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ent001702-002

Description

This item has not been digitized in its entirety. The original item is available for research and handling at the UNLV University Libraries. Additional digitization is available upon request. Please contact Special Collections to request additional digitization or with any questions regarding access at special.collections@unlv.edu. VOLUME 25/NUMBER 04 AUGUST 24 to SEPTEMBER 06, 2001 THREE DOLLARS Fluff LeCoaue THE PERSONIFICATION OF ELEGANCE By Bill Sewers The streets of Spokane, Washington, glistened in the reflected light of the strfeetlamps as a small group of young dancers made its way to the theater through the pouring rain. Upon arrival the preparations began for the performances to follow, among them the stripping of the soaked cardboard soles from their only pair of shoes. The cardboard was carefully laid on heaters to dry and then, with equal diligence, painstakingly glued back onto the shoes before curtain time. Tlte ritual was repeated every rainy night; for those were the years just following World War II and rubber soles, as well as many other staples of American life, were unavailable. Among the dancers was a young lady ~ by themame of Ffolliott Chorlton, a Butte, Montana, native who had been raised in Seattle and had attracted attention at the age of four as she danced, as children will, to the music of a Salvation Army band on a street comer. In its joyous innocence, this was to prove prophetic of the life to follow* Today, we know young Ffolliott as Fluff LeCoque, Company Manager and Associate Producer of ?╟úDonn Arden?╟╓s Jubilee!?╟Ñ how celebrating its 20th Anniversary at Bally?╟╓s Las Vegas. Times and fortunes have changed drastically since those early days when, on another occasion, she lived on a small bag of peanuts for a week. ?╟úI had one peanut in the morning, one for lunch and one for dinner,?╟Ñ she said of the experience. Fluff attended the University of Washington on a scholarship and majored in drama and dance and, as she explains with a grin, ?╟úI was convinced Hollywood needed me as an actress ... but they didn?╟╓t.?╟Ñ So dance it was. While appearing at the ' Last Frontier in Las Vegas in 1947, she met her first husband, bandleader Chuck Gould. Later, while working at the Thun^erbird, she - got a call from Jerome Medrano, owner of the 300-year-old Cirque Medrano in Paris, who asked her to dance in his new ?╟úHollywood Rhythm Extravaganza?╟Ñ in the French capital. There she worked on a hemp floor that was ?╟úthick enough for the horses and ^elephants but murder to dance on.?╟Ñ Fluffs return to America in 1953 marked the beginning of her work with the late Donn Arden in both Cincinnati and at Wilbur Clarke?╟╓s Desert Inn in Las Vegas, where she taught crooner Andy Williams a tap routine for his act and also worked with a fleet of Hollywood .stars, including Dagmar, Jerry Lewis and Carmen Miranda. Then it was off to the famous Frank Sennes?╟╓ Moulin Rouge nightclub in Hollywood for a string of featured dancer, captain and assistant choreographer positions in exotic French-style shows entitled ?╟úVoici Paris,?╟Ñ ?╟úCa, C?╟╓est Paris,?╟Ñ ?╟úParis Toujours,?╟Ñ ?╟úC?╟╓est La Vie?╟Ñ (which had an admission price of $6.85, including dinner), and 1958?╟╓s ?╟úPariscope.?╟Ñ It was in ?╟úVoid Paris?╟Ñ that Fluff met Jezebel, a pigeon that was trained to perch on her shoulder.. ?╟úJezebel would often lay an "sat there,^"says Fluff, ?╟úand it ?╟≤would break all over everywhere. The wardrobe lady used to hate me ?╟Ñ By the time the Moulin Rouge?╟╓s ?╟úWonderful World?╟Ñ and its cast of 100 performers opened in 1959, Fluff was Donn?╟╓s production assistant and her continued association with the master showman, in both Paris and Las Vegas, was cemented. It was in Donn Arden?╟╓s ?╟úHello America!?╟Ñ at the Desert Inn in 1964 that Fluff gave her last performance as featured dancer and company 9aptain. Her final role? Ironically, as Mrs. Kent in a huge production number entitled ?╟úA Disaster at Sea: The Sinking of the Titanic.?╟Ñ Following her marriage to Archie LeCoque, lead trombonist with the Russ Black orchestra at the Flamingo, Fluff became company manager for several editions of Donn?╟╓s ?╟úPzazz,?╟Ñ also at the Desert Inn, and the Arden super-spectacular ?╟úHallelujah Hollywood?╟Ñ at the MGM, now Bally?╟╓sLas Vegas. I Continued on page 3... What?╟╓s Inside AUDITIONS. .......... Breck-A-Brac..... ...... Aloha.................... Did You Know?...... Boniour............ To the Points...... Scene In LA........ . Pages 5-12,16 . Page 2 .Page4 . Page 5 .Page 13 .Page 10 Page 13 2375 E. TROPICANA AVE., SUITE 6 LAS VEGAS, NEVADA 89119 -o

