Skip to main content

Search the Special Collections and Archives Portal

Search Results

Display    Results Per Page
Displaying results 18831 - 18840 of 19484

Rancho High School Class of 1962 Collection

Identifier

MS-00623

Abstract

The Rancho High School Class of 1962 Collection (1956-2017) consists of materials donated by students of Rancho High School in Las Vegas, Nevada. The collection contains school event clippings, newspaper clippings, scrapbooks, pamphlets, physical and digital photographs, and school jackets and sweaters. Additionally, the collection chronicles the lives of many students after graduation through school reunion documentation from the 1970s to 2017. The collection also includes planning files for class reunion celebrations including the 40th, 50th, and 55th reunions.

Archival Collection

Howard Booth Papers

Identifier

MS-00868

Abstract

The Howard Booth Papers are comprised of the personal papers of environmental activist Howard Booth from 1964 to 2017. The collection includes information about Booth's efforts to help turn Red Rock Canyon into a National Conservation Area. Booth was a member of multiple conservation organizations and the collection includes meeting minutes and newsletters from the Toiyabe chapter of the Sierra Club. The collection also contains correspondence, newspaper clippings, official reports, newsletters, and meeting minutes collected by Booth from various environmental organizations. The papers also include numerous photographic slides with handwritten captions Booth took of Red Rock and the surrounding area from the early 1980s to 2000s.

Archival Collection

University of Nevada, Las Vegas Phi Kappa Phi Records

Identifier

UA-00030

Abstract

The University of Nevada, Las Vegas Phi Kappa Phi Records (approximately 1960-2019) consist of meeting minutes, correspondence, financial documents, member lists, programs, newspaper clippings, and photographic prints pertaining to the Honor Society of Phi Kappa Phi Chapter 100 at the University of Nevada, Las Vegas (UNLV). The collection also includes memorabilia from the organization's fiftieth induction ceremony, as well as a framed copy of its charter.

Archival Collection

Mon Bel Ami Neon Survey document, August 19, 2017

Date

2017-08-19

Description

Information about the Mon Bel Ami sign that sits at 607 S Las Vegas Blvd.
Site address: 607 S Las Vegas Blvd
Sign owner: Mon Bel Ami- Maudie Dog Trust
Sign details: Mon Bel Ami Wedding Chapel originally was the Silver Bell Wedding Chapel owned by nineteen year old Jim Duszynski. He moved from Toledo, Ohio and purchased the small wedding chapel for five dollars in 1958. Silver Bell wedding Chapel eventually moved across the street adding a steeple to an old masonic lodge hosting dozens of weddings. In 2002 the building caught on fire where the property was later purchased by new ownership. In 2003 the new ownership re-named Silver Bell Wedding Chapel to Mon Bel Ami Wedding chapel. The new chapel replaced the Silver Bell panel and painted over the SB. Currently the sign has been removed and donated to the Neon Museum and replaced with new signage.
Sign condition: The condition of the sign is a 5. From what I can tell the sign has been kept maintained. No paint has chipped, and the LED is still working perfectly.
Sign form: The sign is a pole sign and not attached to the building.
Sign-specific description: The sign is a pole based free standing sign. The heavy curved triangle is in the color burnt sienna made of steel. The pole itself is a faux marble with swirls circulating the pole etched into the pole. The sign is tastefully ornate, yet simple in design. The pole transitions into a Chapean Tuscan architectural feature. The typography is slightly thick and light up white at night. The actual light features surround the typography and takes the shape of the curved triangle. The light is LED based.
Sign - type of display: LED
Sign - media: Steel and concrete
Sign environment: It is next door to Graceland Wedding Chapel and near Nevada Legal Services, US Labor Department Wage and Hour Divisions, Dougie J's Cafe, Thunderbird Lounge, and Rogue Toys.
Sign manufacturer: YESCO
Sign - date of installation: Mid 2000's
Sign - date of redesign/move: After 2003 the ownership from Silver Bells changed and renamed the chapel to Mon Bel Ami. The Silver Bells Wedding sign was donated to the Neon Museum.
Sign - thematic influences: The design resembles faux Tuscan elements, simple yet semi- ornamental.
Sign - artistic significance: The sign resembles the early 2000's trend with faux semi ornate but sleek contemporary design within architecture. The sign is quite reminiscent of Wynn Hotel, Palazzo, and Encore.
Survey - research locations: Mon Bel Ami wedding chapel website https://www.monbelami.com/historic-wedding-chapel-sign-neon-museum-vegas/ , Asessor's Page
Surveyor: Gisselle Tipp
Survey - date completed: 2017-08-19
Sign keywords: Steel; Concrete; Pole sign; Neon

