On March 1, 1977, collector Sam C. Melchiome Jr. interviewed Jean McColl (born May 24th, 1931 in California) at her home in Las Vegas, Nevada. In this interview, Jean McColl discusses growing up in Searchlight and then Las Vegas, Nevada. She discusses how her family came here as well as the many changes she has seen through the decades living in Las Vegas, Nevada.

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

Cathie and Chris Millson moved to Las Vegas with their one-year-old daughter, Nicole, in 1984 following Chris’s completion of a cardio-thoracic anesthesiology fellowship in Atlanta, Georgia. Their two other children were born in Las Vegas. Shortly after they arrived they purchased the Rancho Bel Air house where they currently reside. Cathie talks about raising her children and living in Rancho Bel Air, a gated neighborhood of custom houses, which grew to maturity after the Millsons moved in. Cathie’s memories chronicle the growth of Las Vegas from small town to large city, how a certain segment of the population lived and entertained, and how downtown revitalization has brought young people back to Rancho Bel Air to raise their families.

On March 1, 1987, Hank Baran interviewed John Graves (born February 21st, 1938 in San Diego, California). This interview covers the gaming industry overall, and also highlights, women in gaming, more specifically. Mr. Graves also discusses the hotels on the Las Vegas Strip, McCarran Airfield, and golfing in Southern Nevada.

On March 8, 1975, John Neal interviews Ruth Hazard (birthdate unknown, 67 years old) in her home about her memory of how Southern Nevada has changed economically. Hazard goes in-depth about her knowledge of municipal politics and her husband’s friendships with a number of Nevadan politicians. Hazard also briefly talks about her fascination with the above-ground atomic tests, speakeasies during Prohibition, and local anxieties about Las Vegas “losing its identity.”

Jillian Hrushowy arrived in Las Vegas in 1959 as part of a company hired to appear at the El Rancho Vegas Hotel in a production called La Nouvelle Eve. She has remained here (other than three short-term contracts in Reno, Nevada) until present day. She is now the production manager for Legends in Concert at the Imperial Palace Hotel. She was an only child, born in Rhodesia to English parents and raised in a home with servants and tutors. Her mother exposed her to the arts at an early age. Jillian took dancing lessons from the age of three years until she began dancing professionally. When she was fifteen years old, both parents agreed it was time for her to leave Rhodesia and finish her education in England. Living alone was difficult and lonely, but it afforded her a wealth of opportunities otherwise unavailable. She worked as a dancer in small, local productions while still in high school. When only eighteen, she got a job dancing in La Nouvelle Eve in Paris which eventually came to Las Vegas. This interview focuses on the years from Jillian’s arrival in 1959 until she retired from dancing in 1979. It follows her transitions from dancer, to principal dancer to production manager. [The first twenty minutes of the tape is warped and the text is garbled. The transcriber has lightly edited the transcript.]

Betty [Rosenthal] Bunch began dancing as a child. By the time she was nine years old she decided she would have a dancing career. At 18 years she began to work in stock theatre productions. Within a short time, she had joined the Moro-Landis dancers. She landed her first job in Las Vegas in 1956 at the Sahara Hotel as part of the opening line for Donald O'Connor. Following the Sahara, she worked as a dancer at the Riveria, and then returned to the Moulin Rouge in Hollywood. In 1961 while vacationing in Las Vegas, she landed a job dancing at the Dunes. She continued to dance, sing and do comedy until after the birth of her second child. At that time, she retired from the Las Vegas showroom, but not from show business. Her involvement in both film and stage has remained rich and varied. This interview focuses on the time Betty spent performing on the Las Vegas strip, including her long involvement with the acclaimed afternoon show Bottoms Up. The interview provides information on workin