Search Results
Letter from W. T. Stewart (Las Vegas) to Las Vegas Land and Water Company (Las Vegas), January 1, 1951
Date
1951-01-01
Archival Collection
Description
Stewart notified the Las Vegas Land and Water Company that unless water was provided or the rent lowered, he would terminate the lease and vacate the property.
Text
Letter from E. G. Tilton (Los Angeles) to George Wynecook (Bakersfield, Cal.), August 31, 1906
Date
1906-08-01
Archival Collection
Description
E.G. Tilton, Chief Engineer of the The San Pedro, Los Angeles & Salt Lake Railroad Company, replies that the railroad company has no intention of drilling any wells in Las Vegas because of the abundance of spring water in the area.
Text
Letter from E. E. Bennett to F. H. Knickerbocker, October 20, 1934
Date
1934-10-20
Archival Collection
Description
Bennett agrees with Knickerbocker and MacNamee that they can do little to prevent Las Vegas citizens from trying to obtain the Las Vegas Land and Water Company through condemnation.
Text
Dill, David Bruce, 1891-
David Bruce Dill was a physiologist in the study of exercise, sports medicine and applied sciences. His research focused on the effects of temperature exposure, high-altitudes, diet, age and fatigue on the human body. Dill received his bachelor's degree from Occidental College in Los Angeles, California and both his master's and doctoral degrees from Stanford University in Stanford, California. He began his physiology career at Harvard’s Fatigue Laboratory in its inaugural year, 1927.
Person
Rojas, Mirtha
Mirtha Rojas is originally from La Habana, Cuba and came to the United States to join his brother that had lived in Miami since Mirtha was a child. Mirtha describes her childhood as many happy moments where she learned and enjoyed musical instruments from a young age, and became a music teacher in Cuba as well. Mirtha states after her parents had died, she faced some difficult times and her brother invited her to come to Miami where she arrived in 2009 along with her nine year old daughter.
Person
Photograph of Mayor Oran K. Gragson and his wife Bonnie enjoying dinner at the Frontier Hotel and Casino, Las Vegas, Nevada, April 13, 1969
Date
1969-04-13
Archival Collection
Description
Dining at the Frontier Hotel, April 13, 1969. Pictured L-R: Mrs. Bonnie Gragson, Mrs. John Meier, Las Vegas Mayor Oran K. Gragson, John Meier, U. S. Alaska Senator Mike Gravel. The location where the photograph was taken is unknown. Oran Kenneth Gragson (February 14, 1911 – October 7, 2002) was an American businessman and politician. He was the longest-serving mayor of Las Vegas, Nevada, from 1959 to 1975. Gragson, a member of the Republican Party, was a small business owner who was elected Mayor on a reform platform against police corruption and for equal opportunity for people of all socio-economic and racial categories. Gragson died in a Las Vegas hospice on October 7, 2002, at the age of 91. The Oran K. Gragson Elementary School located at 555 N. Honolulu Street, Las Vegas, NV 89110 was named in his honor. Maurice Robert "Mike" Gravel (born May 13, 1930) is a former Democratic United States Senator from Alaska, who served two terms from 1969 to 1981, and a candidate in the 2008 U.S. presidential election. He served in the Alaska House of Representatives from 1963 to 1966 and also became Speaker of the Alaska House. Gravel was elected to the U.S. Senate in 1968. John H. Meier (born September 28, 1933) is an American financier and business consultant now living in Vancouver, Canada. He is noted for his involvement with Howard Hughes, his behind-the-scenes involvement in events that precipitated President Richard M. Nixon's resignation, and his work in the environment. During the Watergate hearings, one man wanted to tell a spellbound nation secrets about the Nixon White House, the CIA and Howard Hughes. He could have told them why the burglary happened, but that was not what the Committee wanted to hear. To keep him from telling his secrets, he was persecuted, jailed and forced into exile in Canada. Investigative reporter Gerald Bellett detailed everything in a book called Age of Secrets. In a revised edition for the first time is an excerpt from John Meier's diary on the Robert F. Kennedy Assassination. John Meier is the first person to reveal everything from the Hughes Organization, and Robert Maheu’s, involvement with the assassination, to Thane Cesar ’s connection to Jack Hooper.