Text

Neonopolis Neon Survey document, September 8, 2017

Date

2017-09-08

Description

Information about the Neonopolis sign that sits at 450 Fremont St.
Site address: 450 Fremont St
Sign owner: Rohit Joshi leases the building from Wirrulla USA Inc.
Sign details: This building was originally constructed in 2001 as a retail store center. This location currently holds a Denny's, a vintage toy store, the Telemundo station office and an international food market. This location also held a movie theater until 2009.
Sign condition: 4.5- Sign still in relatively new looking condition
Sign form: Entrance sign
Sign-specific description: Above the main entrance way into the mall there are the letter "NEONOPOLIS" in plastic back lit signs. Each letter has a lime green border with white strip and then purple for the main color of the block letters. The letter "O" in "polis" is actually an orbit shape that is orange and purple to double as the "O". Portions of the building have neon tubes, some illuminating blue and others are purple, green, red and yellow. There are also different colored shapes of neon spread throughout the building such as yellow triangle as well as orbits showcasing red and yellow neon tubing. Many of the companies in this location have their own signs as well.
Sign - type of display: Plastic back lit sign and neon
Sign - media: Plastic and steel
Sign - non-neon treatments: Plastic back lit portion
Sign environment: This property is on Fremont in between 4th St. and Las Vegas Blvd. Right in front on the building is the Slotzilla machine where people get onto the zipline.
Sign - date of installation: 2002
Sign - date of redesign/move: When the movie theater portion of this location closed in 2009 part of the signage was taken down and in recent years with different companies settling in there have added their own signs.
Sign - thematic influences: The name and the theme of this location being neonopolis showcases the downtown neon vibe particularly since there is a wide variety of neon display surrounding this property.
Sign - artistic significance: Showcasing the different designs with neon shows how true of an art it still is, particularly with the triangle designs and the orbits
Survey - research locations: Asessors page, https://neonjoshiassociate.wixsite.com/mysite-1 Neonopolis website, https://www.reviewjournal.com/entertainment/food/neonopolis-theaters-to-go-dark-thursday-night/ Review Journal article discussing the closure of their movie theater, https://lasvegassun.com/news/2002/may/03/long-awaited-neonopolis-opens-in-downtown-vegas/ Las Vegas Sun article talking about their opening in 2002
Survey - research notes: There used to be an 18 theater movie theater located there which shut down in 2009 and was renovated into clubs, the most recent one to open is called the Nerd.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-08
Sign keywords: Plastic; Backlit; Neon; Steel; Fascia

Text

Ponderosa Motel (American Inn Motel) Neon Survey document, September 16, 2017

Date

2017-09-16

Description

Information about the Ponderosa Motel (American Inn Motel) sign that sits at 3325 Fremont St.
Site address: 3325 Fremont St
Sign owner: American Inn Motel LLC
Sign details: This location has been around since 1968, but mid-2016 it was renovated from the Ponderosa Inn Motel to the American Inn Motel but they use the same sign that was slightly redesigned for their use.
Sign condition: 5- very good condition and shines brightly at night
Sign form: Pylon
Sign-specific description: This pylon sign has a red steel beam base that has a reader board on the bottom portion of the sign. Above the reader board spells out "MOTEL" vertically in white Frontier font letters, with each letter in its own red square. Each letter of this is outlined in red skeletal neon. Above this is a rectangular plastic back lit sign (used to say Ponderosa on it) that now currently has the American Inn logo in it with white letters but a red and blue background. The whole sign is outlined in chasing incandescent light bulbs.
Sign - type of display: Neon, incandescent and plastic back lit sign
Sign - media: Steel and plastic
Sign - non-neon treatments: Plastic back lit portion
Sign animation: Incandescent light bulbs chasing all around the sign.
Sign environment: This property is very east on Fremont in between St. Louis street and Sahara. There are also many other motels and apartments surrounding this property. This motel is right next door to the Lucky Cuss Motel (their old sign is now one of the restored signs in the Las Vegas Signs project showcases on Las Vegas Blvd.).
Sign - date of installation: Has been up since around 2011
Sign - date of redesign/move: 2016 the plastic portion of the sign was swapped out from the Ponderosa motel sign and the American Inn sign that is currently there now.
Sign - thematic influences: The big MOTEL portion of this sign was very prominent on motel signs in the 50's/60's, such as the La Concha and Tam O' Shanter Motel signs.
Sign - artistic significance: Font was an old west Frontier font which was prominently popular in Las Vegas in the 1940's but has been recreated many times throughout Vegas history.
Survey - research locations: Booking.com website has information on the American Inn Motel https://www.booking.com/hotel/us/ponderosa-motel-las-vegas.html , google map sattelite view, Asessor's page
Survey - research notes: When trying to search Ponderosa Motel on google is when it was discovered that it has switched over to the American Inn motel, but google maps helped with dating when the switch occurred.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-16
Sign keywords: Neon; Incandescent; Plastic; Backlit; Steel; Chasing; Pole sign; Reader board

