The Stardust Resort and Casino Records (1950-2006) contain materials of the Stardust Resort and Casino, which operated in Las Vegas, Nevada from 1958 to 2006. The collection contains materials on events hosted by the Stardust, the resort and casino's corporate history, interior and exterior building design, and performers. The collection also includes photographs, negatives, and slides that document the history of the resort and casino. Newspaper and magazine clippings, advertisement and marketing materials related to the Stardust's venues, shows, entertainers, and events are also present in the collection. The collection also contains a significant amount of audiovisual material, including VHS tapes, audio cassettes, optical discs, film reels, and cassette tapes containing footage and audio recordings of Stardust show promotions, news broadcasting clips, interviews, and commercials featuring the Stardust.

The Mollie Gregory Collection of Oral Histories contains audio interviews and brief transcripts that focus on welfare, family, and women's issues in Nevada from 1970 to 1974. Gregory interviewed Nevada residents including Maya Miller, Ruby Duncan, and Mary Wesley, who described their lives during the anti-poverty and women's rights campaigns in the early 1970s. The collection documents views on welfare; the Equal Rights Amendment; race, discrimination, and civil rights; and political campaigns.

The Lee Plotkin papers document Plotkin's political work and associations as an LGBT activist and spokesman for the Las Vegas gay community, and include correspondence, press releases, copies of his columns, institutional and legislative documents, brochures, fliers and other ephemera from 1955 to 2006.

The Cave Nightclub Records (1992-1994) are comprised of materials generated during the planning and construction of the Cave Nightclub in Las Vegas, Nevada. It opened in 1992 as a straight nightclub. It changed ownership in 1993, and reopened on September 3, 1993 as a gay nightclub and closed early in 1995. The collection contains policy documents, building plans, and promotional and publicity materials, as well as artifacts, including waiter uniforms from the nightclub.

Collection is comprised of a framed sketch of the neon guitar sign that was fabricated by YESCO for the Hard Rock Cafe in Las Vegas, Nevada circa 1990. It was hand-colored by the designer Shirley Ono, framed, and presented as a gift to Warwick Stone, Creative Director of the Hard Rock Cafe chain from 1982-1996, who commissioned the design. Also included is a HRH magazine mock-up for Summer/Fall 2005.

The collection is comprised of Dorothy and Clark "Danny" Lee's personal ephemera relating to their childhoods and high school experiences in Las Vegas, Nevada during the 1940s and 1950s. The materials focus mainly on Dorothy Damrow Lee's involvement with the Rhythmettes, a Las Vegas High School club. The collection highlights children's and young adults' experiences growing up in early Las Vegas as well as information on Las Vegas High School activities.

The collection is comprised of architectural records (1943-2009) completed by American architect, Alton Dean Jensen and/or his architectural firm, Alton Dean Jensen Architect, AIA, and contains 263 sets of drawings and 95 sets of project records from over 200 different projects. Primarily focusing on the Nevada area and Utah area with some projects also located in Arizona, California, Wyoming, Colorado, South Dakota, Montana, and Idaho, the materials feature hand-drawn architectural drawings, ranging from preliminary sketches to construction documents, and project records, like structural calculations and project specifications. The drawings also contain work from consultants, engineers, and other architects who collaborated on the development of the various projects. The drawings include: commercial, industrial, professional, civic, residential, and religious buildings of varying scales, such as convenience stores, hotels, casinos, shopping centers, warehouses, office developments, schools, military buildings, churches, and custom single-family homes located throughout the Southwest (United States). The drawings also include a number of additions, remodels, and renovations. The drawings contain work from the Miles E. Miller Architecture firm, where Alton Dean Jensen first worked in Salt Lake City, Utah in the 1950s. The records include: structural calculations and drawings, project manuals and specifications, bid documents, and professional correspondence.