Image
Photograph of Mayor Oran K. Gragson and his wife Bonnie enjoying dinner at the Frontier Hotel and Casino, Las Vegas, Nevada, April 13, 1969
Date
1969-04-13
Archival Collection
Description
Dining at the Frontier Hotel, April 13, 1969. Pictured L-R: Mrs. Bonnie Gragson, Mrs. John Meier, Las Vegas Mayor Oran K. Gragson, John Meier, U. S. Alaska Senator Mike Gravel. The location where the photograph was taken is unknown. Oran Kenneth Gragson (February 14, 1911 - October 7, 2002) was an American businessman and politician. He was the longest-serving mayor of Las Vegas, Nevada, from 1959 to 1975. Gragson, a member of the Republican Party, was a small business owner who was elected Mayor on a reform platform against police corruption and for equal opportunity for people of all socio-economic and racial categories. Gragson died in a Las Vegas hospice on October 7, 2002, at the age of 91. The Oran K. Gragson Elementary School located at 555 N. Honolulu Street, Las Vegas, NV 89110 was named in his honor. Maurice Robert "Mike" Gravel (born May 13, 1930) is a former Democratic United States Senator from Alaska, who served two terms from 1969 to 1981, and a candidate in the 2008 U.S. presidential election. He served in the Alaska House of Representatives from 1963 to 1966 and also became Speaker of the Alaska House. Gravel was elected to the U.S. Senate in 1968. John H. Meier (born September 28, 1933) is an American financier and business consultant now living in Vancouver, Canada. He is noted for his involvement with Howard Hughes, his behind-the-scenes involvement in events that precipitated President Richard M. Nixon's resignation, and his work in the environment. During the Watergate hearings, one man wanted to tell a spellbound nation secrets about the Nixon White House, the CIA and Howard Hughes. He could have told them why the burglary happened, but that was not what the Committee wanted to hear. To keep him from telling his secrets, he was persecuted, jailed and forced into exile in Canada. Investigative reporter Gerald Bellett detailed everything in a book called Age of Secrets. In a revised edition for the first time is an excerpt from John Meier's diary on the Robert F. Kennedy Assassination. John Meier is the first person to reveal everything from the Hughes Organization, and Robert Maheu’s, involvement with the assassination, to Thane Cesar ’s connection to Jack Hooper.
Image
Photographs of Mirage signs, Las Vegas (Nev.), 2002
Date
2002
2017-08-15
Archival Collection
Description
Photos show Mirage signs during the daytime. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Mirage (Las Vegas, Nev.)
Site address: 3400 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The main attraction of the property is its spectacular exploding volcano placed among an astounding array of lagoons, waterfalls and palm trees. One of the themed hotel casinos, the architectural form takes precedence over an abundance of flashing lights and neon. Two pylon signs reside on the front of the property along Las Vegas Blvd, another on the west side of the property, two arched banner entrances are placed among them, lettering atop the towers, and various text placed among the vast stretch of landscaping are the only visible large elements of signage.
Sign condition: Structure 5 Surface 5 Lighting 5 The structure and lighting on the signs are in excellent repair, with no apparent major physical damage. The surfaces of the pylons and assorted log text, are a bit dirty, but no more than any other establishment, considering the punishment each must undergo due to the elements as well as the live volcano.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Just north of Caesars Palace a giant pylon sign faces north/south, on the east side of the strip. Two giant square posts support a giant backlit advertisement panel, and an adorning entablature containing the channel letters spelling "Mirage." Between the two giant legs two cabinets are present to fill the space. Just below the main backlit panel an LED screen resides just above another back lit panel. The two giant legs have a series of polished metallic panels running vertically up the sides, creating a recessed channel. The sections are separated with slight overhangs. The bottom smaller panel cabinet is an advertisement for "Danny Gans" and the main panel advertises for the "Seigfried and Roy" magic show. A small banner rests between the main entablature, and the panel, reading "Magicians of the Century." The black channel letters in the main pediment spells "The Mirage," and are filled with incandescent bulbs. The lush foliage and walkways continue north where a covered awning faced with a carved wood and brass bullnose, allows pedestrians to take a moving walkway up to the resort. The landscaping continues north where it meets a driveway denoted by a low arched banner supported by a pair of square columns on either end. "The Mirage" is spelled in polished gold channel letters, with white interiors and filled with incandescent bulbs. The banner itself is sculpted into two sweeping solid shapes on the tops and bottoms, with a series of folded ribbon like scroll shapes. The center section is crafted as to allow light to pass through the negative spaces created by the rows of positive scroll shapes. The banners face east. On the faces of each of the flanking posts, two images of jumping dolphins are sculpted and finished in the same fashion. Past the gateway the thick beds of foliage and palm trees can be seen headed back along the drives. Continuing north a multi tiered lagoon rushes circulating water on and over waterfalls, while yet more green shrubbery and palm trees encrust islands and images of eroded rocks and geological formations. The beautiful imagery continues north, twisting and turning in and behind itself to create a fantastic spectacle for a passerby to be lured in and be fascinated. Approximately in the middle of the length of the expanse, the famous functioning volcano rests quietly amongst smaller rocks and waterfalls. Just past the volcano the lagoon opens up into a wide flat area of water where bronze dolphins are positioned to look as if they are jumping out of the water. Still the rich foliage dominates the landscape, until another arched gateway interrupts the expanse to allow traffic. The foliage, and lagoon landscaping, picks up again, cozily grasping the base of a smaller pylon of similar design as the first. The two reflective paneled legs rise up to connect with a horizontal piece of the same design. A large backlit cabinet advertising for Danny Gans occupies approximately three-quarters of the space between the legs. An entablature of the same design as the main pylon, yet smaller, crowns the top of the sign. The trademark font spells "The Mirage" in black channel letters and filled with incandescent bulbs. Just past the small double sided pylon, a small of recess of rocks plays home to the end marker of the Mirage. A bust of Siegfried and Roy with a tiger is ambiently lit, provided photo opportunities for tourists. An interesting function has been added to the bust. In the flower bed behind and on the sides of the object, faux boulders are places with glowing crystals protruding from the surface. The tower of rooms for the Mirage is the popular three winged "Y" configuration converging onto a center structure. On each face of each wing, giant black channel letters spell "The Mirage" in their trademark text. Each is filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: Oscillating
Notes: The incandescent bulbs located within text logos on the pylon sign, and upon the tower oscillate to appear as shimmering. The effect is one of the more common animations particularly among the larger, corporate casinos.