Text

Mabel Hoggard: recipes

Date

1930 to 1935

Archival Collection

Description

Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Personal papers file. This folder contains a book with cooking recipes (not digitized in its entirety), a memo, and other documents containing recipes.

Text

Photographs of Caesars Palace signs, Las Vegas (Nev.), 2002

Date

2002

Description

Photos show Caesars signs during the day and the porte-cochere at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Caesars Palace (Las Vegas, Nev.)
Site address: 3200 S Las Vegas Blvd
Sign owner: Park Place Entertainment
Sign details: Caesars Palace is located between the Flamingo Rd. on the western side of Las Vegas Blvd Caesars has grown over the years since it's opening, but remains the true to its classic form. Signage for the resort is limited compared to some but consists of significant pieces of signage such as two large pylon signs, a rotating sign for Planet Hollywood, building signage consisting of logo text, as well as a porte-cochere. The property itself is an over abundance of classic design form after another, mixed among modern amenities like an Omnimax theatre. Caesars Palace is a permanent icon in Las Vegas Imagery and folklore.
Sign condition: Structure 4 Surface 4 Lighting 4
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The YESCO pylon is located at the northern side of the property and is constructed of black painted steel and centers around a base of four columns aligned in a row. The sign faces north/south. The four columns rise out of the ground about six feet in the air before a long horizontal, gold bordered, rounded end cabinet, that reads and points to free covered parking. The text is graphically applied and internally lit. The cabinet is lit from the backside with neon, creating a halo behind the sign. The columns continue upward until they are met with the triangular cabinet, pointing east, with the two faces, being occupied a color LED message center. The interior edge of the face of the sign is bordered with green neon. Above the visible top edge of the wedge shaped message boards, the Caesar's Palace logo if illuminated in red neon upon a rectangular section created out of two entablatures, stacked on top of each other. The top entablature reads "Caesars" in red letters and "Palace" in the second row The two are capped with pediment lined on the interior edge with gold neon and a back-lit Caesar's logo. The exterior of the cabinet is polished aluminum, with metal channel letters. The original pylon built much earlier, utilized six-column shafts capped with golden statuary, secured to a large concrete base. When facing the columns, facing north, or south, the majority of the view of the vertical pieces is taken up by the giant internally lit message center, with removable lettering. The outer edge is crafted the same as the face of the other pylon, but it is bordered in pink neon. The four center columns supports an entablature supporting the logo text, and above that a pediment rounds out the classic architectural combination. The top half of the pediment is larger and supports the text "Caesars," while the lower, narrower section reads "Palace". The entire pediment is striped horizontally with bands of aqua neon that creates a field for the text. The text is in the stylized roman text, in channel letters, and lined with red neon. One of the most attractive pieces of signage is the Caesars porte-cochere. The famous fountains lead up to the main entrance, which is shadowed by the massive porte-cochere, which is one of the few remaining on the strip that displays such grandeur. The Porte-cohere is a hulking collection of levels, stacked upon on another, but grow in size as each level steps upward. The rest looks as if a massive set of plaster steps were turned upside down and placed over the entrance. The edge of each level is lined with brass treatments that are repeated vertical poles of polished brass, greeting a repeated striping pattern. From behind this treatment and pushed further back beyond the human eye, a rose colored glow is produced by intense lighting fades into a soft halo as it dies out toward the edges. The mass and girth of the structure is helped out visually by the angles chosen to in its design. The entire construction seems to sag under it's own weight, for each level is slightly cupped into a concave shape. Each levels edges are concave as well, producing a illusion of movement in space. To the right of the porte-cochere there is still the aqua tinted light pouring out of the latticework, that fills the arcade of arches. On the main tower directly behind the porte-cochere, the red