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Transcript of interview with Ronald Simone by Claytee White, May 5, 2009

Date

2009-05-05

Description

Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.

Text

Dunes Hotel and Casino Records

Identifier

MS-00328

Abstract

The Dunes Hotel and Casino Records are comprised of administrative, publicity, and entertainment materials documenting the history of the Dunes Hotel and Casino in Las Vegas, Nevada from the years 1954 to 1992. Included are correspondence, contracts, photographs, hotel budgets, and an early aerial photograph of the property. The material provides a significant amount of historical documentation of the hotel that was long known to tourists and residents as the "the Miracle in the Desert."

Archival Collection

Dunes Hotel Photograph Collection

Identifier

PH-00281

Abstract

The Dunes Hotel Photographs (1950-1993) consist of administrative, publicity and entertainment images documenting the history of the Dunes Hotel and Casino in Las Vegas, Nevada. In addition to materials focusing on day-to-day activities at the hotel (correspondence, contracts, personnel, budgets, etc.) the collection provides insight into the hotel’s entertainment and public relations activities. Although there are chronological gaps in the collection, particularly during the later years of the Dunes (1970s-1990s), it provides a significant amount of historical documentation on the famed Strip hotel that was long known to tourists and residents alike as the “the Miracle in the Desert.”

Archival Collection

Audio recording clip of interview with Samuel E. Wright by Claytee D. White, October 8, 2010

Date

2010-10-08

Description

Part of an interview with Samuel E. Wright conducted by Claytee D. White on October 8, 2010. Wright explains what led to the formation of the F Street Coalition and the initiation of neighborhood preservation efforts.

Sound