Photos show Slots a Fun signs at night and during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description. Site address: 2880 S Las Vegas Blvd Sign owner: Mandalay Resort Group Sign details: Slots a' Fun is located on the south side of the Circus Circus parking lot, but it is on residence now. The small building stretches west with the mouth of the building being an open mouth facing the east. The external signage is located on the elongated north face of the building, and the gaping east entrance. The north side is comprised of gold painted, crafted raceways with various text signage. The entrance is adorned with various internally lit cabinets as well as a marquee adorned pediment, located within the front face of the entrances overhang. The entrance is considerably small, sandwiched between flamboyant properties such as the Westward Ho and the Circus Circus. Sign condition: Structure 4 Surface 4 Lighting 4 The structural integrity is good as well the lighting. The surface is starting to show some signs of wear, but not very much at all. Sign form: Fascia Sign-specific description: The main entrance faces east and contains an interesting array of signage. The front is highlighted by two giant pillars. The are uniquely designed as inverted, tapered cones supporting the barrel vaulted cantilevered overhang. Near the top portion of the column a backlit message box cuts through the pole dividing it into two apparent sections. Bordered on all edges with gold polished raceways with incandescent bulbs, the box is animated in a chasing pattern. A top the poles on the north and south sides a polished aluminum, circular cabinet, has red, backlit plastic containing the words "Slots A' Fun" in white text. These cabinets are outlined in red neon. The edges of the apparent recess are lined with incandescent bulbs Each vault contains a long bank of large incandescent sphere's, arranged in single file. Along the front of the cantilevered overhang we have an entablature running the length of building. Gold raceways run horizontally along the top and the bottom with rows of triple incandescent bulbs. In the center of the pediment, white channel letters painted red on the inside, with incandescent bulbs filling the interior space of all of the characters. Each letter is also outlined in neon. The rest of the interior space of the facade is sculpted raised circular pattern with incandescent bulbs placed in the centers where the repeated panels connect. Under that, a polished gold aluminum banner with various assorted neon letters and advertisements is displayed. Since the "Slots A' Fun" used to be part of the Circus Circus it is closely integrated into the environment and even with the signage. Upon the northeast corner of the building a sign for the Circus Circus is perched on the top of the roofline facing north/south. Facade is sculpted raised circular pattern with incandescent bulbs placed in the centers where the repeated panels connect. Moving around to the north face of the building, an array of signage is present headed west along the wall. Along the stucco facade we have overhangs of different dimensions. On these three overhangs we have gold channels in the shape of a continuous curly cue or rope shape. These raceway channels are lined on the inside with incandescent bulbs. The first one, furthest east, is a good length, and smaller in height than the others. The pattern loops eight times along the front. One single loop of the rope shape is located on the return width of the overhang as well. No text is incorporated with this overhang. The second curling raceway is over a wider, shallower depth. The overhang, is much larger in size and supports cursive pan channel letters painted red and outlined with red neon. The letters spell "Casino" in a continuous script text. The third overhang is the largest of the trio, and serves as the main entrance for this face of the building. It is in direct proximity to the actual Circus Circus building and the blazing signage, and porte cochere. This overhang is lower to the ground than the other two but projects further out. Channel letters spell "Slots A' Fun" in the front face of the overhang located in the center. The channel letters are painted red and lined on the interiors with red neon as well. This text is block instead of script. Flanking either side of the text there is the curling channels. The face of the building rises upward from the ground and meets the bottom edge of the overhang, with a continuous radius vault. The surface of the wall is surfaced with a gold reflective material. Just below the text of the overhang is a red steel cabinet, that is internally lit. The red painted steel box has a red plastic with a red plastic face with white lettering. The block text reads "Entrance." The sides are sculpted with a radius space reduced out of the sides of the cabinet. The edges of the face are lined with incandescent bulbs. Below the cabinet a red, vinyl, awning extends out over the doors, and a pedestrian path. A small portion of the main structure still extends west with one more loop on the face of the building. Sign - type of display: Neon; Incandescent; Backlit Sign - media: Steel; Masonry Sign - non-neon treatments: Graphics; Paint Sign animation: Chasing, oscillating Notes: All of the raceways chase each other. This includes all of the different aspects which are lined with incandescent bulbs. Sign environment: The Slots A Fun has the unique position of being in between the Westward Ho and the Circus Circus. It was at one time part of the Circus Circus, so it essentially blends in with its environment. The south side of the building literally resides touching the Westward Ho. Sign manufacturer: