Search Results
Costa, Tony
Entertainer and song writer Anthony (Tony) Costa was born March 25, 1920 in Manhattan, New York. He started taking piano lessons at age eight and attended the famed Julliard School of Music. He earned bachelor's and master's degrees in music at the Manhattan School of Music. By the time World War II began, Costa was a concert pianist. He joined the Air Force and served in the medical corps in Africa.
Person
John Levy Lighting Productions, Inc.
The new technologies of lighting, developed for theater and entertainment made its logical jump to the Las Vegas Strip where lighting design blends with and becomes architecture. Whether lighting the top of the Stratosphere Tower or the intimate atmosphere of an exclusive restaurant or bar, the designs of John Levy Lighting Productions has become a hallmark of the new themed visualization which turns mere structures and landscapes into iridescent light shows.
Corporate Body
Charles Scott Emerson oral history interview: transcript
Date
2017-12-21
Archival Collection
Description
Oral history interview with Charles Scott Emerson conducted by Claytee D. White on December 21, 2017 for the Remembering 1 October Oral History Project. In this interview, Charles Scott Emerson discusses his work with the American Red Cross and the disaster relief the organization provided during the aftermath of the October 2017 mass shooting in Las Vegas, Nevada. The interview begins with a discussion on Emerson's early life and career in Missouri and how he moved to Las Vegas in 2004. Emerson talks about the American Red Cross response plans and coordinated operations that are in place for when the community is faced with a disaster, going into specific detail on the community-wide response to the October 1, 2017 shooting. He gives a behind-the-scenes glimpse into how relief work is organized, using this interview as a chance to praise the hidden heroes of the October 2017 tragedy, including the people at the Family Assistance Center, the Attorney General's Office, the Driver's License Bureau, and the Coroner's Office, as well as mental health providers, child care workers, blood donors, and more. Throughout the interview, Emerson puts special emphasis on the importance of community in order to offer support in the aftermath of a tragedy as well as to prevent a man-made tragedy from occurring again.
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Tom Hansen Collection on the Jubilee! Stage Show
Identifier
MS-00106
Abstract
The Tom Hansen Collection on the Jubilee! stage show documents his work as choreographer from 1995 to 2012. The files include programs, set designs, lyrics, programs, badges, business cards, photographs, costume drawings, and audiovisual tapes of the Jubilee! auditions and rehearsals.
Archival Collection
neo000049-003
Date
2002
Description
Sign animation: Chasing, flashing, oscillating
Notes: The text letters on the porte-cochere and entrances hold a three step animation: The incandescent bulbs all oscillate rapidly inside the letters, then steady burn on, and finally come to rest in the off position. The sequence then repeats. The main pylon sign carries several different sections which all hold different animation patterns. Inside the middle sculptural piece, the incandescent bulbs, which encrust the star shapes, oscillate in a twinkling fashion. The bulbs which border the outlying portion of the middle section chase each other, with the inner row running downward, and the outer row chasing upward. The double rows of incandescent bulbs that create the outer border, also chase each other in a similar fashion. The outer-most lane, of the double rowed bulbs, animate chasing downward, while the inner is treated with chasing animation, which chases upward. The bulbs, which encrust the bottom of the main marquee oscillate, as well as the bulbs on the widths edge of the main message center. The incandescent bulbs, which fill the text in the main marquee of the pylon, oscillate rapidly while the vertical red bars of neon, animate behind them. They star in the middle and chase out to either side illuminating all of the bars, then chase back to the center leaving them dark. They then start all illuminated, and curtain open to either side, then animates, chasing each other from either side back to the middle again. Once all illuminated, they flash off, on, off, on, then off. The marquee seems to be the one with a set sequence. On the main message board, the golden image of the cowboy animates in three stages, rocking back and forth, as if riding the bull. The letters, which adorn the tower of the building, animate in sequence. The incandescent bulbs in each letter light up individually one at a time from left to right, then once all are illuminated, they each oscillate one at a time, from left to right. They then light up continuously from left to right again one at a time, and then turn off. The letters, which run vertically on the northwest side of the tower, also have the same sequence.
Notes: The text letters on the porte-cochere and entrances hold a three step animation: The incandescent bulbs all oscillate rapidly inside the letters, then steady burn on, and finally come to rest in the off position. The sequence then repeats. The main pylon sign carries several different sections which all hold different animation patterns. Inside the middle sculptural piece, the incandescent bulbs, which encrust the star shapes, oscillate in a twinkling fashion. The bulbs which border the outlying portion of the middle section chase each other, with the inner row running downward, and the outer row chasing upward. The double rows of incandescent bulbs that create the outer border, also chase each other in a similar fashion. The outer-most lane, of the double rowed bulbs, animate chasing downward, while the inner is treated with chasing animation, which chases upward. The bulbs, which encrust the bottom of the main marquee oscillate, as well as the bulbs on the widths edge of the main message center. The incandescent bulbs, which fill the text in the main marquee of the pylon, oscillate rapidly while the vertical red bars of neon, animate behind them. They star in the middle and chase out to either side illuminating all of the bars, then chase back to the center leaving them dark. They then start all illuminated, and curtain open to either side, then animates, chasing each other from either side back to the middle again. Once all illuminated, they flash off, on, off, on, then off. The marquee seems to be the one with a set sequence. On the main message board, the golden image of the cowboy animates in three stages, rocking back and forth, as if riding the bull. The letters, which adorn the tower of the building, animate in sequence. The incandescent bulbs in each letter light up individually one at a time from left to right, then once all are illuminated, they each oscillate one at a time, from left to right. They then light up continuously from left to right again one at a time, and then turn off. The letters, which run vertically on the northwest side of the tower, also have the same sequence.
Ffolliott "Fluff" LeCoque Papers
Identifier
MS-00826
Abstract
Collection is comprised of Ffolliott "Fluff" LeCoque's professional and personal papers (1879-2015), documenting her life and career working as a dancer and later as company manager for Las Vegas entertainment productions; most notably the long-running Jubilee! show produced by Donn Arden for the MGM Grand and Bally's Hotel-Casinos. Materials include personal letters, drawings, professional papers, newspaper clippings, photographs, magazines, commericially produced sheet music, and related ephemera.
Archival Collection
Bobbie and Cody Lin Jones oral history interview: transcript
Date
2017-12-09
Archival Collection
Description
Oral history interview with Bobbie and Cody Lin Jones conducted by Claytee D. White on December 9, 2017 for the Remembering 1 October Oral History Project. In this interview, Bobbie and Cody Lin Jones, mother and daughter, discuss their love for country music and their experience going to the Route 91 Harvest music festival in 2017. Bobbie describes how her military training helped her and her daughter survive the shooting of that weekend, and both discuss what they had seen during the shooting. Bobbie and Cody Lin talk about adjusting to life after the event and the little things that have changed in their day-to-day living.
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