The Maria Pogee Papers (1942-2019) document the life and career of Argentinian born dancer, choreographer, and actress, Maria Pogee. Pogee worked extensively in Argentina, Chile, Lebanon, around the United States and in Las Vegas, Nevada. Materials include press clippings, show programs, correspondence, and photographs representing Pogee's entertainment career such as her work in the stage production of Peter Pan and choreography for Juliet Prowse and Shirley MacLaine. Other materials includes various unproduced show concepts with designs, storyboards, and scripts that she worked on with costume designer José Luis Viñas. Materials also include scrapbooks documenting her dance career dating from 1952 to 2009 which contain original correspondence, programs, photographs, and newsclippings. Materials also document Pogee's life and career outside of entertainment including her work directing fashion shows, operating a tourism company, and as a yoga instructor.

The UNLV Libraries Collection of Compton Dancer Consulting reports (2002-2008) contains monthly promotional reports compiled for CDC Gaming by H. Scot Krause. The reports list a variety of promotions at Las Vegas, Nevada casinos including slot tournaments, bonus point redemption promotions, "double point days", service industry deals, and more.

The McNamee Family Papers (approximately 1898-2000) are comprised of family papers of early Nevada settlers, Frank (Francis) Raphael McNamee and Effie Alice Webster McNamee. It contains original family photographs and some documents such as newspaper clippings, award certificates, handwritten deeds, and correspondence about Effie and Frank McNamee Sr., and their eight children, including Frank Jr. and Leo McNamee. There are large folders of photocopied genealogy printouts from Ancestry.com regarding Frank and Effie McNamee.

The Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project contains transcribed interviews with Nevada leaders, interviewed for their perspective and experiences leading during and after the COVID-19 pandemic. These individuals include policymakers and elected officials, as well as leaders of government agencies, community organizations, businesses, and K-12 and higher education institutions.

The Patricia Craig Papers (approximately 1941-1989) contain photographs from Las Vegas, Nevada dancer and showgirl Patricia (Pat) Craig. The collection includes early photographs of her family, Craig as a young ballet dancer, and her high school diploma. The majority of the photographs of are Craig in costume on stage, candid photographs of her at home, and professional modeling shots. There are a small amount of newspaper clippings and magazines regarding Craig's appearances in Las Vegas shows, and her diploma from the University of Nevada, Las Vegas.

The Larry Fotine Music Collection (approximately 1940-2017) contains the complete library of composer, jazz band leader, and composer for television Larry Fotine. Materials include manuscript scores, printed sheet music of works by Fotine, ASCAP agreements and contracts, photographs, recordings (both published recordings and archival recordings), correspondence, and books by Fotine, and memorabilia. Fotine directed his own bands beginning in the 1930s, with many million-plus seller recordings. He composed over 300 songs, including collaboration with Duke Ellington (“I Ain’t Got Nothin’ but the Blues”), and arranged music for Sammy Kaye’s band (1940-1945), Blue Barron and Art Mooney (1945-1947), and Lawrence Welk (1958-1960). Fotine composed music for the "Buttons and Rusty" cartoon shows at the end of his career in the 1980s. There is an item-level inventory available upon request.

Wolfman Jack's "Disco Party" script contains a single annotated copy from the Riviera Hotel show in Las Vegas, Nevada. The show starred Wolfman Jack, Peaches & Herb, and France Joli with special guest stars Tuxedo Junction and took place at the Riviera Hotel from October 11 through October 17, 1979. Executive Producers include Tino Barzie and Jay Harvey. Written at the top of the script is "Rick's Copy" and appears to be Rick Warren's (musical director) copy, with notes throughout.