In this oral history interview, Adele Baratz and Florence Frost discuss their experiences as members of the Las Vegas Jewish community, particularly as it has evolved and grown over the decades.
Adele Baratz and Florence Frost discuss their experiences as members of the Las Vegas Jewish community, particularly as it has evolved and grown over the decades. As active members of the Temple Beth Sholom congregation, the two recall others that made significant contributions to the local Jewish community as well as programs that strengthened Jewish life, including Women?s League, Fifty-five Plus and the Hebrew Day School. In addition, Adele and Florence recall efforts to pressure the Clark County School District to accommodate absences for the High Holidays. Adele (Salton) Baratz was born August 11, 1926, to Russian immigrant parents. The family moved to Las Vegas when Adele was two years old, making her the longest residing Jewish resident in Las Vegas. Adele graduated from Las Vegas High School in 1944, and then attended nursing school at Baltimore?s Sinai Hospital, from which she graduated in 1947. While visiting a friend in Philadelphia, Adele met her husband, and the couple lived there for a few years. When the couple divorced, Adele returned to Las Vegas with her children, and eventually also returned to nursing. She retired from Sunrise Hospital in 1991, after 17 years. Florence (Levine) Frost was born March 24, 1929 in Brooklyn, New York. She married Robert L. Levine in 1949, and the two had three daughters. In 1960, Robert?s work as a decorator brought the couple to Las Vegas. Not long after moving, she joined Temple Beth Sholom, where she worked as an executive secretary for two years. It was at temple, as members of Women?s League, that Florence and Adele met. Florence was a two-term president of the Women's League beginning in 1970; established the Fifty-Five Plus Club for seniors; and served on the congregation's board of directors for many years. Florence?s other leadership roles in the Jewish community include: chair of the Anti-Defamation League committee of B'nai B'rith, president of the National Council of Jewish Women, and president of the Las Vegas chapter of the Brandeis National Committee (2010-2011).
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Oscar Baylin Goodman (1939- ) is the former mayor of the city of Las Vegas, Nevada, serving 12 years until 2011, when he swore in his wife of over 50 years, Carolyn Goodman. Oscar Goodman is the official ambassador of Las Vegas, and the chairman of the Las Vegas Convention and Visitors Authority (LVCVA) Host Committee. He is also known as one of the best criminal defense attorneys in the United States, and spent 35 years defending alleged Mob figures such as Meyer Lansky, Frank Rosenthal, and Anthony Spilotro. Goodman is the primary visionary and a member of the board of directors of The Mob Museum in downtown Las Vegas, which opened in 2012. Goodman was born June 26, 1939 in Philadelphia, Pennsylvania. He earned his undergraduate degree from Haverford College in 1961 and his law degree from the University of Pennsylvania Law School in 1964. That same year he moved to Las Vegas and in 1965 he was admitted to the Nevada State Bar. He served as Clark County?s chief deputy public defender from 1966 to 1967. Goodman was elected as mayor of Las Vegas for the first time in 1999. During his three terms (the legal limit), he contributed to the economic and cultural development of the downtown area by supporting projects such as the arts district and Union Park, a high-rise residential and business project he helped to secure 61 acres of land for. He helped to begin what he called the ?Manhattanization? of downtown, which included the construction of taller buildings for better use of the area?s prime real estate. In this interview, Goodman discusses the role of Judaism in his life, from childhood to adulthood to parenting his own four children. He touches on his involvement with Temple Beth Sholom, including serving as its president, as well as in local development projects like the Lou Ruvo Cleveland Clinic Brain Health Center, Smith Center for the Performing Arts, and Mob Museum. In addition, Goodman discusses the impact of Jewish residents on the city and its development, and mentions leaders in the gaming industry, legal profession and in politics.
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In this interview, Suzie discusses growing up in Las Vegas, with a strong community of friends, particularly within Temple Beth Sholom. She also talks about her real estate career, both in residential and commercial properties, highlighting some of the successes and challenges. She describes her working relationship with Milton Schwartz, as well her time working with the Greenspuns while selling advertising at the Las Vegas Sun.