Sign environment: The placement of the Mirage right on the curve of the Strip makes the pylons visible from a good distance from either direction. The environment displayed by the mirage is that of paradise. When walking past, and up to the property, it hard not to stop and stare at the amazing foliage and spread of waterfalls, and rocks.
Sign manufacturer: Ad-Art
Sign designer: Pylons: Charles Barnard with touches from Wynn's design group Atlandia Design Group. Dolphin Archways: Barnard and Jack Dubois as well as hotel architect, Joel Bergman
Sign - date of installation: 1989
Sign - date of redesign/move: The main pylon has since been updated with a new Siegfried and Roy Back lit Mural, a new LED screen, and another back lit plastic screen featuring Danny Gans. An internally lit banner reads horizontally across the top of the giant Siegfried and Roy Mural which reads Magicians of the Century.
Sign - thematic influences: The theme is tropical island paradise. Complete with active volcano, the front spectacle of rushing waterfalls, chirping bird noises, and leaping bronze dolphins, serves as the backdrop for the simple, slim design of the property's pylon structure. The pylons were designed to reach harmony with the structure of the tower itself, rather than the island theme. The dolphins over the entrance arches however represent the tropical island theme, as well as speaking about the dolphin habitat inside.
Sign - artistic significance: The main pylon was the first of its kind to feature a full color illuminated photographic pictoral. Designed by Rosco, it was billed as the largest of its type in the world. The resort's themed spectacular was also the first of it's kind in regards to its extravagance and unique functionality. Approximate 125,000 people visited the property on its opening day. The resort fits well into the theme of design of the large, corporate property, after all it was one of the pioneers of such a movement in Las Vegas. The Mirage also set the standards for the now frequently seen element of the attraction spectacle, and the standard of quality on the Las Vegas Strip
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic
Site name: Mirage (Las Vegas, Nev.)
Site address: 3400 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The main attraction of the property is its spectacular exploding volcano placed among an astounding array of lagoons, waterfalls and palm trees. One of the themed hotel casinos, the architectural form takes precedence over an abundance of flashing lights and neon. Two pylon signs reside on the front of the property along Las Vegas Blvd, another on the west side of the property, two arched banner entrances are placed among them, lettering atop the towers, and various text placed among the vast stretch of landscaping are the only visible large elements of signage.