YESCO Sign - thematic influences: The theme of Slots a Fun can be regarded as the heavy influence from its initial design based on the Circus Circus. In that respect it would be linked to a circus theme. The almost surrealistic swelling of the tile laden columns on the east face of the building as well as the curly cue raceways suggest a busy excitement usually associated with the extravaganza of the circus. To that end, the interaction with the Las Vegas environment would suggest the theme of a party. Such influence of the same element of theming can be seen in the umbrella shapes and chasing action of the neighboring Westward Ho. Several elements of the facade suggest different trends as well. The eastern overhang's vaulted dome is surfaced with the highly reflective polished gold aluminum. The entrance on the northern face incorporated with the surfacing with a golden reflective surface. The trend of using the reflective surface to further perpetuate the luminescence is used highly in the flanking properties. The use of the raceways is a unique function, not repeated on any other property. Sign - artistic significance: Some unusual elements that have not been repeated can be found in this lesser-known example of sign art. Surveyor: Joshua Cannaday Survey - date completed: 2002 Sign keywords: Chasing; Oscillating; Fascia; Neon; Incandescent; Backlit; Steel; Masonry; Graphics; Paint
Interviewed by Nathalie Martinez. Laurents Bañuelos-Benitez also participates in the questioning. Luis F. Valera serves as the Vice President of Government Affairs at UNLV. His heritage is from Venezuela and Cuba. He has served as the Chairman of the Latin Chamber of Commerce and has been an active member of the Latino community since his pursuing his undergraduate degree at UNLV in Political Science and his Juris Doctorate degree from the William S. Boyd School of Law. His various achievements in the community and nation led him to become recognized and awarded the Arturo Cambeiro Hispanic of the Year Award in 2011.
Interviewed by Monserrath Hernández, Rodrigo Vazquez, and Laurents Benitez-Bañuelos. A native of Jalisco, Mexico, moved to Las Vegas when he was about 20-year old in 1987. Attended CSN and UNLV. His history with Las Vegas is embedded in the 1980s Las Vegas gay scene and education for AIDS. He is and activist and the Executive Director of Aid for AIDS of Nevada. He and Theodore Small are the first same-sex marriage in Nevada.
On October 16, 1986, Layne Covington interviewed Elbert Edwards (born 1907 in Panaca, Nevada) about his life in Southern Nevada. Edwards first talks about his family background before talking about what it was like to live in Panaca. He then talks about changes in Southern Nevada, particularly those in Boulder City that have taken place over time. Edwards later talks about the work of his wife and both of their political involvement and his involvement and career in education. The latter part of the interview includes discussion of the building of Boulder Dam, Edwards’ job as a registrar in the Selective Service, and the effects that the war years had on Las Vegas.
The John Levy Lighting Productions, Inc. Records (approximately 1990-2022) contain correspondence, invoices, contracts, expense reports, newspaper and magazine clippings, photographs, slides, and digital files detailing the development of various projects primarily in Las Vegas, Nevada. The records also contain architectural lighting drawings, electrical schematics and design details, conceptual sketches, and artist renderings of projects in Las Vegas, throughout United States, and various international locations.
The Ruby Duncan Papers on Operation Life (1972-1992) consist of the organizational records of Operation Life Community Development Corporation, a non-profit organization that worked to improve living conditions in West Las Vegas, Nevada by providing a variety of community development services. Included are correspondence, agreements, accounting records, lease agreements, meeting materials, reports, speeches.
Oral history interview with Erica Mosca conducted by Cecilia Winchell, Stefani Evans, and Jerwin Tiu on February 3, 2023 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Mosca reflects on her life journey from a low-income Asian American to a current serving Nevada State Assemblywoman. She recalls that most of her childhood was in Palm Springs, California where she enjoyed a diverse community of students within her education system. It was not until she moved to Navato, California where she first experienced the economic and resource gap between economically diverse areas. Mosca went on to be involved in a college readiness program and received a scholarship to Boston University. After college, Mosca went on to work for Teach for America where she was stationed on the east side of Las Vegas at Goldfarb Elementary School where she grew a passion for leadership. She eventually returned to school and graduated from Harvard University, returning to Las Vegas to start her nonprofit "Leaders in Training." Mosca hopes to inspire change in her communities by enacting legislation and initiatives targeted towards the communities she was and continutes to be a part of.
Bracken telling Jeffers that the Stewarts were seeking financial gain from the railroad company, yet something needed be done to supply them with water. He gave three possible solutions. A copy of Stewart heirs' letter is referenced below.
Letter to the Las Vegas Land and Water Company president about the cost of turning the Las Vegas Ranch into a demonstration ranch. The letter makes it very clear that the primary motivation in creating a demonstration ranch is the protection of their water rights.