Suzie Chenin was born in Cleveland, Ohio, in August of 1949. The next year, her parents, Joseph and Irene Chenin, moved the family to Las Vegas. Her father, a dentist, was stationed at Nellis Air Force Base, becoming the first Jewish dentist in the state ? and only the thirtieth overall. After graduating from Las Vegas High School, Suzie attended Arizona State University. However, she quit school and moved to Los Angeles where she got a job with a large real estate developer. This was her first foray into the industry. A few years later, back in Las Vegas, Suzie got her real estate license, eventually starting her own brokerage firm, Chenin and Associates.
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This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.
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Roscoe Wilkes was born in Bonanza, Colorado, and moved with his family to Pioche, Nevada for what his sister called a 75-year pit stop. Soon after their move to this rural Nevada town, Roscoe’s mother became a widow, raising two children during the Depression. Like many families in Pioche, the Wilkes’ made due with what they had, and were creative in sustaining their livelihoods. Roscoe has never stood still. Before enlisting in the military, Roscoe worked various jobs, as a PBX systems operator, a lead zinc miner, and grade school teacher, before enlisting. During World War II, Roscoe became a prisoner of war in Romania, and was rescued a few months later when the Germans began retreating. Returning to the United States after his release, he relocated to a base in California, and married. As soon as Roscoe was relieved of his military service, he took advantage of the then new G.I. Bill and enrolled in the University of Southern California School of Law. He immediately took his degree to Pioche, soon becoming its district attorney, and later a judge. He spent 18 years based in Seattle as a federal administrative law judge, hearing cases prosecuted by the Coast Guard. Roscoe ended his 45-year career in law in 1990, and moved to Boulder City, where four generations of Wilkes live.
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Part of an interview with David Washington by Claytee White on March 18, 2009. Washington describes how he worked to serve as a role model and helped start the Black Firefighters Association, serving as President for the first two years.
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Randy Lavigne, Honorary AIA, has every reason to smile. Since 1995 she has been the Executive Director for AIA (American Institute of Architects) Las Vegas professional organization; she works daily with her daughter in a beautifully restored historic building in the heart of downtown Las Vegas; and the architects with whom she works so value her contributions they compiled and submitted documentation in order to surprise her with honorary AIA membership. In this interview, Lavigne recalls growing up in segregated Emory Gap, Tennessee, where her grandfather bought all the schoolchildren new shoes every year. She details the cross-country trip that brought her to Las Vegas in 1994 and eventually to the AIA in 1995. The bulk of the interview focuses on the building where the AIA is housed and the history of the organization. In 2008 the AIA moved from its former home at UNLV’s School of Architecture to the historic Fifth Street School in downtown Las Vegas. Lavigne discusses the history of the building and its significance to the City of Las Vegas. She reveals plans to examine the architectural history Las Vegas to celebrate the AIA Chapter’s sixtieth anniversary. She also talks about diversity in the profession, the process of licensure, publications, continuing education, organizational records, and the now-defunct auxiliary organization, the Architects' Wives League.
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Interview with Margo Mink Colbert by Barbara Tabach on November 11, 2014. Colbert discusses her upbringing in New York and her schooling at the High School of Performing Arts and Julliard. She is a choreographer and faculty member at the University of Nevada Las Vegas.
Margot Mink Colbert was born in 1935 in New York City, to parents of different economic backgrounds who shared a Jewish immigrant heritage. She attended Julliard and studied under modern dance pioneers like Martha Graham and Jose Limon. Margot honed her skill for choreography, and took her first job in academia as a Senior Lecturer in the dance department at the University of Wisconsin-Madison. In 1991, she moved to the University of Nevada, Las Vegas to take a one-year appointment as an instructor. A year later, she was hired into a tenure track position. Margot is now a Professor at the University of Nevada-Las Vegas, assistant chairperson of and Director of Ballet in its Department of Dance. In addition, she continues to direct Ballet Mink, a dance company she founded in 1970.
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Documents in this series include press releases and press kits, which announce the tournament and key players; proceedings, including buy-in rosters, event schedules, participation lists, and handwritten notes that document the day-by-day results of play; player's brochures, with finished designs as well as raw materials for these brochures; newspaper and magazine clippings; and display ads in both draft and finished form. Most years do not contain all different types of materials, while some years document specialty events such as the women's tournament, live telecast, or sports charity events.
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