," displayed cutting through the outline onto either side of the object. The entire logo is constructed of crafted channel raceways. Two separate yellow pieces form the top and bottom portions of the hat, while the text is created in orange. All the channels are filled with incandescent bulbs, and outlined in neon. The bottom portion of the sign is also two sided with, a yellow tinged face providing space for a four lined series of text. The text reads, "Guinness World of Records Museum," in red channel letters, and filled with neon, of the same color. The entire sign itself is bordered in neon. The remaining exposed face of the cabinet is finished with mirrors also. The bottom edge of the cabinet is a sloped mirrored surface which angles down into thinner, but equally wide base that contains signage also. In polished channel letters, internally lit with red plastic faces, the text "Slot Sales," resides and contains a small arrow of the same design on the western edge of the sign. A black internally lit cabinet sits beneath that. The sides of the lower portion are mirrored panels as well. The wall signs of the building at the rear of the property, are similar to those seen on the north and west sides of the Arby's establishment. The signs run parallel to the walls of the face of the building. The building is "L" shaped with the leg of the "L" pointing east, and the longer section running north. Supported on a background held up with a series of cylindrical columns, a facade of gold, raceway bordered message banner, runs along the east face. It then recedes west along the leg of the "L", parallel to the northern face section, and angles back to meet the rest of the building. The text on the sign is spelled in red channel letters, and bordered with yellow neon. Along the shortest section facing east, the word "Guinness" is spelled. The section shooting west, and facing north, possesses the text "World of Records." The texts in both sections are almost as tall as the banner itself and in all capitals. The angled portion has smaller text, reading "Entrance" and two arrows pointed down on either side. The remainder of the eastern face is blank until the northern end of the face. On the wall above the entrance two cabinets flank a set of red channel letters reading "CJ's." The edges of the cabinet on either side of the center initials, is crafted in a triangular peak, making the two signs into arrows pointing toward the center. The outside edges are negative triangular cuts, echoing the other pointed end. The edges of the cabinet are crafted out of red raceways, lined with incandescent bulbs. Red channel letters, filled with neon occupy the white background on both cabinets. The left cabinet reads "Slot" and the right reads "Sales."
Sign - type of display: Neon; Incandescent
Sign - media: Plastic; Glass
Sign - non-neon treatments: Paint
Sign animation: Flashing, oscillating
Sign environment: The environment of the Arby's Guinness complex is one of finality. To the north a vacant lot stretches on, leaving the Arby's dangling in conclusion on the west side of the strip. Even though giants such as the Sahara and the Circus Circus loom nearby, the Arby's complex seems very alone.
Sign - date of redesign/move: In August of 2002, the Signage for CJ's was removed
Sign - thematic influences: The theme is only dealt with within the realm of the businesses that they advertise. The Guinness signage is only text, but retains the raceways that are consistent throughout strip properties. The pylon itself is a multi use structure for all the properties, with a mirrored surface, and the cowboy hat logo for Arby's. So if there is any theme present it could be linked to a somewhat cowboy theme.
Sign - artistic significance: The facade can be linked to a trend that took place in Las Vegas in the 1970's. In an effort to help with energy consumption, the incorporation of mirrored panels was put into effect to help reimburse the present effect of lighting. The pylon has a mirrored surface. A trend popular throughout the 80's as well. In a weird link to a specific casino, the Arby's western hat coupled with the mirrored surface is reminiscent of a site such as the Westward Ho Motel. It too is a mirrored surface, utilizing similar colors, and the inkling of a western theme present in its text. The yellow bulbs animated in the Arby's channel edge are comparative to the pulsating raceways of the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Flashing; Oscillating; Fascia; Pylon; Incandescent; Neon; Plastic; Glass; Paint
Mixed Content
Photograph of the front exterior of the Hotel Nevada (Las Vegas), circa 1910
Date
Archival Collection
Description
Hotel Nevada after the addition of a balcony. Transcribed from photo sleeve: "by Florence Lee Jones ... March, 1969. Early Las Vegas History. The Hotel Nevada, at the Southeast corner of Main and Fremont Streets, is the oldest continuous hotel business in Las Vegas, although it has been known as Sal Sagev (Las Vegas spelled backward) since 1928. The hostelry started as a tent in 1905, but the late John Miller soon erected a permanent building, shown above, which provided the most luxurious accommodations and the best food in Las Vegas for many years. In the 1930's the Sal Sagev Hotel had one of the three elevators in town. A private dining room was a popular place for private parties for the elite of the town. The hotel is now owned and operated by Miller's son, Abe Miller, and his daughter, Mrs. Sherman E. Nugent. The Golden Gate Club now occupies much of the first floor of the building. On the North side of the building is a sign "Bank of Southern Nevada", which was the second bank established in Las Vegas. (The other was the First State Bank.) Started by John F. Miller, Ed Von Tobel, Sr., Will Beckley, Attorney Frank Stevens, and Hal D. Buzick, the Bank of Southern Nevada was an important factor in Southern Nevada's economy. During the 1930's and the Depression, the federal government issued restrictive orders on bank operations. The reaction of the independent Las Vegans was 'No guy in Washington is going to tell us how to run our bank.' ... So they paid off all the depositors and closed the bank. The Rhoads & Rhoads General Machine Works (extreme right) was one of the first automobile agencies in town - the start of Community Chevrolet."
