The Denny Lynch Photograph Collection (approximately 1900-1990) contains photographic prints and negatives of the Lynch family and their homes in Pahrump Valley and near Blue Diamond, Nevada. The photographs also depict locations and people throughout Nevada, primarily in Pahrump and Amargosa with a focus between approximately 1970 and 1990. Other photographs include local, state, and federal politicians in Nevada and Washington, D.C. Most of these photographs were collected by Denny Lynch for his newspaper, the Pahrump Tribune.

The Elton and Madelaine Garrett Photograph and Architectural Drawing Collection contains photographic prints and architectural drawings of Boulder (Hoover) Dam; Las Vegas, Nevada; Boulder City, Nevada; and other locations in the American Southwest from approximately 1927 to 1990. The photographs primarily depict Hoover Dam's construction and areas around Hoover Dam, Las Vegas, and Boulder City during the 1930s and 1940s. The bulk of the architectural drawings and maps are projects and diagrams related to the planning and development of Boulder City, Nevada between 1943 and 1985.

The Mary Kinnear Photograph Collection (1964) is comprised of twenty photographic color slides depicting buildings on fire in Las Vegas, Nevada. Materials include photographs of houses, casinos, and other properties burning while fire fighters attempt to put the fires out and onlookers watch.

The North Las Vegas Library Photograph Collection on North Las Vegas, Nevada (approximately 1905-1989) depicts life in Southern Nevada. The collection consists of over one thousand images dated from 1905 to 1989. The images consist of activities at Nellis Air Force Base, Southern Nevada politicians, celebrities, schools, churches, and city development.

The Dunes Hotel Photographs (1950-1993) consist of administrative, publicity and entertainment images documenting the history of the Dunes Hotel and Casino in Las Vegas, Nevada. In addition to materials focusing on day-to-day activities at the hotel (correspondence, contracts, personnel, budgets, etc.) the collection provides insight into the hotel’s entertainment and public relations activities. Although there are chronological gaps in the collection, particularly during the later years of the Dunes (1970s-1990s), it provides a significant amount of historical documentation on the famed Strip hotel that was long known to tourists and residents alike as the “the Miracle in the Desert.”

The Francisco Arcaute Photographs (2004-2006) contain monochrome and color photographic negatives of various exterior environs, signage, and events around Las Vegas, Nevada and Southern Nevada taken by Chicago, Illinois-based photographer Francisco Arcaute. The materials include negatives of neon signs located at the Fremont Street Experience, the El Cortez Hotel and Casino, and the Blue Angel Motel. Events represented in this collection include the annual Veterans Day parade hosted by the Veterans Action Group and Christmas markets.

The Bill Hughes Photographs (approximately 1980-2012) contains negatives, slides, prints, proofs, and born digital images created by local photographer and photojournalist Bill Hughes for publications including Las Vegas CityLife, Las Vegas Business Press, Las Vegas Weekly, as well as commercial clients. A portion of prints in the collection consist of modeling photographs Hughes took as part of his business. The digital images represent a variety of clients, and feature local bands, DJs, and performers in nightclubs and bars on the Strip and downtown Las Vegas. Also included in digital files are portraits, artistic photographs and self-portraits, and material used for Las Vegas Weekly, CityLife, and Business Press.