neon logo is present as well as elsewhere on the building as well. Facing east this particular set of letters looms high over head. The section of the building is a vertically elongated temple front, stretching the height of the building. Four pilasters run the vertical length of the building, holding black spans of tinted windows in between. They each are topped with golden Corinthian capitals, which hold up the classic entablature and pediment. "Caesars Palace" is spelled across the entablature in channel letters and filled with red neon. In the pediment above a golden crest of Julius Caesar's profile flanked by two encompassing olive branches. The crest is ambiently lit with white light. The tower just behind the main building also supports text on its east face as well. As the narrow edge of the tower, the vertical plane rises upward but is flat and smooth until it reaches the top section. It is essentially a giant entablature created out of the temple fronts on either side that wrap around to meet on the width. On this flat plane, "Caesars Palace" is spelled in the classic lettering and neon treatment seen on the building letters just below that. The building itself is ambiently lit but the profile of Caesar above the text is not a brightly lit as the other. On the south side of the parking garage, on the western edge of the property, the channel letter logo reads in red neon as well.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Paint
Sign animation: Chasing, flashing, oscillating
Notes: The V-shaped red channels on the silver main pylon chase each other downward toward the ground. The main text on the pylon animates as well. The letters light up one at a time with red neon from left to right as the arrows continue to chase downward. The logo/text sign located above the giant replica of the Harley Davidson, animate as well. The incandescent bulbs which fill the text, spelling the name of the establishment, oscillate, steady burn, then shut off, and then restarting the sequence. The letters that spell cafe on the lower portion of the sign animate in concert and with the same sequence as the main text.
Sign environment: Caesars Palace sits in one of the biggest and busiest sections of the strip, and has always been a mainstay. The ambiently lit classic features of architecture seem almost specter like moments, with the blazing red eyes of the Caesars text staring from afar. From the street, the actual structures are set a bit back from the street, seeming rather distant. Construction is currently present around the exterior edges of the property, which rather dampens effect of the theming, but everything shines through. The theme does step out to the street with the statuary, creeping out to pedestrians and the pylon signs. The main signs are street side, pointing toward the casino. Headed south on the west side of the street the two pylon signs lead up to the porte-cochere. Standing underneath the porte-cochere looking out, the fountains provide a picturesque scene to see the other side of the street. The buildings loom high over head. The environment contains elements, which can be seen repeated throughout hotel exteriors. The large water element, the Classic architectural design motif, and the spectacular porte-cochere are still evident in properties built today. Even though Caesars continues to evolve with the current trends, all of these elements were presenting its original design.
Sign manufacturer: Pylon 1: YESCO Pylon 2: Ad Art
Sign - date of installation: 1966, 1998
Sign - date of redesign/move: On-going additions since 1966
Sign - thematic influences: Caesars Palace may be the first themed resort, which has taken its theme to an extreme the likes of which had never been seen before. Ever since it's original inception in 1966, Caesars Palace has sought to give its guest the most of the Ancient Roman theme. Caesars is simply dripping with imagery and architecture that is steeped in the theme of Ancient Rome. No matter where you go there are collections of statuary, domes and columns, false temple fronts create the facades of the towers, and low geometric hedges and cypress trees all add to the theme. Any themed property can draw influence from Caesars Palace, and still stands as one of the highest markers for competitors to be judged by.
Sign - artistic significance: Very important signage that can be seen reflected in many aspects of non-casino culture. Caesars Palace is one of the icons of American popular culture, and the distinctive Romanesque neon is a big reason why.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Porte-cochère; Neon; Incandescent; Steel; Plastic; Masonry; Paint

Mixed Content