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter executive committee meeting agendas

Date

2000

Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

Text

Jamey Stillings Photographs

Identifier

PH-00380

Abstract

The Jamey Stillings Photographs (2009-2024) is primarily comprised of photographs taken by professional photographer, Jamey Stillings documenting various infrastructure projects in the region. The Mike O’Callaghan-Pat Tillman Memorial Bridge project at the Hoover Dam depicts the construction of the Mike O’Callaghan-Pat Tillman Memorial Bridge from 2009 to 2012. The Ivanpah Solar Electric Generating System project depicts aerial views of Ivanpah Solar in the Mojave Desert of California from 2010 to 2014. The Crescent Dunes Solar project consists of a range of aerial and ground-based work documenting SolarReserve's Crescent Dunes Solar near Tonopah, Nevada, from 2014 to 2015. The Tapping the Colorado project consists of aerial work documenting the historically critical water levels in Lake Mead and Lake Powell in 2021 and 2022.

Archival Collection

Minutes from Temple Beth Sholom Board of Directors meetings, 1995-1996

Date

1995 to 1996

Archival Collection

Description

Meeting minutes include reports from committees of the board, correspondence, and balance sheets.

Text

James Cashman Sr. Papers

Identifier

MS-00144

Abstract

The James Cashman Sr. Papers date from approximately 1890 to 1969 and contain correspondence, photographs, insurance records, and bank records related to Cashman and his businesses in Southern Nevada. Also included are three scrapbooks of newspaper clippings documenting the 14th and 15th Helldorado Parades in Las Vegas. The collection documents the lives of the Cashman family and their businesses in southern Nevada.

Archival Collection

Samuel Liddle General Store Records

Identifier

MS-00051

Abstract

The Samuel Liddle General Store Records (1885-1887) are comprised of order forms, inventories, and customer ledgers for Liddle's General Store in Leadville, Nevada. The store was created to provide services to residents and prospectors during a mining boom in White Pine County that lasted from 1887 to approximately 1890. The materials also consist of Liddle's General Store accounts, business correspondence, and transactions, such as wholesale purchases of general merchandise and mining supplies from vendors in Eureka, Nevada, San Francisco, California, and smaller nearby locations. An undated hand-drawn map of the townsite is also included.

Archival Collection

Lift Up Windsor Park Project Collection

Identifier

MS-01140

Abstract

The Lift Up Windsor Project Collection (approximately 2020-2023) contains digitized copies of North Las Vegas, Nevada City Council meeting minutes, geological and environmental impact statements, and other types of documentation originally published from the 1950s to 2010s that were collected by Sebastian Ross, graduate student at UNLV's Boyd School of Law and an archived version of the Lift up Windsor Park project website. Assemblywoman Dina Neal (now Nevada State Senator) led the project, which included faculty and students from UNLV's film department and law school, to research and advocate for Windsor Park, one of the first all-Black housing communities in North Las Vegas that was developed in the 1960s. The records in this collection represent the research material used for Windsor Park: The Sinking Streets documentary that tells the story of how the neighborhood was developed on top of an aquifer and seismic faults which have damaged homes over the past five decades.

Archival Collection