Site Name: Hotel Nevada
Address: 1 Fremont Street
Image
Bunkhouse Saloon Neon Survey document, August 23, 2017
Date
Archival Collection
Description
Site address: 124 S 11th St
Sign owner: 11th Street Tavern LLC and Jillian is the manager (no last name found)
Sign details: This location opened in 1953, but has recently reopened under new ownership. This location is known for their concert venue as well as their southern style bar food.
Sign condition: 3-4- some fading in the plastic so it does not show as clear as an image as it could.
Sign form: Pylon
Sign-specific description: This sign has a black steel base with a sign box on top. This sign box is steel but has wood renderings on the sides of it. The sign box contains a back lit plastic sign that is red with yellow lettering that states "The Bunkhouse Saloon" in a swirly western font. Below this is a reader board.
Sign - type of display: Backlit plastic sign and reader board
Sign - media: Steel, wood and plastic
Sign - non-neon treatments: Plastic backlit sign and readerboard
Sign environment: This location is downtown on East Fremont across the street from PublicUs and a food market.
Sign - thematic influences: Their saloon theme is portrayed in the font on their sign. This theme could also pay homage to the early Las Vegas and Old West theme with the saloon idea.
Survey - research locations: Asessor's Page, Bunkhouse website http://www.bunkhousedowntown.com/about/ and google images.
Survey - research notes: Tried to contact manager for information on sign but no response.
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-08-23
Sign keywords: Pylon; Plastic; Backlit; Steel; Reader board
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Photographs of A Little White Chapel, Las Vegas (Nev.), February 1, 2017
Date
Archival Collection
Description
Site address: 1301 S Las Vegas Blvd
Sign owner: Charlotte Richards
Sign details: Charlotte Richards came to Las Vegas at the age of 17, for her husband had abandoned her with 3 kids. Took a job at The Little church of the West. She married the man that helped her and that gave her the job there. After her second husband died she moved on and bought A Little White Wedding Chapel in 1967. A little White Wedding Chapel had been opened since 1951.
Sign condition: 4 - Still in relatively good condition.
Sign form: Pylon
Sign-specific description: This pylon sign is mainly white with splashes of red schemes particularly with the red hearts that are outlined in neon. The Two red hearts are represented underneath the name of the property in channeled rusty gold letters. The hearts have a gold ribbon rendering surrounding them also outlined in skeletal neon. The square design at the top of the sign resembling a chapel roof. Underneath the main portion of the sign is a plastic backlit sign that also has a heart on it.
Sign - type of display: Neon and plastic backlit sign
Sign - media: Steel and plastic.
Sign - non-neon treatments: Plastic backlit portion
Sign environment: Close to downtown, Next to Viva Las Vegas Wedding Chapel and two hostels.
Sign manufacturer: YESCO , confirmed by owner Charlotte Richards
Sign - date of installation: 1960
Sign - thematic influences: The hearts are a theme seen in many other chapel signs across the valley.
Survey - research locations: A Little white Wedding Chapel's website. Las Vegas Review Journal articles. Las Vegas Sun articles. Youtube Podcast, Downtown Podcast, Channel: Vegas Talk, A Little White Wedding Chapel and representatives.
Survey - research notes: YESCO maintains sign which was confirmed by Charlotte Richards the owner.
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-08-11
Sign keywords: Neon; Plastic; Backlit; Steel; Roadside; Pole sign; Back to back
Mixed Content
Qiong Liu interview, June 8, 2016: transcript
Date
Archival Collection
Description
Interviewed by Claytee White. Dr. Liu is the City Manager for the City of North Las Vegas. Discusses housing, diversifying the economy, Apex, Faraday and negotiations to secure that business for North LV.