Sign condition: Structure 5 Surface 5 Lighting 5 The structure and lighting on the signs are in excellent repair, with no apparent major physical damage. The surfaces of the pylons and assorted log text, are a bit dirty, but no more than any other establishment, considering the punishment each must undergo due to the elements as well as the live volcano.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Just north of Caesars Palace a giant pylon sign faces north/south, on the east side of the strip. Two giant square posts support a giant backlit advertisement panel, and an adorning entablature containing the channel letters spelling "Mirage." Between the two giant legs two cabinets are present to fill the space. Just below the main backlit panel an LED screen resides just above another back lit panel. The two giant legs have a series of polished metallic panels running vertically up the sides, creating a recessed channel. The sections are separated with slight overhangs. The bottom smaller panel cabinet is an advertisement for "Danny Gans" and the main panel advertises for the "Seigfried and Roy" magic show. A small banner rests between the main entablature, and the panel, reading "Magicians of the Century." The black channel letters in the main pediment spells "The Mirage," and are filled with incandescent bulbs. The lush foliage and walkways continue north where a covered awning faced with a carved wood and brass bullnose, allows pedestrians to take a moving walkway up to the resort. The landscaping continues north where it meets a driveway denoted by a low arched banner supported by a pair of square columns on either end. "The Mirage" is spelled in polished gold channel letters, with white interiors and filled with incandescent bulbs. The banner itself is sculpted into two sweeping solid shapes on the tops and bottoms, with a series of folded ribbon like scroll shapes. The center section is crafted as to allow light to pass through the negative spaces created by the rows of positive scroll shapes. The banners face east. On the faces of each of the flanking posts, two images of jumping dolphins are sculpted and finished in the same fashion. Past the gateway the thick beds of foliage and palm trees can be seen headed back along the drives. Continuing north a multi tiered lagoon rushes circulating water on and over waterfalls, while yet more green shrubbery and palm trees encrust islands and images of eroded rocks and geological formations. The beautiful imagery continues north, twisting and turning in and behind itself to create a fantastic spectacle for a passerby to be lured in and be fascinated. Approximately in the middle of the length of the expanse, the famous functioning volcano rests quietly amongst smaller rocks and waterfalls. Just past the volcano the lagoon opens up into a wide flat area of water where bronze dolphins are positioned to look as if they are jumping out of the water. Still the rich foliage dominates the landscape, until another arched gateway interrupts the expanse to allow traffic. The foliage, and lagoon landscaping, picks up again, cozily grasping the base of a smaller pylon of similar design as the first. The two reflective paneled legs rise up to connect with a horizontal piece of the same design. A large backlit cabinet advertising for Danny Gans occupies approximately three-quarters of the space between the legs. An entablature of the same design as the main pylon, yet smaller, crowns the top of the sign. The trademark font spells "The Mirage" in black channel letters and filled with incandescent bulbs. Just past the small double sided pylon, a small of recess of rocks plays home to the end marker of the Mirage. A bust of Siegfried and Roy with a tiger is ambiently lit, provided photo opportunities for tourists. An interesting function has been added to the bust. In the flower bed behind and on the sides of the object, faux boulders are places with glowing crystals protruding from the surface. The tower of rooms for the Mirage is the popular three winged "Y" configuration converging onto a center structure. On each face of each wing, giant black channel letters spell "The Mirage" in their trademark text. Each is filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: Oscillating
Notes: The incandescent bulbs located within text logos on the pylon sign, and upon the tower oscillate to appear as shimmering. The effect is one of the more common animations particularly among the larger, corporate casinos.
Sign environment: The placement of the Mirage right on the curve of the Strip makes the pylons visible from a good distance from either direction. The environment displayed by the mirage is that of paradise. When walking past, and up to the property, it hard not to stop and stare at the amazing foliage and spread of waterfalls, and rocks.
Sign manufacturer: Ad-Art
Sign designer: Pylons: Charles Barnard with touches from Wynn's design group Atlandia Design Group. Dolphin Archways: Barnard and Jack Dubois as well as hotel architect, Joel Bergman
Sign - date of installation: 1989
Sign - date of redesign/move: The main pylon has since been updated with a new Siegfried and Roy Back lit Mural, a new LED screen, and another back lit plastic screen featuring Danny Gans. An internally lit banner reads horizontally across the top of the giant Siegfried and Roy Mural which reads Magicians of the Century.
Sign - thematic influences: The theme is tropical island paradise. Complete with active volcano, the front spectacle of rushing waterfalls, chirping bird noises, and leaping bronze dolphins, serves as the backdrop for the simple, slim design of the property's pylon structure. The pylons were designed to reach harmony with the structure of the tower itself, rather than the island theme. The dolphins over the entrance arches however represent the tropical island theme, as well as speaking about the dolphin habitat inside.
Sign - artistic significance: The main pylon was the first of its kind to feature a full color illuminated photographic pictoral. Designed by Rosco, it was billed as the largest of its type in the world. The resort's themed spectacular was also the first of it's kind in regards to its extravagance and unique functionality. Approximate 125,000 people visited the property on its opening day. The resort fits well into the theme of design of the large, corporate property, after all it was one of the pioneers of such a movement in Las Vegas. The Mirage also set the standards for the now frequently seen element of the attraction spectacle, and the standard of quality on the Las Vegas Strip
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic
Mixed Content
José Eliqué oral history interview: transcript
Date
2018-01-17
Archival Collection
Description
Oral history interview with José Eliqué conducted by Barbara Tabach on January 17, 2018 for the Remembering 1 October Oral History Project. In this interview, José Eliqué discusses his responsibilities as the Associate Vice President and Chief of Police for the Department of Police Services at the University of Nevada, Las Vegas (UNLV). He talks about the Police Services Department and its mission to maintain a safe environment on campus. Eliqué discusses the night of the October 1, 2017 shooting and the procedures in place that helped the police officers and detectives support the survivors who made their way to the UNLV campus. He also provides details about using the Thomas & Mack Center as a place of refuge for survivors. In addition to his work in Las Vegas, which started when he moved to the city in 2000, Eliqué discusses his service in the US Navy and his career history in New York City and Chicago, Illinois.
Text