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Transcript of interview with Anna Peltier by Claytee White and Stefani Evans, August 19, 2016
Date
Archival Collection
Description
Anna Peltier, owner and founder of ARIA Landscape Architecture in Las Vegas, Nevada, is a transplanted farm girl and a musician. She was born in 1978 on Michigan’s Upper Peninsula in Escanaba, Michigan, where she and two brothers were the second generation to grow up on their parents’ (and formerly their grandparents’) farm. She studied music performance at Michigan State University but after discovering her love of landscape architecture early in her college career, she changed majors and earned her degree in landscape architecture. Moving to Las Vegas in 2007, she first worked for JW Zunino Landscape Architects. While with Zunino she did design work for Lorenzi Park and designed the award-winning Cactus Avenue Interchange. As ARIA’s principal designer, Anna designed Discovery Park in Pahrump, Nevada, and the USA Parkway between Lake Tahoe, California, and Reno, Nevada. In 2013, when Anna opened ARIA, she carefully chose the name of her business. First, for practical reasons she want
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Transcript of interview with Marcy and Jack Simon by Barbara Tabach, May 16, 2018
Date
Archival Collection
Description
It was 1964 when Jack Simon met Marcy Stiel at a mutual friend’s wedding. Smitten from the beginning, the couple married shortly thereafter. Thus began their loving partnership that has flourished in business, community involvement, and most importantly in raising their two sons, Ron and Steven. The Simon’s can be a modest power couple. However, they are clearly capable of making things happen. When they first married, Jack was a California electrical contractor and homebuilder and Marcy became his business administrator. The Simons through their Electrical Company, Expo-Tech Electrical & Plumbing Services, Inc. won the contract to provide all of the electrical services for the entire 1984 Los Angeles Olympics, encompassing (26) twenty six venues located in California spanning from San Diego to Stanford University. The trajectory of the business was extraordinary, establishing twelve offices nationwide to provide temporary electrical and plumbing services for conventions and special events. Expo-Tech was eventually bought by industry giant GES. Their success was due in large part to Jack’s technical knowledge and Marcy’s administrative and marketing skills. With entrepreneurial zest, and over the period of eleven years, the couple found their way into the ownership of four local casinos in Elko and Wendover Nevada. Marcy was one of the first women in Nevada to hold multiple gaming licenses. In total, she held four Unrestricted Gaming Licenses. The Simons hosted Passover Seders for the Elko Jewish Community during their ownership of the casinos. In 2004, Marcy and Jack sold the four casino operations. Since moving to Nevada in 1994, the couple has made a warm and lasting impression, being generous in their focus for the well-being of the Jewish community. They are among those that actively paved the way for SB26, which outlaws government bodies from conducting business with companies that boycott Israel. They continue to be tireless advocates and philanthropists in Jewish organizations of Las Vegas and Nevada.
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Transcript of interview with Randy Garcia by Laurents Bañuelos-Benitez, November 27, 2018
Date
Archival Collection
Description
Randy Garcia is the founder and CEO of the investment management-consulting firm, The Investment Counsel Company. Born in Los Angeles on Feb. 21, 1954, Garcia’s family moved to Las Vegas in 1957. The son of a World War II vet and a homemaker, Garcia’s ancestral roots come from Mexico, Italy, and Spain. He grew up in Las Vegas during segregation and expansion. He remembers a time when much of city included dirt lots and casinos that no longer stand. A champion in serving under privileged youth and communities across southern Nevada, Garcia lives by the philosophy, “give until it hurts.” Garcia uses his success as a wealth manager to promote, foster, and cultivate positive change for the Latinx community in Las Vegas. His story and dedication to his community is a pinnacle of hope and benevolence for current and future generations. Garcia became the first in his family to attend and graduate college. He graduated from UNLV in 1977 with honors, where he majored in business administratio
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Transcript of interview with Hugh E. Key by Bob Bush, February 21, 1980
Date
Archival Collection
Description
On February 21, 1980, collector Bob Bush interviewed porter and retired military man, Hugh E. Key (born on November 17th, 1919 in Fordyce, Arkansas) in Las Vegas, Nevada. This interview covers the life of a Las Vegas old-timer. Hugh Keys’ wife, Mrs. Key, is also present during the interview and offers a few remarks.
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Transcript of interview with Lestor Burgwardt by Connie Carr, February 9, 1980
Date
Archival Collection
Description
On February 9, 1980 collector Connie Carr interviewed teacher, Lestor Burgwardt (born May 24, 1926 in Hamburg, New York) in his home in Las Vegas, Nevada. This interview covers local entertainment, Lake Mead, school districts, and gaming’s effect on the educational system. Lestor also recalls his move to Nevada and offers a general overview of Henderson in 1954.
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